Variety's Scores

For 17,786 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17786 movie reviews
  1. Doesn't reach far beyond its smallscreen genotype as a disease-of-the-week telepic, despite the star power of Brendan Fraser as the desperate dad and Harrison Ford as an eccentric, ornery researcher.
  2. From this polarizing lie, Techine fashions a brilliantly complex, intimate multi-strander, held together but somewhat skewed by the central perf of Emilie Dequenne ("Rosetta"), whose radiant physicality threatens to eclipse even Catherine Deneuve.
  3. Isn't about science vs. faith so much as that well-worn dramatic hook, the loss of a child.
  4. Just as representations of human sexuality on film are often unpleasantly twisted by the grotesqueries of the porn industry, so, too, are filmic representations of religious conversion homogenized by the faith-based entertainment industry. Case in point: Debutante director Brian Baugh's To Save a Life.
    • 36 Metascore
    • 70 Critic Score
    Scores a goal for kids and adults alike.
  5. Writer-director Nancy Kissam's inexplicably named feature feels a tad Frankensteinian, sewing second-hand ideas together most inorganically.
    • 49 Metascore
    • 70 Critic Score
    Smartly structured, crisply lensed docu Pop Star on Ice is a fascinating portrait of outspoken Olympian and three-time U.S. figure skating national champion Johnny Weir.
  6. Some mordant comic touches would have been welcome throughout the picture, which has a somber tone that suffers a bit from lack of modulation and nuance.
  7. What makes the picture feel special is its unflinching honesty and lack of sentimentality or moralizing, along with assured direction and excellent performances.
    • 27 Metascore
    • 40 Critic Score
    Chan struggles gamely to charm, but the picture's cartoonish jokes and misfired gags are likely to elicit more eye rolls than laughs.
  8. On the debit side, and it's a doozy, the picture's narrative trajectory fails to deliver a third act that takes the story anywhere of note except into a silly realm of cut-rate surrealism. Final reel ends not with the expected bang but with an almost inaudible whimper.
  9. The script doesn't wring many surprises or much character involvement from the premise, and the brothers' helming, while slick, is short on scares, action setpieces and humor.
  10. Cera and his gifted comic co-stars elevate the mediocre source material into a semi-iconic coming-of-age story.
  11. Pleasant enough overall, if also somewhat gratingly old-fashioned.
  12. The documentary's open-endedness offers something for everyone.
    • 48 Metascore
    • 50 Critic Score
    Joshua Goldin's directing debut has soulful qualities that have been compressed into a paint-by-numbers production.
  13. Overblown and underwhelming, Bitch Slap is a desperately unfunny attempt to satirically recycle cliches and archetypes from sexploitation actioners of the 1960s and '70s within the time-trippy, multiple-flashback framework of a Quentin Tarantino. extravaganza.
  14. Looking and sounding like a second-tier '80s made-for-cabler, Crazy on the Outside is the sort of bland trifle one might watch to kill time during an extended flight.
  15. Petra Seeger's beautifully crafted documentary about neurobiologist Eric Kandel, In Search of Memory, interweaves experience and experiments, autobiography and science as seamlessly as the Nobel Prize winner's same-titled book.
  16. Mai Iskander's stunning documentary-helming debut.
  17. Immaculately crafted in beautiful black-and-white and entirely absorbing through its longish running time, Michael Haneke’s The White Ribbon nonetheless proves a difficult film to entirely embrace.
  18. The fragrant aroma of magnolias is undercut by the distinct smell of mothballs throughoutThe Loss of a Teardrop Diamond, an admirably earnest but curiously flat attempt to film a long-unproduced scenario by Tennessee Williams.
  19. Pulse-pounding third act expertly pushes the audience’s buttons, to excruciatingly ironic and ultimately devastating effect. Pic does turn overwrought in the final stretch and would have been wise to end on an earlier note, though action fans won’t mind.
  20. Ritchie has never worked on a scale anything approaching this before and, while some of the directorial affectations are distracting, he keeps the action humming.
  21. With Ledger onscreen more than might have been expected, the film possesses strong curiosity value bolstered by generally lively action and excellent visual effects.
  22. Cute and clever though the plot may be, everything is played out in the broadest possible terms without an iota of nuance or subtlety.
  23. Paley sustains a consistently funny, sometimes even self-deprecatory comic tone.
  24. A frenetic but undeniably funny follow-up that offers twice the number of singing-and-dancing rodents in another seamless blend of CGI and live-action elements.
  25. Porumboiu is one of the few helmers working today who so completely understands both the power of language and the power of visuals.
  26. But the charm of the film is that it resists turning people into cliches and lets Parker and Grant work their particular magic -- before they get to Wyoming, their performances are as stressed out as their characters, and while it's a dubious conceit that going cowboy is a cure-all, they put the notion across as convincingly as possible.

Top Trailers