For 17,786 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,137 out of 17786
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Mixed: 7,013 out of 17786
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Negative: 1,636 out of 17786
17786
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Rob Nelson
The Lizard King is a bummer in When You're Strange, Tom DiCillo's disastrously inane documentary ode to reptilian rocker Jim Morrison and his mellower bandmates in the Doors.- Variety
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John Anderson
Ultimately an entertaining story about a deeply lonely man.- Variety
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Jay Weissberg
Has striking moments comparable to the best of Neshat's potent imagery. But the script jettisons most of the book's more powerful sections.- Variety
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Ronnie Scheib
Gleefully piles on everything anyone could want in a docu on the fabulous Kuchar brothers, whose deliriously campy zero-budget mellers -- with titles like "Hold Me While I'm Naked" or "Sins of the Fleshapoids" -- enlivened many otherwise somber evenings of '60s underground cinema.- Variety
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Boyd van Hoeij
Calling the Strobbe clan a working-class family would imply that some of its members worked (or had class), but none of the lowlife protags do in the visually robust and often hilarious Flemish tragicomedy The Misfortunates.- Variety
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Andrew Barker
An outstanding documentary exploration of the travails of four deaf entertainers.- Variety
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Rob Nelson
A film noir set mostly in broad daylight, Don McKay, writer-director Jake Goldberger's mild riff on "Double Indemnity," etc., works best as a showcase for its veteran cast, particularly Elisabeth Shue.- Variety
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- Variety
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Justin Chang
This moving but far from revelatory portrait of a beloved family figure registers as too slight and personal for significant theatrical play.- Variety
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Peter Debruge
Married offers a positive, if melodramatically heightened, portrait of upper-middle-class African-American life, one broadly appealing enough to satisfy even the Nancy Meyers set, if only they'd give it a chance.- Variety
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Derek Elley
Laden with gritty action, but with an emotional undertow that carries the drama even through its weaker moments, picture reps a strong comeback by Hong Kong helmer-producer Peter Chan.- Variety
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Ronnie Scheib
Happily, "Upwards" picks up immeasurably when three legit luminaries (Andrea Martin, Julie White, Peter Friedman) enter the picture as the couple's parents.- Variety
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Alissa Simon
Ultimately rewards the viewer's patience with a potent sense of Ethiopian history and culture.- Variety
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Brian Lowry
This "Titans" reboot merely demonstrates that building a more elaborate mousetrap doesn't necessarily produce a more entertaining one.- Variety
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Rob Nelson
A soapy meller that transitions the young pop star from the Disney Channel to the bigscreen while giving girls what they'd seem to want and nothing more.- Variety
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Dennis Harvey
Even by recent standards for mainstream comedy packaging, "Tub" looks dull and ugly.- Variety
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Todd McCarthy
Sexual suspicion and game-playing spiral down from the exotically intriguing to outright silliness in Chloe.- Variety
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John Anderson
A film of such seductive grace, humor and startling side trips into buttocks-clenching ghastliness that auds won't know what to make of it (although it won't keep them from wanting to visit Ireland immediately).- Variety
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Peter Debruge
A thrilling drama interspersed with amusing comedic elements (rather than the other way around).- Variety
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Rob Nelson
The documentary has but one revelatory insight -- that "The Lion King" can be read as an allegory of the territorial peeing match between big cats Michael Eisner, Roy Disney and, least flatteringly, Katzenberg.- Variety
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Leslie Felperin
This offbeat but compelling take on the tale, arguably the first serial-killer yarn, emphasizes sisterly bonds but still gets to the original story's heart of mysterious darkness with impressive results.- Variety
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Ronnie Scheib
Dancing Across Borders, Anne Bass' uneven docu debut, traces the fortunes of Cambodian ballet dancer Sokvannara "Sy" Sar from the time Bass first discovered him performing traditional temple dances at Angkor Wat to his conquests on the world stage.- Variety
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Justin Chang
A little less chatter and a little more splatter might have improved Godspeed, an initially intriguing but finally overwrought tale of murder, retribution and quasi-religious fanaticism set in the land of the midnight sun.- Variety
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David Rooney
The intimately personal chronicle is more impressive for Famiglietti's disarming self-exposure than for any fully formed cinematic style or consistency of tone, but the modest production has a genuine, warm spirit.- Variety
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Justin Chang
This ultra-gory speculative noir is, at its infrequent best, certifiably nuts; the rest of the time, it's one numbingly brutal slog.- Variety
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Justin Chang
This dire battle-of-the-exes action-comedy severely tests audience goodwill by running an indulgent 110 minutes, crammed as it is with half-baked thriller subplots and aimless supporting characters, as if to distract from the central duo's nonstop bickering.- Variety
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- Variety
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Boyd van Hoeij
More of an action-light whodunit than a real thriller, and more of a CliffsNotes version than a deeply disturbing portrait of what's wrong with contempo Sweden.- Variety
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Todd McCarthy
As a study of stasis and of people conscious of not living the lives they had imagined for themselves, the picture offers a bracing undertow of seriousness beneath the deceptively casual, dramatically offhand surface.- Variety
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Justin Chang
This educational eye-popper should prove an excellent draw for science lovers of all ages.- Variety
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