For 17,782 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,136 out of 17782
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Mixed: 7,010 out of 17782
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Negative: 1,636 out of 17782
17782
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Todd McCarthy
Screechily abrasive and sorely lacking in elements that engage the imagination.- Variety
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- Variety
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Reviewed by
Derek Elley
Mixes a rites-of-passage story with political and sexual elements to solid but finally uninvolving results.- Variety
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Reviewed by
Joe Leydon
Overall, though, the slapdash pic appears to be the work of folks who made things up as they went along; you might say they were, well, vamping.- Variety
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Reviewed by
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- Variety
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Reviewed by
Todd McCarthy
Universal’s attempt to find gold by bringing to new life one of the mustier items in its vaults is pure hokum and scarcely of the first order.- Variety
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Reviewed by
Joe Leydon
Lightning fails to strike twice -- an underwhelming follow-up to one of the career-stalled action star's better efforts.- Variety
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- Variety
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Reviewed by
Robert Koehler
This tale of mismatched lovebirds begins with considerable charm but eventually loses its winning ways with an excess of ridiculous elements.- Variety
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Reviewed by
Robert Koehler
This is the kind of movie that was doomed on the page, both by an inherently problematic premise and ill-conceived character motivations.- Variety
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- Variety
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Reviewed by
Robert Koehler
Although Erica Beeney's script beat out more than 7,000 entries, the screen version dulls her potentially distinctive voice with deadly doses of sentimentality.- Variety
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Reviewed by
Scott Foundas
Further proof that titular antagonist Jason Voorhes is ready for retirement -- to videostore shelves.- Variety
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Reviewed by
Emanuel Levy
Part comedy, part family drama, part romance, part special-effects mystery-adventure, and not entirely satisfying on any of these levels, this hodgepodge suffers from the conflicting sensibilities of its three credited scripters: Robin Swicord, who has done good work before, Akiva Goldsman, who has not, and Adam Brooks.- Variety
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Reviewed by
Dennis Harvey
Johnson (who scripted "Grumpy Old Men") flattens out any promise so completely that the feature resembles nothing so much as a subpar "Hallmark Hall of Fame" entry.- Variety
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- Critic Score
Does director John Hughes really believe, as he writes here, that 'when you grow up, your heart dies.' It may. But not unless the brain has already started to rot with films like this.- Variety
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Reviewed by
Robert Koehler
A valiant but seriously flawed attempt to belie the notion that if you remember what you did in the '60s, you weren't there.- Variety
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Reviewed by
Robert Koehler
There seems to be no bottom to Going Down, a lame also-ran in the rapidly declining teen gross-out comedy genre.- Variety
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Derek Elley
Game ride that makes the two previous installments look like models of classic filmmaking.- Variety
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Reviewed by
Dennis Harvey
Uncertain whether to go for straight suspense or gross-out effects, genre in-joking or schlock cinema-of-parodic-excess, Eli Roth's backwoods horror opus Cabin Fever seldom sticks with any one tactic.- Variety
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Reviewed by
Scott Foundas
Initially promising, but quickly disappointing.- Variety
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Reviewed by
Dennis Harvey
Despite its occasional visual interest, avant-garde package is far from the accessible tortured-artist portrait helmer essayed 15 years ago in "Vincent." Even committed dance and experimental cinema fans are likely to find this rough sledding.- Variety
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Reviewed by
Brian Lowry
Feels like a prolonged episode of "Power Rangers" minus the colorful costumes. Whatever charm the original had was clearly lost in translation, resulting in a tedious exercise that 6- to 10-year-olds may find mildly diverting.- Variety
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Reviewed by
Emanuel Levy
The strongest dimensions of this self-conscious but centerless film are four sexy actresses parading in colorful costumes and Amy Vincent's radiant lensing, which makes the picture seem hipper than it is.- Variety
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Reviewed by
Scott Foundas
Pic has a stagy, boxed-in feel. Both visually and energetically, it suggests something that has been done onstage to the point of mechanized repetition. And even though Whaley is supposed to be playing a disillusioned character, it's the actor himself who seems fatigued and over-rehearsed.- Variety
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Robert Koehler
Flubs nearly every opportunity to be the comedy it wanted to be.- Variety
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Reviewed by
Scott Foundas
Begins as a serious, straightforward account of the origins of the cocaine trade and "gangsta" culture in 1980s Harlem, but then downward spirals due to a weak plot and gratuitous violence.- Variety
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Reviewed by
David Rooney
An entirely schematic treatise on maternity and conflicting cultures. A subject perhaps far more suited to documentary treatment, this numbingly earnest effort will be a laborious delivery for IFC.- Variety
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Reviewed by
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- Critic Score
A couple of hash brownies short of a satisfying cinematic picnic, with far too few comic highs during the bigscreen reefer party.- Variety
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- Variety
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