Variety's Scores

For 17,782 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17782 movie reviews
  1. Opening half-hour has some of the best stuff in the movie, walking a precarious line between black irony and showing the war from a totally German viewpoint, without tipping over into gallows humor or parody.
  2. Gini Reticker's lucidly impassioned film, filled with strong, eloquent spokeswomen, garnered Tribeca's docu award.
  3. Brolin's work is superlatively expressive of the inchoate impulses roiling inside his sorry character. But good as most of the cast is, the show belongs squarely to Penn.
  4. "Old Joy" helmer Kelly Reichardt plays to her strengths in Wendy and Lucy, a modest yet deeply felt road movie about an idealistic young drifter, her faithful canine and the wide-open spaces of the Pacific Northwest.
  5. Accomplished freshman outing by Flemish TV director Christophe van Rompaey features a knockout perf from actress Barbara Sarafian ("8½ Women").
  6. Result is by turns moving, droll and charming, and niftily assembled, but not necessarily that profound.
  7. A skillfully crafted, highly entertaining documentary.
  8. 12
    Expansively, dramatically, magnificently Russian, Nikita Mikhalkov's loose remake of "12 Angry Men" plays like vintage jazz from a veteran band.
  9. The rare ability to make intelligent, entertaining cinema from hot-button current issues is beautifully illustrated by Lemon Tree.
  10. A ravishing distillation of the BBC/Discovery series "Planet Earth," docu brings to the large screen memorable images that cried out on TV for the full movie-going experience.
  11. On screen non-stop, Owe is Buster Keaton-like perfection.
  12. A tightly constructed "dramatic thriller" in which the tension comes as much from what the characters are thinking as from what they end up doing, Jerichow again confirms writer-helmer Christian Petzold ("Yella," "The State I Am In") as a world-class talent who remains underappreciated beyond Germany.
  13. More than anything a fascinating portrait of how much New York has changed in 35 years, the film delivers the goods in excitement and big-star charisma.
  14. An effervescent entertainment that marks a welcome return for "Adventures of Priscilla, Queen of the Desert" director Stephan Elliott after a nine-year absence.
  15. The film doesn't pack the same cumulative wallop as the brothers' earlier work, but its low-key artistry, immaculate construction and fine performance by relative newcomer Arta Dobroshi should rouse the usual fest acclaim and arthouse interest.
  16. Aussie genre pics of the 1970s and '80s get a rip-roaring salute in Not Quite Hollywood, complete with endorsement by Quentin Tarantino as chief onscreen fanboy.
  17. High school musicals have their scrappiest number in Bandslam, an awkward, earnest, almost irresistible indie.
  18. More zippy, diverting fun from Robert Rodriguez's family filmmaking factory.
  19. A moving, elegiac, deeply contemplative work that leaves the viewer not with a save-the-world checklist, but rather a spirit of hopeful reflection.
  20. Powerhouse performances by Liam Neeson and James Nesbit make this an intense, ultimately moving tale.
  21. This astounding new documentary burrows into the thin and darkly funny spaces between artistry and vanity, isolation and community, collaboration and exploitation, sanity and madness.
  22. A culture-clash dramedy whose background in Middle-East conflict is leavened with vibrant energy, balanced politics and droll humor by first-time feature director Cherien Dabis.
  23. Picture makes an engrossing case for justice.
  24. Results are painfully amusing, frequently random and occasionally laugh-out-loud hilarious.
  25. A raucous and rigorous inquiry into the subject of African-American hair -- the stigmas, the secrets, the shocking price of maintenance -- that gets at universal but rarely discussed truths about black femininity.
  26. If it were a normal holiday animated film, The Nightmare Before Christmas would be an entertaining, amusing, darker-than-usual offering indicating that Disney was willing to deviate slightly from its tried-and-true family-fare formula. But the dazzling techniques employed here create a striking look that’s never been seen in such sustained form, making this a unique curio that will appeal to kids and film enthusiasts alike.
  27. Though less pleasurably offbeat than the helmer’s well-received “Read My Lips” and “The Beat That My Heart Skipped,” this is solid, sinewy pulp fiction.
  28. With its jewel-bright colors and intricate use of lines, the result is absolutely luscious to behold.
  29. A surefire pleaser for crowds of a certain age.
  30. A film of such seductive grace, humor and startling side trips into buttocks-clenching ghastliness that auds won't know what to make of it (although it won't keep them from wanting to visit Ireland immediately).

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