For 17,847 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,172 out of 17847
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Mixed: 7,036 out of 17847
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Negative: 1,639 out of 17847
17847
movie
reviews
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Reviewed by
Guy Lodge
A fast, fizzy and frenetically entertaining extension of the manic gaming franchise.- Variety
- Posted May 7, 2016
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Reviewed by
Alissa Simon
Poking fun at the restaurant world, French helmer Daniel Cohen’s genial, broadly played comedy The Chef dishes up easily digestible laughs.- Variety
- Posted Jun 19, 2014
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Reviewed by
Peter Debruge
From Doremus’ side of things, it can’t be easy to depict something as subtle as “intermittent feeling” or “increased sensitivity,” though the helmer does a fine job of laying the groundwork for the attraction blooming between Silas and Nia — boosted by the resonant collection of electronic tones and chimes that constitute Equals’ futuristic score.- Variety
- Posted Sep 12, 2015
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Dennis Harvey
Overlong, undercooked Rabid can’t settle on a unified tone for its actors, let alone its narrative. Even its misanthropy ultimately feels indecisive and trifling.- Variety
- Posted Dec 14, 2019
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Reviewed by
Owen Gleiberman
The movie is diverting enough when it flirts with clerical politics, and that made me think it might be cool to make an exorcist film that dramatized the true-life ins and outs of the Catholic Church’s relationship to exorcism. There’s a major story there, and it could fuel a heady thriller. But The Seventh Day, having established Father Peter as a new kind of exorcist renegade, soon gets down to business as usual.- Variety
- Posted Mar 26, 2021
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Jay Weissberg
It was probably inevitable that Hollywood would neuter the best elements of Stieg Larsson’s “Millennium” franchise, but did the producers really need to shift it into a commonplace cross between a superhero flick and James Bond?- Variety
- Posted Oct 24, 2018
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Reviewed by
Robert Koehler
Penn looks bewildered in a role that simply doesn't track, but Kechiche rises to the occasion. Stanzler's helming, shot blandly in digital vid, amounts to point-and-shoot.- Variety
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Joe Leydon
How much mileage can a comedy get from a single joke? Quite a bit, judging from the guffaws-to-groaners ratio in MacGruber.- Variety
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- Variety
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Reviewed by
Peter Debruge
If America goes to war sometime in the next year, pundits will have a field day with this movie. But barring that, it’s just another ugly, unpleasant slog through a disposable fantasy universe. The true Disney villains in this case are off screen, sabotaging the studio’s canon from within.- Variety
- Posted Oct 15, 2019
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Reviewed by
Andrew Barker
A relatively unimaginative take on the proceedings, coupled with occasionally bizarre stereoscopic work and awkward narration, causes the picture to bail out more often than it soars.- Variety
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Robert Koehler
Never quite catches fire in its too-deliberate attempt to appeal to all ages and all tastes.- Variety
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- Variety
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Reviewed by
David Stratton
The younger casting brings a freshness to the material and, with Allen as the weird mentor, there are plenty of laughs, even if the pacing's slow and the running time over-extended.- Variety
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- Variety
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Reviewed by
Joe Leydon
Hellbenders becomes what it intends to burlesque, and that’s not so damn funny, even with 3D gimmickry.- Variety
- Posted Oct 21, 2013
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Reviewed by
Peter Debruge
Married offers a positive, if melodramatically heightened, portrait of upper-middle-class African-American life, one broadly appealing enough to satisfy even the Nancy Meyers set, if only they'd give it a chance.- Variety
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Todd McCarthy
With the help of his stunt and special effects teams, Harlin delivers more than enough goods to satisfy genre fans, so main question is whether a female action hero, and Davis in particular, is ready to be embraced by the huge public the film is clearly targeting.- Variety
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Reviewed by
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Reviewed by
Peter Debruge
Look past the gimmick, and all that remains is an overly arty study of a lopsided marriage in which super-attentive husband James (Jason Clarke) actually seems to prefer when his wife Gina (Blake Lively) can’t see — and another opportunity for Lively to prove that she’s more than just a pretty face.- Variety
- Posted Sep 12, 2016
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Reviewed by
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Reviewed by
Peter Debruge
A debut effort that occasionally bogs down in its own symbolism.- Variety
- Posted Jun 26, 2013
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Reviewed by
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- Variety
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- Variety
- Posted Jan 9, 2013
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- Critic Score
An indelicate attempt to create some African Queen-style magic while curing cancer and saving the rainforests in the bargain, this jumbo-budget two-character piece suffers from a very weak script and a lethal job of miscasting.- Variety
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Reviewed by
Tomris Laffly
Sadly, the film plays more like an artless quickie than a fully fleshed-out romance.- Variety
- Posted Jun 27, 2024
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Reviewed by
Owen Gleiberman
Night School has a handful of laughs, but it’s a bloated trifle that, at 111 minutes, overstays its welcome.- Variety
- Posted Sep 26, 2018
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Reviewed by
Scott Foundas
The result is unquestionably an auteur film, but one festooned with so many bad and unnecessary ideas that one can’t help wondering if a more modest, hemmed-in version of the same project might not have proved more effective.- Variety
- Posted Jan 27, 2014
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Reviewed by
Justin Chang
Crazy new gadgets, vigorous action sequences and a thorough production-design makeover aren't enough to keep Total Recall from feeling like a near-total redundancy.- Variety
- Posted Aug 2, 2012
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Reviewed by
Ronnie Scheib
A psychological drama cum genteel shocker that's long on ambition and short on delivery.- Variety
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Reviewed by
Robert Koehler
The result under Penny Marshall's direction is a film with genuinely serious intentions that falls considerably short of its intentions.- Variety
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Reviewed by
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Reviewed by
Todd McCarthy
A disappointingly pedestrian prison meller that falls between stools artistically and politically.- Variety
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