Variety's Scores

For 17,847 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17847 movie reviews
  1. A fast, fizzy and frenetically entertaining extension of the manic gaming franchise.
  2. Poking fun at the restaurant world, French helmer Daniel Cohen’s genial, broadly played comedy The Chef dishes up easily digestible laughs.
  3. From Doremus’ side of things, it can’t be easy to depict something as subtle as “intermittent feeling” or “increased sensitivity,” though the helmer does a fine job of laying the groundwork for the attraction blooming between Silas and Nia — boosted by the resonant collection of electronic tones and chimes that constitute Equals’ futuristic score.
  4. Overlong, undercooked Rabid can’t settle on a unified tone for its actors, let alone its narrative. Even its misanthropy ultimately feels indecisive and trifling.
  5. The movie is diverting enough when it flirts with clerical politics, and that made me think it might be cool to make an exorcist film that dramatized the true-life ins and outs of the Catholic Church’s relationship to exorcism. There’s a major story there, and it could fuel a heady thriller. But The Seventh Day, having established Father Peter as a new kind of exorcist renegade, soon gets down to business as usual.
  6. It was probably inevitable that Hollywood would neuter the best elements of Stieg Larsson’s “Millennium” franchise, but did the producers really need to shift it into a commonplace cross between a superhero flick and James Bond?
  7. Penn looks bewildered in a role that simply doesn't track, but Kechiche rises to the occasion. Stanzler's helming, shot blandly in digital vid, amounts to point-and-shoot.
  8. How much mileage can a comedy get from a single joke? Quite a bit, judging from the guffaws-to-groaners ratio in MacGruber.
  9. This fur-fetched tale is bearable family viewing.
  10. If America goes to war sometime in the next year, pundits will have a field day with this movie. But barring that, it’s just another ugly, unpleasant slog through a disposable fantasy universe. The true Disney villains in this case are off screen, sabotaging the studio’s canon from within.
  11. A relatively unimaginative take on the proceedings, coupled with occasionally bizarre stereoscopic work and awkward narration, causes the picture to bail out more often than it soars.
  12. Never quite catches fire in its too-deliberate attempt to appeal to all ages and all tastes.
  13. A remarkably boring comedy.
  14. The younger casting brings a freshness to the material and, with Allen as the weird mentor, there are plenty of laughs, even if the pacing's slow and the running time over-extended.
  15. Visually resplendent but dramatically uneven.
  16. Hellbenders becomes what it intends to burlesque, and that’s not so damn funny, even with 3D gimmickry.
  17. Married offers a positive, if melodramatically heightened, portrait of upper-middle-class African-American life, one broadly appealing enough to satisfy even the Nancy Meyers set, if only they'd give it a chance.
  18. With the help of his stunt and special effects teams, Harlin delivers more than enough goods to satisfy genre fans, so main question is whether a female action hero, and Davis in particular, is ready to be embraced by the huge public the film is clearly targeting.
  19. Look past the gimmick, and all that remains is an overly arty study of a lopsided marriage in which super-attentive husband James (Jason Clarke) actually seems to prefer when his wife Gina (Blake Lively) can’t see — and another opportunity for Lively to prove that she’s more than just a pretty face.
  20. A debut effort that occasionally bogs down in its own symbolism.
  21. An agreeable tone and cast make Sherman’s Way go down easy.
  22. Entertaining, though conventionally told war story.
    • 43 Metascore
    • 30 Critic Score
    An indelicate attempt to create some African Queen-style magic while curing cancer and saving the rainforests in the bargain, this jumbo-budget two-character piece suffers from a very weak script and a lethal job of miscasting.
  23. Sadly, the film plays more like an artless quickie than a fully fleshed-out romance.
  24. Night School has a handful of laughs, but it’s a bloated trifle that, at 111 minutes, overstays its welcome.
  25. The result is unquestionably an auteur film, but one festooned with so many bad and unnecessary ideas that one can’t help wondering if a more modest, hemmed-in version of the same project might not have proved more effective.
  26. Crazy new gadgets, vigorous action sequences and a thorough production-design makeover aren't enough to keep Total Recall from feeling like a near-total redundancy.
  27. A psychological drama cum genteel shocker that's long on ambition and short on delivery.
  28. The result under Penny Marshall's direction is a film with genuinely serious intentions that falls considerably short of its intentions.
  29. A disappointingly pedestrian prison meller that falls between stools artistically and politically.

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