Variety's Scores

For 17,786 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17786 movie reviews
  1. Fitfully amusing and nearly saved by its distinguished cast.
  2. Displaying a girth that will give hope to overweight romantics everywhere, Hoffman knows his character inside and out and invites the viewer close to this limited, good-hearted fellow.
  3. What this high school morality fable really recalls is "Clueless" -- a comedy of very contemporary ill manners drawn from classic literature, an immersion in the young-adult lexicon and a potentially career-making showcase for its lead actress, Emma Stone.
  4. Not without charm and bearing easy appeal to very young viewers.
  5. Devil is nothing very special or original, but it gets the job done briskly and economically.
  6. The behind-the-camera talent Ben Affleck displayed so bracingly in "Gone Baby Gone" is confirmed, if not significantly advanced, in The Town. Again proving a fine director of actors (this time with himself in a starring role), Affleck delivers another potent, serious-minded slice of pulp set on Boston's meanest streets, where loyalty among thieves runs thicker than blood.
  7. Though editor Zac Stuart-Pontier assembles the sprawling personal journey into swift and suspenseful shape, it helps immensely that Nev is such a charming screen presence.
  8. From a performance p.o.v., Aselton and Shepard hold the screen well and are most watchable, and Aselton does a fluid directing job within the limited challenge she set for herself production-wise.
  9. Never Let Me Go is that rare find, a fragile little four-leaf clover of a movie that's emotionally devastating, yet all too easily trampled by cynics.
  10. Given what seems like unprecedented access to the very masculine world of the French patissier, Pennebaker and Hegedus get their subjects to reveal a few trade secrets as well as personal aspirations. As their calm camera glides over the chefs' almost-too-beautiful-to-eat creations, viewers share their awe.
  11. Offering blandly stereotypical characters in a trite road-trip narrative, it's genial but too silly for most grownups, and likely to impress few "High School Musical"-indoctrinated kids.
  12. The surprise twist brutally defies the opening narration and plot logic that preceded it, alienating viewers who willingly suspended disbelief.
  13. Those with the stomach for 90 slapdash minutes of nonstop crudity and cruelty will be tickled, while their elders will likely despair at these youngsters' lack of a moral center or ability to hold a camera steady.
  14. Wisely letting his lively, articulate nonagenarian subject narrate her life story through interviews and lectures, debuting director Bob Richman (a noted indie cameraman) compellingly blends a plethora of choice archival materials and contempo footage.
  15. Combining the glamour of "To Catch a Thief" with the ruckus of a Ben Stiller movie, TV vet Pascal Chaumeil's French Riviera-set intrigue stars Romain Duris.
  16. An utterly fascinating experiment that apparently blends real and faked material to examine notions of celebrity, mental stability and friendship.
  17. Director Paul W.S. Anderson (who also directed the original) can hardly manage a hint of suspense or excitement. And excitement is exactly what the film ought to have in excess.
  18. While in some ways an improvement on the book, this seriocomedy toplining Katie Holmes remains short on truly involving characters or situations, and is likely to spark unflattering comparisons to such vaguely similar, more distinctive films as "Rachel Getting Married" and "Margot at the Wedding."
  19. Audiences might feel they've been taken hostage during certain parts of Sequestro (Kidnapping), but Brazilian helmer Jorge W. Atalla's documentary is ultimately electrifying, both in what it reveals and how it reveals it. .
  20. This uneven effort saddles its likable leads, Drew Barrymore and Justin Long, with the kind of verbally exaggerated sexual humor that not only comes off as embarrassingly strained and calculated, but also compromises what the picture genuinely wants to be.
  21. Wildly uneven as it doggedly strives (sometimes with obvious strain) to sustain a free-wheeling, anything-goes air of exuberant junkiness.
  22. The picture laudably adopts an intimate, personal approach to a subject -- hardworking Chinese garment workers -- that's been covered in more hectoring fashion elsewhere.
  23. With an invaluable assist from Sam Rockwell, hilarious and wounding as a deadbeat dad who lands a high school coaching gig, it's the rare inspirational movie with more than just winning or losing on its mind.
  24. Western audiences familiar with "Blood Simple" will get a kick out of the reinventions.
  25. Streetwise, kinetic and solidly dramatic, Prince of Broadway is a convincingly character-driven tale set in a clandestine universe -- the realm of stolen and/or counterfeit fashions that exists in the no man's land of Manhattan's West 20s.
  26. A highly engaging picture with a post-apartheid edge (certain scenes play like a farcical "Invictus").
  27. This engaging second feature from "Bandidas" duo Espen Sandberg and Joachim Roenning combines artistic ambition and commercial appeal with a well-paced action-adventure approach.
  28. A respectable but watered-down heist movie that, given the Los Angeles setting, either owes a debt to director Michael Mann or suggests an unusually violent and action-packed episode of "Entourage."
  29. The Last Exorcism makes first-rate use of religious doubt and religious extremism to concoct a novel horror-thriller clever enough to seduce unbelievers while satisfying the bloodlust of its congregation/fanbase.
  30. "Doomsday," horror-trained British helmer Neil Marshall flexes strong action muscles and carves copious flesh here, creating the sort of broadsword-based bedlam that will thrill fans of ancient martial movies.

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