Variety's Scores

For 17,782 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17782 movie reviews
  1. An imaginative, intelligent and attractive Italo pic precisely when the country needs it most, Emanuele Crialese's Golden Door reps a solid piece of cinema that neither panders nor preaches.
  2. As smooth as a good mojito, as stylish as an Armani suit and as meaningful in the grand scheme of things as yesterday's Las Vegas betting odds, Ocean's Thirteen"continues the breezy good times of the first two series entries without missing a beat.
  3. A potent combination of ethnography and concert film, Brit helmer Jasmine Dellal's joyous celebration of tzigane music follows the 2001 U.S. "Gypsy Caravan" tour, which showcased five bands from four countries.
  4. This landmark glimpse into China's modern-day industrial revolution becomes something more -- a profound, open-ended meditation on man's physical impact on his environment.
  5. The sheer quantity of often outrageous stunts should help overcome franchise mustiness to entertain.
  6. Rough as can be in both content and style, Ghosts will be welcome everywhere tough, provocative docus are shown.
  7. As far as establishing a sense of period goes, Herzog cleaves to a refreshing less-is-more philosophy. This may be the first Vietnam-set film in history not to feature a bar of Jimi Hendrix, the Rolling Stones or indeed any other rock music on its soundtrack.
  8. Slickly charming, genteelly erotic and directed with supreme polish, Cashback is a conventional romantic comedy that plays unconventional games with time and memory.
  9. It's one of the best Broadway-tuner adaptations in recent years -- yes, arguably even better than those Oscar-winning ones.
  10. Romance, creativity, subterfuge and repartee are among the pleasures to be had in Moliere, a consistently diverting, bittersweet costumer.
  11. Put simply, if somebody had to make a "Simpsons" movie, this is pretty much what it should be -- clever, irreverent, satirical and outfitted with a larger-than-22-minutes plot, capable (just barely) of sustaining a narrative roughly four times the length of a standard episode.
  12. An ersatz "Pride and Prejudice" in all but name, Becoming Jane is a finely tooled Brit-lit costumer that, like Anne Hathaway's flawless accent as the young Austen, lacks only that final convincing 5%.
  13. Wonderfully engaging look at 1970-71 from a child's p.o.v.
  14. Rollicking story of a rich kid whose wildly successful bid for popularity has him playing drug-distributing shrink to an entire high school boasts pitch-perfect faceoffs between upstart Anton Yelchin and alcoholic principal Robert Downey Jr. that could fuel a chemistry lab.
  15. An all-or-nothing perf from old DiCillo hand Steve Buscemi and a script that leaves no ironical stone unturned make this laugh-out-loud fare.
  16. Crammed into a lively 85-minute package delivered with loads of dark humor and cinematic flair, this is a worthy winner of Sundance's Grand Jury prize for documentary.
  17. James Mangold's remake walks a fine line in retaining many of the original's qualities while smartly shaking things up a bit.
  18. The excitement, majesty and extraordinary human accomplishment of the American lunar program of the '60s and early '70s is rousingly captured in In the Shadow of the Moon.
  19. This mesmerizing morality play, rich in rare archival footage and complete with heroic Allied saviors, merits a full-fledged arthouse run before reaching larger PBS and cable auds.
  20. Uproarious romp, grounded in believable if gleefully implausible human behavior, is a model of comic timing.
  21. Younger filmmakers should be looking to Hershman Leeson for lessons on how to reinvent old forms while at the same time telling an urgently topical story.
  22. Deftly interlaces heart and humor in a witty, warm and well-observed comedy about the unexpected and inconvenient blooming of romance at the weekend gathering of an extended family.
  23. First-rate performances, an uncompromising point of view and a fresh take on a well-worn movie subject -- madness.
  24. Absorbing, exciting at times and undeniably entertaining, and is poised to be a major commercial hit. But great it's not.
  25. A full-blown musical that commutes between Disney's patented cartoon universe and the "real" world with cleverness and grace, this splashy production reminds one of nothing in the Disney canon so much as "Mary Poppins," not least due to the "star is born" aura that surrounds Amy Adams here, just as it did Julie Andrews 43 years ago.
  26. Director Andrew Wagner draws topnotch work from a pro cast in Starting Out in the Evening, a wise, carefully observed chamber drama.
  27. Suspenseful, funny, touching, sexy and painlessly pertinent.
  28. The horrific 1937-38 massacre of more than 200,000 Chinese during the early days of the Japanese occupation gets a polished presentation in Nanking.
  29. While the largely unknown cast and subtitled dialogue may present a marketing challenge, they also create a feeling of authenticity in this poignant, intimate epic, which should attract a strong following among discerning audiences.
  30. Charlie Wilson's War is that rare Hollywood commodity these days: a smart, sophisticated entertainment for grownups.

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