Variety's Scores

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For 17,847 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,172 out of 17847
  2. Mixed: 7,036 out of 17847
  3. Negative: 1,639 out of 17847
17847 movie reviews
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  1. Hope Floats
    A dreadfully dull, completely conventional story of a young wife's recuperation from being unceremoniously dumped, this is a by-the-numbers bit of emotional calculation without a single fresh, original or offbeat move in its system, apart from a nifty opening sequence.
  2. Paycheck
    Uninspired star turns from Ben Affleck and Uma Thurman suggest something less than full belief in this quickly forgettable thriller.
  3. Kingpin
    Peter and Bobby Farrelly aimed low and grossed millions with "Dumb & Dumber," so it shouldn't be surprising that Kingpin, their latest effort, offers a similar mix of pratfalls, gross-out gags and jokes about bodily functions. This time, however, the humor is darker, edgier and occasionally, even more scatological.
  4. From Other Worlds
    Picture's leaps into the fantastic and rampantly farcical tend to be overextended, but finally don't detract from what is a well-judged, light entertainment.
  5. The War on Kids
    A startling wake-up call about appalling conditions prevailing in American schools, The War on Kids contradicts popular wisdom.
  6. Salt of This Sea
    That the taste of Annemarie Jacir's feature debut should be bitter is completely understandable given the untenable Palestinian situation, but the heavy-handed, excessively didactic script plays like a primer for people only vaguely aware of the issues while overly confirmed in their righteousness.
  7. Phillip the Fossil
    The edge achieved by director-editor-producer-scribe Garth Donovan is jeopardized by overreaching for topical relevance.
  8. The Brass Teapot
    Despite the inherent perversity of the concept, Mosley succeeds in maintaining a certain sweetness throughout. Even more impressively, she makes her low-budget enterprise look as slick as most midrange studio comedies, demonstrating herself a director with both imagination and technical ingenuity.
  9. Bottled Up
    A terminally quirky indie dramedy, Bottled Up risks trivializing prescription drug abuse in service of a trite middle-age romance.
  10. This Is Not a Ball
    Muniz uncovers a raft of intriguing people and stories, with subjects ranging from sports to astrophysics, gender politics, history and developmental psychology, but he never sits still with them long enough to ask any probing questions, and the film never arrives at any real point.
  11. Never Too Late
    While Never Too Late goes for a few too many old-folk chuckles, it also aims to probe the serious.
  12. Hocus Pocus
    With Bette Midler and her onscreen sisters shamelessly hamming things up, it looks as if those involved in making this inoffensive flight of fantasy had more fun than anyone over 12 will have watching it. Still, the blend of witchcraft and comedy should divert kids without driving the patience of their parents to the boiling point, leaving a chance to conjure up a little box office magic among that contingent before the pot tips over.
    • 43 Metascore
    • 60 Critic Score
    Wuthering Heights
    Wuthering Heights is a competent, tasteful, frequently even lovely re-adaption of Emily Bronte's Gothic, mystical love story. But the brooding tension, the electric passion of two lovers compelled to an inevitable tragedy is not generated.
  14. The Wolfman
    The constant repetition of these shock tactics, in lieu of genuine suspense, makes The Wolfman feel cheap, despite the vast amounts obviously spent on Rick Heinrichs' opulent production design, the extensive visual effects, the more-than-effective special makeup effects, Milena Canonero's luxurious costumes, Danny Elfman's insistent score and the tony cast.
  15. Dear John
    Ultimately, the story feels as if it's killing time before throwing the next hurdle at the couple.
  16. Youth Without Youth
    Attempting to harness multiple genres, pic is brought down by ponderous dialogue (much of it dubbed) and an inability to connect with its characters.
  17. The Lady
    This handsomely mounted picture is, at nearly 2 1/2 hours, far too long and indigestible for a film whose protagonist spends most of her screen time under house arrest.
  18. Lost in Space
    A pic that provides one hour's decent, eye-filling ride, then crashes and burns amid some of the worst writing since ... well, since scenarist/co-producer Akiva Goldsman's last effort, "Batman & Robin."
  19. Death by China
    One need not fully subscribe to Peter Navarro's demonization to appreciate his lucid wake-up call to the imminent dangers of the huge U.S.-China trade imbalance and its disastrous impact on the American economy.
  20. Automatons
    An unwieldy mix of self-conscious camp and heavy-handed allegory, Automatons plays like a cheesy '50s no-budget sci-fier with serious delusions of grandeur.
  21. A Dog's Journey
    One wishes the film were a bit more inventive with its dog’s-eye view: the odd ground-level action shot aside, there isn’t much to cinematically suggest how animals see the world differently.
  22. Vita & Virginia
    As Vita & Virginia loses its girlishness, drawn like the tides to the solemn maturity of Debicki’s performance. With her as the lodestar, this is a stranger and more intriguing film than it really has a right to be, one that becomes less about a clandestine courtship between famous women, and more about Woolf’s relationship with her writing, and with the workings of her own beautiful, restless mind.
  23. Women in Trouble
    A wildly uneven but compulsively watchable mix of high camp and grand passions, soap opera and softcore sex. Very much in the deliriously lewd style of Pedro Almodovar.
  24. 360
    With a multilingual cast of mostly unfamiliar faces, plus a few stars, 360 feels too abstract, orchestrating break-ups and hook-ups in a passionless vacuum.
  25. The Three Musketeers
    A handsome but pallid affair aimed squarely at a young Disney audience. Those who have never seen a previous "Musketeers" adaptation or a truly exciting Hollywood adventure in the grand style may be swept along, but the mechanical feel of this outing is too evident to ignore.
  26. The Strangers: Chapter 1
    "Chapter 1” can’t help feeling like an ersatz imitation at times, but it seems the franchise’s well hasn’t run dry just yet.
  27. Doctored
    What starts as an impassioned exploration of the medical establishment's court-proven conspiracy to "contain and eliminate" the chiropractic profession soon turns into a scattershot expose of the entire health care field in Doctored.
    • 43 Metascore
    • 30 Critic Score
    Trail of the Pink Panther
    A patchwork of out-takes, reprised clips and new connective footage, Trail of the Pink Panther is a thin, peculiar picture unsupported by the number of laughs one is accustomed to in this series. Stitched together after Peter Sellers' death, this is by a long way the slightest of the six Inspector Clouseau efforts.
  29. Freedomland
    Despite a few raw moments, pic feels like a Lifetime movie with a marquee cast.
  30. Final Destination 3
    In the story's one major stroke of invention, the usual premonitions of death have been replaced with a set of photos.
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