For 17,782 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,136 out of 17782
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Mixed: 7,010 out of 17782
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Negative: 1,636 out of 17782
17782
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Dennis Harvey
A disappointingly rote entry in the '70s teen nostalgia sweepstakes.- Variety
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- Critic Score
Formulaic, humdrum and sometimes unintentionally laughable.- Variety
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- Variety
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Reviewed by
Todd McCarthy
With a far-fetched script that might barely have passed muster at the B units in the old studio days, this Dimension release will command a certain up-front attention due to cast topliners.- Variety
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Reviewed by
Todd McCarthy
The submarine goes deep but the story never does in U-571, a good old-fashioned WWII picture that is exciting in only the most superficial way.- Variety
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Reviewed by
Dennis Harvey
At times plays as if it were aimed at children, but more often simply seems to be aiming blind at whatever genre cliche the five credited writers fix upon in any given scene.- Variety
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Reviewed by
Robert Koehler
A dull afterthought and a sorry vehicle for the comic expression of Martin Lawrence.- Variety
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Reviewed by
Todd McCarthy
Another tale of out-of-it working-class men cooking up a harebrained scheme to improve their lot in life.- Variety
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Reviewed by
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- Variety
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- Variety
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- Critic Score
Cage's over-the-top performance generates little sympathy for the character, so it's tough to be interested in him as his personality disorder worsens.- Variety
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Reviewed by
David Rooney
Audience patience undergoes a far more brutal butchering than anything onscreen in Delphine Gleize's wildly over-reaching feature debut, Carnage.- Variety
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- Variety
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Reviewed by
Dennis Harvey
Even more empty a luxury vehicle than its predecessor, M:I 2 pushes the envelope in terms of just how much flashy packaging an audience will buy when there's absolutely nada inside.- Variety
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Reviewed by
Robert Koehler
The more Marc Fusco and co-writer Michael Garrity's script aims for cleverness, the more it unravels.- Variety
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Reviewed by
Joe Leydon
Be prepared to laugh less at a lot more of the same thing in this overbearing but underwhelming sequel.- Variety
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Reviewed by
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- Critic Score
Commits the first cardinal sin of cinematic horror -- it's boring and doesn't have a single scary moment.- Variety
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Reviewed by
Joe Leydon
A frenetically junky action adventure that will quickly dribble off to vid stores after a token fast break in theatrical release.- Variety
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- Variety
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Reviewed by
Todd McCarthy
Sure to turn off general viewers due to its emotional inaccessibility, multitude of narrative problems and preoccupation with a torture Web site.- Variety
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While plot elements don't add up, film's energy level remains high, and oddball ensemble brings to mind a classic of this type, Jonathan Demme's "Citizens Band."- Variety
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Reviewed by
Robert Koehler
Utterly lacking the drive and roller-coaster energy expected of top action pics, this latest try at repackaging "Speed" is a Kmart version of a Jerry Bruckheimer production.- Variety
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Reviewed by
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Reviewed by
Todd McCarthy
Passably interesting psychological study of emotionally wounded characters until it commits dramatic suicide by showing its true colors as a tricked-up "Fatal Attraction" wannabe.- Variety
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Reviewed by
Robert Koehler
It ends up a grinding, ludicrous depiction of a thuggish Bosnian's abuse of his sister.- Variety
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Reviewed by
Dennis Harvey
A pat, hollow exercises with few tricks (or treats) up its sleeve.- Variety
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Reviewed by
Scott Foundas
Torpid, academic vanity project for helmer-thesp Rodolphe Marconi.- Variety
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Reviewed by
Lisa Nesselson
Choppy and fragmented to the point of irritation, pic overuses blackouts between scenes, self-conscious camera movements, narrative ellipses and other jangly techniques.- Variety
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Reviewed by
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- Critic Score
The clumsy story lurches forward through predictable travail and treacle, separated by phonograph records (or vice versa).- Variety
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- Variety
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Reviewed by
Robert Koehler
To be sure, Kelley's Emmy-winning brand of off-kilter humor and cockeyed affection for rural folk is on display, but his attempt here to blend the citified angst of "Ally McBeal" (co-star Bridget Fonda was Kelley's first choice as that series' lead) with the countrified absurdisms of "Picket Fences," plus bits out of the Peter Benchley playbook, doesn't hold water.- Variety
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