For 17,782 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,136 out of 17782
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Mixed: 7,010 out of 17782
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Negative: 1,636 out of 17782
17782
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Rob Nelson
Sparked by wonderfully lived-in performances from Julianne Moore and Mark Ruffalo, The Kids Are All Right is alright, if not up to the level of writer-director Lisa Cholodenko's earlier pair of new bohemian dramas, "High Art" and "Laurel Canyon."- Variety
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Dennis Harvey
Perfs are adequate in a movie lacking much use for better ones, though Brody disappoints by using the stock sotto voce rasp of the uber-macho action hero who really, really means business.- Variety
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Peter Debruge
There's nothing like a little world domination to melt the most dastardly evildoer's heart. Since villains so often steal the show in animation, Despicable Me smartly turns the whole operation over to megalomaniacal rogue Gru.- Variety
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Boyd van Hoeij
This subpar Nordic crimer, leaves ample room for improvement for the inevitable U.S. remake.- Variety
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Eddie Cockrell
A curious young helmer tracks down the profanity-spewing subject of a two-decade-old viral video with results at once scabrously funny and uncomfortably poignant.- Variety
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Boyd van Hoeij
A sequel to the Spanish cult hit that offers an explanation for something that was far more effective when left largely unexplained.- Variety
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Boyd van Hoeij
Will interest Rivette admirers at fests and in the niche arena but will do nothing to broaden his appeal.- Variety
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Ronnie Scheib
Some viewers will doubtless argue over Ismailos' choices or balk at her adherence to a romantic single-vision theory of a highly collaborative art. Still, her eclectic pantheon weighs in with entertaining anecdotes and illuminating comments, illustrated with well-chosen samplings of the artists' work.- Variety
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Peter Debruge
This is all enormously disappointing, of course, since the best we could hope for from a live-action "Avatar" adaptation is the mind-blowing equivalent of our first encounters with wire-fu, rather than this cartoony nonsense.- Variety
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Peter Debruge
Employing a bigger budget, better effects and an edgier director ("Hard Candy's" David Slade), Eclipse focuses on what works -- the stars.- Variety
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Ronnie Scheib
Veering wildly between paranoia (being judged by "12 people who voted for George Bush") and self-aggrandizement (modestly comparing himself to Da Vinci, Bach and Galileo), Spector makes a fascinating subject.- Variety
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Peter Debruge
A tawdry look at the early days of Nevada's legalized brothel business that plays more like Lifetime fodder than the Martin Scorsese pictures that serve as its model.- Variety
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Peter Debruge
Grown Ups delivers precious few laughs for the sheer volume of comedy talent on offer.- Variety
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Boyd van Hoeij
The Greek helmer's sophomore picture does exude a strange fascination throughout.- Variety
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John Anderson
But despite its remarkably intimate footage of war and loss, Sebastian Junger and Tim Hetherington's documentary suffers from the same problem as the ongoing U.S. drama in Afghanistan: a lack of narrative coherence.- Variety
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Jordan Mintzer
The picture is marked by superb performances and a dazzling technical display by the helmer and praiseworthy cinematographer Eric Gautier.- Variety
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Jay Weissberg
The documentary offers little genuine information and no investigative research, adopting a style even more polemical than Stone's earlier docus on Fidel Castro and Yasser Arafat.- Variety
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Justin Chang
A high-energy, low-impact caper-comedy that labors to bring a measure of wit, romance and glamour to an overworked spy-thriller template.- Variety
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Justin Chang
The film's noisy, slam-bang approach and lack of imagination in all nonvisual departments will keep it from rounding up a fresh generation of thrill-seekers.- Variety
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Peter Debruge
Think of Cyrus as the Duplasses for the masses, as the keenly observant sibs upgrade their scrappy, relationship-based formula to work with movie stars and a Fox Searchlight-size budget without sacrificing the raw, naturalistic feel of their first two features, "The Puffy Chair" and "Baghead."- Variety
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Peter Debruge
For sympathetic outsiders, on the other hand, it covers a lot of ground in a short space, not always in the most organized way, but on enough fronts to spark an informed dialogue.- Variety
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- Variety
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Reviewed by
Jordan Mintzer
Despite an initial forecast of smart laughs and witty tete-a-tetes, the French dramedy Let It Rain winds up being a partly cloudy affair that lacks the cohesiveness of Agnes Jaoui’s two previous features, "The Taste of Others" and "Look at Me."- Variety
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Peter Debruge
This tertiary adventure delivers welcome yet nonessential fun, landing well after its creators have grown up and succeeded toying with more sophisticated stories.- Variety
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Rob Nelson
Slight but winning and often funny, the scrappy Amerindie Wah Do Dem is a fish-out-of-water comedy driven by Sean "Bones" Sullivan's offbeat performance.- Variety
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- Variety
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Ronnie Scheib
In astounding detail, Stonewall Uprising recalls the now-famous three-day riots in June 1969 after a police raid on the Stonewall Inn, a popular Greenwich Village gay bar, as homosexuals finally, openly fought back.- Variety
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Justin Chang
It's a sign of that pic's dramatic durability that "Kid" manages to be as absorbing as it is, despite its nearly 2½-hour running time.- Variety
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Brian Lowry
Best enjoyed (a la the "Mission: Impossible" franchise) by simply admiring the explosions and silliness without dwelling too much on the skeletal plot.- Variety
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Dennis Harvey
Mixing hilarious standup footage with admiring if not exactly cuddlesome behind-the-scenes glimpses.- Variety
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