Variety's Scores

For 17,786 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17786 movie reviews
  1. The director doesn't display the spirit of a natural entertainer; while intellectual notions abound, he never grabs the audience by the hand to pull them into the tale emotionally.
  2. Nine very good actors are wasted, if not embarrassed, by the thoroughly unconvincing shenanigans perpetrated by first-time writer-director Michael Clancy, while a tenth -- Zooey Deschanel -- somehow manages to float ethereally above it all with her dignity intact.
  3. Goes down like sour eggnog on Christmas Eve.
  4. Broadway musical purists will shudder in horror, but parents will be whistling a happy tune that there's at least one acceptable pic out there for their kids.
    • 27 Metascore
    • 30 Critic Score
    Bland animated musical offers little to charm adults with fond memories of the book, and even tykes are likely to become bored by the halfway point.
  5. Voice work is weirdly awful and funny at the same time.
  6. The most resounding thuds in From Justin to Kelly, however, come from the musical numbers.
  7. Its politics and dramatic line are familiar and far from convincing.
  8. Traditionalists and older viewers in general will scoff, while pop culture addicts will no doubt go with the flow.
  9. Grim in theme yet seldom effective or convincing in execution.
  10. Shows a consistent inability to generate any kind of drama when characters open their mouths.
  11. This extremely plot-thickened tale finally offers little more than the usual genre elements pushed to the kind of extremes that recall the acrid "The Way of the Gun."
    • Variety
  12. A low-budget musical so steeped in nostalgia that accusing it of being too old-fashioned is like accusing "Gone With the Wind" of being too Southern, (Standard Time-as this film was once titled) wears its heart, intentions and limitations on its sleeve.
  13. Overlong and unwieldy grab-bag of vintage monster-movie elements starts intriguingly as a snowbound deep-woods chiller, but gradually dissolves into a mess of other-worldly invasion and military counter-offensive.
  14. There's a stunning rags-to-rags morality tale hidden in this two-hour mess of a movie.
  15. An anemic sitcom pilot dragged out to an excruciating 108-minute running time.
  16. Commits any number of comedic violations during an aimless pursuit of laughs.
  17. Saw
    A crude concoction sewn together from the severed parts of prior horror/serial killer pics.
  18. Slipping from fantasy to soap opera without any authorial control, pic's best hope is to be recognized as some kind of cult movie of badness.
  19. Lacking the kind of fire and energy that the best youth movies demand, leads Ash and Russell display skills better tuned to the small screen.
  20. The mix feels flat and the story remains a fairly banal account of underworld exploits whose emotional gears never fully engage.
  21. Star-driven, high-minded claptrap that, fatally, can't even rig a rooting interest in its central love story.
  22. Never comes close to making the case that its subject is worthy of the viewer's interest.
  23. This overwrought and egregiously self-serious thriller about the poisonous fruit borne of child abuse grows more ridiculous by the quarter-hour and is poised for a theatrical life span scarcely longer than that of its eponymous insect.
  24. Viewers of this Sam Raimi-produced, sub-"Amityville" scarefest are likely to hold the real grudge.
  25. Technically and comedically strained by the demands of its special effects-filled haunted house setting. Worse, the need to top the first pic's outlandish stunts is ghoulishly unfulfilled and terribly ironic.
  26. Lusterless trifle.
  27. This is a dark, vulgar, brooding turnoff of a movie, minus the steady laugh quotient needed to appease Sandler's core constituency.
  28. Just compare their superficiality to the complex characters in "From Here to Eternity" and what's missing here becomes terribly clear.
  29. No cuddly, funky "Pokemon" pocket monsters populate this pic; this game is for the big kids, rife with a ruthless tone, heightened violence and cold calculation. However, fans will put up with a dull tale to finally see their obsession on the bigscreen.

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