Variety's Scores

For 17,786 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17786 movie reviews
  1. Carey Mulligan shines in a captivating performance.
  2. Telling with a light, surefooted touch a legendary tale from British soccer history, The Damned United reps the latest collaboration in factual fiction between chameleon thesp Michael Sheen, screenwriter Peter Morgan and producer Andy Harries ("Frost/Nixon," "The Queen").
  3. Those involved got to spend weeks at a Bora Bora luxury resort; all we get is this not lousy but unmemorable tropical-vacation comedy.
  4. Too smart/arty for the slasher set, and too violent for high-brows, Bronson may have a tough time finding its niche, although it has "cult hit" written all over it.
  5. A raucous and rigorous inquiry into the subject of African-American hair -- the stigmas, the secrets, the shocking price of maintenance -- that gets at universal but rarely discussed truths about black femininity.
  6. Playing a negligent mother isn't usually the way to get ahead in the acting biz, but the elfin Michelle Monaghan must have seen Trucker as her vehicle out of the ingenue parking lot of sidekicks and potential hostages.
  7. Eating Out: All You Can Eat somewhat departs from the series' gay spin on the raunchy teen sex comedy in favor of semi-sincere romantic comedy -- after a crass and abysmal first stretch, that is.
  8. Absurdist underdog yarn that feels positively Martian in its brand of tom-tomfoolery. Like a "Saturday Night Live" sketch gone on too long, Ari Gold's feature debut will tax unsuspecting viewers, while sending those on Gold's special wavelength into seizures of delight.
  9. There's scarcely a boxing-movie cliche left unrecycled by the end of From Mexico With Love, an inaptly titled and thoroughly predictable indie drama directed by vet stunt coordinator and fight choreographer Jimmy Nickerson.
  10. An aggravating romance that runs only 78 minutes but ends not a moment too soon.
  11. Finds its titular merry pranksters up to yet more capitalist-critiquing chicanery and fat-cat-fooling fun.
  12. Feels like it was made more for the kids' sake than to communicate their story to outside audiences, who would likely prefer a condensed newsmag-style recap.
  13. Trick ‘r Treat neatly apportions scary and campy elements while cleverly interlacing four storylines on Halloween night in an Ohio hamlet.
  14. One doesn't know how (auto)biographical any or all of this is, but there's a tartness to the telling of what amounts to a well-shaped series of anecdotes that bespeaks distant pain or, at least, wincing memory twisted into mordant comedy by time and sensibility.
  15. Laced with good-natured hipster kitsch and endearingly goofy girl power, director Drew Barrymore's roller-derby dramedy, Whip It, is a gas.
  16. Benefiting from the very different but very appealing comedy styles of Woody Harrelson and Jesse Eisenberg even when the script's wit runs thin, this should be catnip to jaded genre fans.
  17. While it never tops the explosive hilarity of its first 20 minutes, The Invention of Lying is a smartly written, nicely layered comedy that, like last year's underappreciated "Ghost Town," casts Ricky Gervais as a mild-mannered schlub who manages, in spite of himself, to make the world a better place.
  18. A kind of classic of American sports history.
  19. A waste of a talented, earnest cast, this borderline offensive indie, set for an Oct. 2 limited release, shouldn't take up too much valuable theater space before fading away.
  20. Unsettles without illuminating, marred by narcotic pacing and a blank lead performance.
  21. A skittery, rambling but often absorbing portrait.
  22. Vet helmer David Dhawan's big-budget sitcom is a major, slumdogging step in the right direction, with nosebleed-inducing production values, infectious musical sequences and some astoundingly beautiful actors.
  23. Visceral and engrossing.
  24. Mostow's smart speculative suspenser imagines a time when people can live through ideal versions of themselves while they sit wired up at home.
  25. Paranormal succeeds in staying unnervingly "real."
  26. Special effects are none too convincing, while sound effects are of the cheaply jolting variety favored by producer Paul W.S. Anderson in his films as director ("Resident Evil," "Event Horizon"). Other tech credits are, like the pic as a whole, lazily derivative.
  27. Distinguishes itself from such last-fling-before-the-wedding comedies as "The Hangover" with the grittiness of its Texas locales and the smug intelligence of its unapologetically narcissistic protagonist.
  28. More sentimental than chic, Gallic biopic Coco Before Chanel nonetheless knits a convincing portrait of the designer's journey from her humble beginnings as a provincial seamstress to the halls of Parisian haute couture.
  29. This is polished yet authentically moving.
  30. This PG-rated offering thus dances along a fine line -- one that suggests a shelf-life well short of its "I wanna live forever" anthem.

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