Variety's Scores

For 17,847 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17847 movie reviews
    • 44 Metascore
    • 40 Critic Score
    A mostly slick, intelligent psychological thriller/modern morality tale flawed by occasional lapses of subtlety and a central performance that veers just to the wrong side of empathetic.
  1. Impeccably crafted but dramatically dull.
  2. Doesn't compare favorably with David Schisgall's similarly themed "The Lifestyle," released to arthouses last year.
  3. Playing like a moribund hybrid of "Thelma and Louise" and "The Trouble With Harry," lesbian-themed thriller Gasoline lacks sex drive.
  4. Begins as a smartly promising, gently farcical comedy of manners and ends as sourly and haphazardly as the lives it is poking fun at.
  5. The material comes across as too far-fetched to be taken seriously, and too bland to elicit laughs.
  6. The screenplay by Daniel Tendler, Fernando Bonassi and Lula biographer Parana succumbs to many of the most unfortunate narrative tendencies of biopics, including a proclivity for piling on incident after incident as a substitute for real character insight.
  7. A macho, adrenaline-fix suspenser that plays like the bigscreen equivalent of those pulpy spy novels that once clogged grocery-store checkouts.
  8. Promising frosh helmer Felix van Groeningen exhibits a fresh eye, though his script is full of too many self-consciously Tarantino-ish verbal digressions that serve to distract from the story, and self-conscious quirks he mistakes for character development.
  9. One of the summer's more pleasant surprises. A silly bit of tiptop tomfoolery with cross-generational appeal.
  10. A lightly enjoyable road picture about a circuitous road to redemption, Black, White and Blues offers simple, down-home pleasures while spinning an undeniably familiar but emotionally satisfying tale.
  11. Unlike this teen raunch-com’s brilliantly conceived inspirations, its main friendship dynamic and ensuing shenanigans fail to resonate due to sloppy character construction and a cadre of cringe-worthy circumstances.
  12. A loose-knit, character-driven comedy that percolates with good-vibe amusement, often earning industrial-strength guffaws with sneaky one-liners and tossed-off non-sequiturs.
  13. Helmer-writer Lee Kirk's deliberately offbeat romance, a vehicle for wife Fischer, will undoubtedly win friends through its cockeyed-optimistic view of romance.
  14. Moderately interesting as a once-over-lightly political history lesson best suited for home-screen consumption.
  15. [A] thoroughly ingratiating, touchingly heartfelt comedy.
  16. Everything is at once telegraphed and derivative.
  17. Leaving no heartstrings untugged and no doggie-fart jokes uncracked, scruffy pic reps a very mixed breed of obvious humor, gently moving father-son drama and sub-"Backdraft" trial by fire.
  18. Frisky and funny enough to please pre-teens, but still witty enough to amuse even those parents who don't recognize Dustin Hoffman, Whoopi Goldberg and other notables among the unseen vocal talents.
  19. The picture's first 35 minutes sizzle until a Byzantine plot nudges the story toward near-parody in the final act.
  20. A collection of sentimental and emotional moments in search of a movie.
  21. While it's stylishly designed and shot in startling colors on digital high-definition cameras, this feels like yesterday's futuristic news, and it's more likely to surface as a video/DVD curiosity than a theatrical draw.
  22. Surprises are reserved for the final half-hour, at which point the slow-paced Palmetto has long since fossilized as a routine exercise in ceiling-fan, sweaty-forehead noir-by-numbers.
  23. Ultimately implodes, letting down the 'hood, hip-hoppers and Jamie Kennedy fans looking forward to his first major starring role.
  24. Whatever suspense it musters feels artificial, manufactured in the first half by withholding information all the characters already possess from the audience, and in the second by adding more curlicues and flourishes to the elaborate plot at the expense of nourishing the milquetoast characters.
  25. The Scorch Trials offers virtually no character development and only hints of plot advancement, mostly just functioning to move a group of obliquely motivated characters from one place to another without giving much clue where the whole thing is headed.
  26. City Slickers II is a welcome sequel, much in the spirit of the original but keen to mosey into new terrain. It’s definitely the yee-hah! film of the season.
  27. A smarter script would’ve found ways to work a historical critique (or some “Shrek”-like satire, at least) into its relatively brainless string of set pieces.
  28. Steeped in fan-pleasing gore but woefully thin on ideas, originality (beyond new zombie-offing methods) or directorial flair.
  29. Harmless, but also, unfortunately, almost entirely mirthless, this putative comedy about an unsuspecting man obliged to transport a pachyderm cross-country aspires to a winsome charm that never crystallizes, leaving what’s onscreen to wilt before it ever blossoms.

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