Variety's Scores

For 17,782 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17782 movie reviews
  1. A disappointingly rote entry in the '70s teen nostalgia sweepstakes.
    • 21 Metascore
    • 30 Critic Score
    Formulaic, humdrum and sometimes unintentionally laughable.
  2. Not a bad picture, just utterly banal.
  3. With a far-fetched script that might barely have passed muster at the B units in the old studio days, this Dimension release will command a certain up-front attention due to cast topliners.
  4. The submarine goes deep but the story never does in U-571, a good old-fashioned WWII picture that is exciting in only the most superficial way.
  5. At times plays as if it were aimed at children, but more often simply seems to be aiming blind at whatever genre cliche the five credited writers fix upon in any given scene.
  6. A dull afterthought and a sorry vehicle for the comic expression of Martin Lawrence.
  7. Another tale of out-of-it working-class men cooking up a harebrained scheme to improve their lot in life.
  8. Arid, self-consciously arty and emotionally uninvolving.
  9. Strictly for the birds.
    • 30 Metascore
    • 30 Critic Score
    Cage's over-the-top performance generates little sympathy for the character, so it's tough to be interested in him as his personality disorder worsens.
  10. Audience patience undergoes a far more brutal butchering than anything onscreen in Delphine Gleize's wildly over-reaching feature debut, Carnage.
    • 25 Metascore
    • 30 Critic Score
    The numerous sex scenes are good and steamy.
  11. Even more empty a luxury vehicle than its predecessor, M:I 2 pushes the envelope in terms of just how much flashy packaging an audience will buy when there's absolutely nada inside.
  12. The more Marc Fusco and co-writer Michael Garrity's script aims for cleverness, the more it unravels.
  13. Be prepared to laugh less at a lot more of the same thing in this overbearing but underwhelming sequel.
    • 21 Metascore
    • 30 Critic Score
    Commits the first cardinal sin of cinematic horror -- it's boring and doesn't have a single scary moment.
  14. A frenetically junky action adventure that will quickly dribble off to vid stores after a token fast break in theatrical release.
  15. Spade is tiresome in yet another smart-ass part.
  16. Sure to turn off general viewers due to its emotional inaccessibility, multitude of narrative problems and preoccupation with a torture Web site.
    • 45 Metascore
    • 30 Critic Score
    While plot elements don't add up, film's energy level remains high, and oddball ensemble brings to mind a classic of this type, Jonathan Demme's "Citizens Band."
  17. Utterly lacking the drive and roller-coaster energy expected of top action pics, this latest try at repackaging "Speed" is a Kmart version of a Jerry Bruckheimer production.
  18. Passably interesting psychological study of emotionally wounded characters until it commits dramatic suicide by showing its true colors as a tricked-up "Fatal Attraction" wannabe.
  19. It ends up a grinding, ludicrous depiction of a thuggish Bosnian's abuse of his sister.
  20. A pat, hollow exercises with few tricks (or treats) up its sleeve.
  21. Torpid, academic vanity project for helmer-thesp Rodolphe Marconi.
  22. Choppy and fragmented to the point of irritation, pic overuses blackouts between scenes, self-conscious camera movements, narrative ellipses and other jangly techniques.
    • 77 Metascore
    • 30 Critic Score
    The clumsy story lurches forward through predictable travail and treacle, separated by phonograph records (or vice versa).
  23. Little more than a mall movie designed to kill time.
  24. To be sure, Kelley's Emmy-winning brand of off-kilter humor and cockeyed affection for rural folk is on display, but his attempt here to blend the citified angst of "Ally McBeal" (co-star Bridget Fonda was Kelley's first choice as that series' lead) with the countrified absurdisms of "Picket Fences," plus bits out of the Peter Benchley playbook, doesn't hold water.

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