Variety's Scores

For 17,782 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17782 movie reviews
  1. Crowd-pleasing, darkly comic joyride.
  2. Punchy dialogue, excellent thesping and a real feel for the universal tuning fork of great classical music make this a prime candidate for international arthouse play.
  3. The Farrelly brothers are growing up, which in this case isn't a bad thing. With a tacked-on ending made necessary by the Boston Red Sox's improbable World Series run last fall, Fever Pitch proves a charming romantic comedy against "A Beautiful Mind"-type framework.
  4. Coolly absorbing without being pulse-quickening.
  5. Story of a still-grieving widower and his two troubled teenage sons is distinguished by its emotional integrity, sustained mood of aching melancholy and superbly understated performances.
  6. In essence, British director Nigel Cole has brought a breezy arthouse sensibility to this tale of fated love.
  7. By turns amazing, amusing and appalling.
  8. A rarefied love story, conducted with no dialogue between the principals.
  9. A beautifully observant and wholly unpretentious film with roots more in Cassavetes than Sundance-style showbiz.
  10. Full of delightful moments that throw into high relief the actors' craft.
  11. A cracking slice of old-fashioned, widescreen entertainment.
  12. Genuinely spectacular and historically quite respectable, Ridley Scott's latest epic is at its strongest in conveying the savagery spawned by fanaticism.
    • 76 Metascore
    • 80 Critic Score
    The second collaboration between helmer Susanne Bier and scriptwriter Anders Thomas Jensen once again shows what skilled artists can do with a story that might have ended up filled with cliches.
  13. There's a proper lived-in believability about Layer Cake's depiction of how the worlds of the rich, the criminal and the criminally rich intersect.
  14. Sandler impressively assumes the Reynolds role here, with strong support by Reynolds himself and a slightly restrained but frequently hilarious Chris Rock.
  15. The overall effect makes for a far more resonant film than that offered by concurrent narrative feature "Hotel Rwanada."
  16. A richly textured drama with an angry poetic edge that gets inside the obsessive subculture of New York graffiti artists, Bomb the System signals the arrival of a talented filmmaker in NYU film graduate Adam Bhala Lough.
  17. A thoughtfully written drama of ideas with vivid performances by August Diehl and Ulrich Matthes.
  18. Chris Browne's sense of humor captures perfectly the contradictions, absurdities and drama at the intersection of class, media, money and sports without dissing any of his player/subjects.
    • 83 Metascore
    • 80 Critic Score
    Herzog's eye for the weird sometimes makes the docu feel strained, but engaging characters imbue the pic with depth and emotional appeal.
  19. Irresistibly entertaining and full of unique character portraits.
  20. The tireless volley of ideas and inventions make this a delight that should connect with kids and adults in both dubbed and original-language versions.
  21. Brutally truthful, funny and touching in nearly equal measure.
  22. Eye-popping lensing and an appreciation of social complexities combine for an entirely satisfying experience.
  23. A powerful, slow-burning portrait of human fallibility.
  24. A powerful and damning look at the long-term impact of sexual abuse.
  25. The new Bad News Bears has adopted a somewhat raunchier tone but delivers enough laughs to go the distance.
  26. Smartly written and sprightly played, Sky High satisfies with a clever commingling of spoofy superheroics, school-daze hijinks, and family friendly coming-of-age. dramedydramedy.
  27. A raucous insider documentary that invites the viewer to share a secret held exclusively by comics for untold generations.
  28. Working in his typically idiosyncratic and episodic vein, Jim Jarmusch has nonetheless pitched the film slightly more toward mainstream tastes than usual for him, using excellent thesps in the service of accessible material.

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