For 17,782 reviews, this publication has graded:
-
52% higher than the average critic
-
4% same as the average critic
-
44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
-
Positive: 9,136 out of 17782
-
Mixed: 7,010 out of 17782
-
Negative: 1,636 out of 17782
17782
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Peter Debruge
Only real payoff is seeing the monstrosity assembled, and though that will surely earn the Dutch writer-director a cult reputation on the genre circuit, "going there" does not a movie make.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Ronnie Scheib
This worthy follow-up to Kosashvili's brilliant "Late Marriage" should delight auds worldwide.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Brian Lowry
This tepid romantic comedy falls somewhere between a weak sitcom pilot and a second-tier Hallmark movie.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Debruge
The Losers is the sort of pyro-heavy exercise parodied in "Tropic Thunder," and no amount of production polish can hide the hollowness beneath its junk-food high.- Variety
- Read full review
-
Reviewed by
-
- Variety
- Read full review
-
-
Reviewed by
Ronnie Scheib
The women's outspoken commentaries prove consistently colorful and their long-ago stripteases -- feathers flying, tassels spinning -- still pack a sensual, sassy, what-the-hell punch.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
John Anderson
Strangely moving, insightful and entertaining documentary.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Derek Elley
East meets West meets East again, with palate-tingling results, in The Good the Bad the Weird, a kimchi Western that draws shamelessly on its spaghetti forebears but remains utterly, bracingly Korean.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Richard Kuipers
Despite uninspired dialogue and direction, newcomer Catanzariti impresses as the oddball finding her niche. But the show, such as it is, belongs to top-billed Castle-Hughes.- Variety
- Read full review
-
Reviewed by
-
- Variety
- Read full review
-
-
Reviewed by
Justin Chang
Andrew Lancaster's helming bow looks smart but lacks confidence in its melodrama and, professional editing aside, resembles a meandering rough cut.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Jay Weissberg
Though there's a formlessness to it all, the wow factor will thrill the "Earth" crowd, making Oceans a surefire bet for families and nature lovers.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Andrew Barker
Sound is crystal-clear, and unobtrusive stereoscopic footage looks great throughout the 99-minute feature, though some weird compositional snafus scuttle the desired concert experience, and the set's lack of variety makes it a fans-only proposition.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Justin Chang
This slavishly faithful update... fails to tap into anything culturally specific or uniquely funny in its Pasadena setting or its theoretically looser, livelier black cast. And because the characters are so flat, we couldn't care less about the blows to their sense of propriety.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Joe Leydon
Equal parts audacious dark comedy, wish-fulfillment fantasy and over-the-top, tongue-in-cheek action-adventure.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
John Anderson
If The Joneses were pure farce, which it isn't, Borte could have gotten away with a lot. Likewise, the picture might have succeeded if it were all a bit funnier and a little less mean-spirited about spending, debt and envy.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
John Anderson
A lopsided whine about the state of American public schools, The Cartel is a lesson in dichotomous documaking: Effervescent and tedious, crusading and craven, it's a prime example of that ubiquitous oxymoron: the agenda-driven "expose."- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Boyd van Hoeij
Languid, multi-accented adaptation of the contempo novel by Peter Cameron suffers from an unfocused screenplay and direction.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Debruge
A raucously entertaining postmodern survey of guerrilla street art that appears to be one thing, only to fold back on itself and examine would-be filmmaker Thierry Guetta instead.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Ronnie Scheib
Beginning promisingly enough, "Handsome" soon turns monotonously angst-ridden, with all humor and personality falling by the wayside.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Alissa Simon
Strings an improvised tale around Tehran's underground indie-rock scene. Good-looking, shot-on-the-fly fifth feature by Bahman Ghobadi ("Half Moon," "Turtles Can Fly," "A Time for Drunken Horses"), which blends exciting musical performances with an undernourished narrative.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Joe Leydon
It's an unabashedly corny but occasionally stirring dramedy based on the true-life story of scrappy young baseball players from Mexico who, in 1957, scored an improbable string of successes while playing their way from a Monterrey sandlot to the Little League World Series.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Holland
A deeply rewarding throwback to the unself-conscious days when cinema still strove to be magical, The Secrets in their Eyes is simply mesmerizing.- Variety
- Read full review
-
Reviewed by
-
- Variety
- Read full review
-
-
Reviewed by
Brian Lowry
The potent imagery never meshes with narrative logic in Agnieszka Wojtowicz-Vosloo's first feature, promising more than it can deliver.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Dennis Harvey
This generic horror meller would be most at home debuting on Syfy -- perhaps double-billed with "Pinata: Survival Island."- Variety
- Read full review
-
Reviewed by
-
- Variety
- Read full review
-
-
Reviewed by
Dennis Harvey
Rather predictable in its major plot points and social-issue pleadings, the picture is better suited to cable than the big screen, but nonetheless offers solid drama with nice streaks of humor, warmth and local color.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Justin Chang
While only the converted will likely see the redemption behind the manipulation, picture delivers a strong enough dose of spiritual saccharine to yield solid if not heavenly returns from its trusty target audience.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Richard Kuipers
A tasty neo-noir from the James M. Cain school of lust-driven dirty dealings, The Square reps a promising debut by Aussie stuntman-turned-helmer Nash Edgerton.- Variety
- Read full review
-
Reviewed by