For 17,786 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,137 out of 17786
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Mixed: 7,013 out of 17786
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Negative: 1,636 out of 17786
17786
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Todd McCarthy
The director doesn't display the spirit of a natural entertainer; while intellectual notions abound, he never grabs the audience by the hand to pull them into the tale emotionally.- Variety
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Reviewed by
Todd McCarthy
Nine very good actors are wasted, if not embarrassed, by the thoroughly unconvincing shenanigans perpetrated by first-time writer-director Michael Clancy, while a tenth -- Zooey Deschanel -- somehow manages to float ethereally above it all with her dignity intact.- Variety
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- Variety
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Reviewed by
Robert Koehler
Broadway musical purists will shudder in horror, but parents will be whistling a happy tune that there's at least one acceptable pic out there for their kids.- Variety
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- Critic Score
Bland animated musical offers little to charm adults with fond memories of the book, and even tykes are likely to become bored by the halfway point.- Variety
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Reviewed by
Robert Koehler
Voice work is weirdly awful and funny at the same time.- Variety
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Reviewed by
Scott Foundas
The most resounding thuds in From Justin to Kelly, however, come from the musical numbers.- Variety
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Reviewed by
Todd McCarthy
Its politics and dramatic line are familiar and far from convincing.- Variety
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Reviewed by
Todd McCarthy
Traditionalists and older viewers in general will scoff, while pop culture addicts will no doubt go with the flow.- Variety
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Reviewed by
Dennis Harvey
Grim in theme yet seldom effective or convincing in execution.- Variety
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Reviewed by
Derek Elley
Shows a consistent inability to generate any kind of drama when characters open their mouths.- Variety
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Robert Koehler
This extremely plot-thickened tale finally offers little more than the usual genre elements pushed to the kind of extremes that recall the acrid "The Way of the Gun."- Variety
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Ronnie Scheib
A low-budget musical so steeped in nostalgia that accusing it of being too old-fashioned is like accusing "Gone With the Wind" of being too Southern, (Standard Time-as this film was once titled) wears its heart, intentions and limitations on its sleeve.- Variety
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David Rooney
Overlong and unwieldy grab-bag of vintage monster-movie elements starts intriguingly as a snowbound deep-woods chiller, but gradually dissolves into a mess of other-worldly invasion and military counter-offensive.- Variety
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Reviewed by
Ken Eisner
There's a stunning rags-to-rags morality tale hidden in this two-hour mess of a movie.- Variety
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Reviewed by
Scott Foundas
An anemic sitcom pilot dragged out to an excruciating 108-minute running time.- Variety
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Reviewed by
Robert Koehler
Commits any number of comedic violations during an aimless pursuit of laughs.- Variety
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Reviewed by
Dennis Harvey
A crude concoction sewn together from the severed parts of prior horror/serial killer pics.- Variety
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Reviewed by
Deborah Young
Slipping from fantasy to soap opera without any authorial control, pic's best hope is to be recognized as some kind of cult movie of badness.- Variety
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Reviewed by
Robert Koehler
Lacking the kind of fire and energy that the best youth movies demand, leads Ash and Russell display skills better tuned to the small screen.- Variety
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Reviewed by
David Rooney
The mix feels flat and the story remains a fairly banal account of underworld exploits whose emotional gears never fully engage.- Variety
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Reviewed by
Todd McCarthy
Star-driven, high-minded claptrap that, fatally, can't even rig a rooting interest in its central love story.- Variety
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Reviewed by
Todd McCarthy
Never comes close to making the case that its subject is worthy of the viewer's interest.- Variety
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Reviewed by
Todd McCarthy
This overwrought and egregiously self-serious thriller about the poisonous fruit borne of child abuse grows more ridiculous by the quarter-hour and is poised for a theatrical life span scarcely longer than that of its eponymous insect.- Variety
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Reviewed by
Scott Foundas
Viewers of this Sam Raimi-produced, sub-"Amityville" scarefest are likely to hold the real grudge.- Variety
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Robert Koehler
Technically and comedically strained by the demands of its special effects-filled haunted house setting. Worse, the need to top the first pic's outlandish stunts is ghoulishly unfulfilled and terribly ironic.- Variety
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- Variety
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Reviewed by
Scott Foundas
This is a dark, vulgar, brooding turnoff of a movie, minus the steady laugh quotient needed to appease Sandler's core constituency.- Variety
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Reviewed by
Todd McCarthy
Just compare their superficiality to the complex characters in "From Here to Eternity" and what's missing here becomes terribly clear.- Variety
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Reviewed by
Robert Koehler
No cuddly, funky "Pokemon" pocket monsters populate this pic; this game is for the big kids, rife with a ruthless tone, heightened violence and cold calculation. However, fans will put up with a dull tale to finally see their obsession on the bigscreen.- Variety
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