Variety's Scores

For 17,847 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17847 movie reviews
  1. Where the Crawdads Sing is at once a mystery, a romance, a back-to-nature reverie full of gnarled trees and hanging moss, and a parable of women’s power and independence in a world crushed under by masculine will.
  2. Although the screenplay contains all the beats needed to generate tension, Assayas’ gift for conveying information between the lines is almost entirely lost on Polanski, who doesn’t give his actresses the opportunity to flesh out the subtext of their most awkward interactions.
  3. Efficiently directed by Leo Zhang, the film features all the zesty fights, slick effects and goofy slapstick one expects from a Jackie Chan family movie, while glossy production values, a snappy beat and composer Peng Fei’s deafening score mimic that of a Hollywood movie, though the film’s corny cyberpunk pastiche appeals exclusively to kids.
  4. Writer-editor-director Paul F. Ryan makes the mistake of focusing on an ungainly and, finally, unplayable verbal match between two high schoolers.
  5. A lark gone utterly awry.
  6. Physicality of the second half, then, will keep the audience going, but it is not quite sufficient to camouflage the elemental silliness of storyline.
  7. Aimed squarely at the same family audiences that flocked to Murphy's "Doctor Dolittle" comedies, this is a lightly amusing and surprisingly sweet Fox release.
  8. Eventually pic turns into a formula slasher over-indebted to the usual "Texas Chainsaw" and "Halloween" models. But until then, Mena's direction (if not his script) suggest he's ready for bigger-budget assignments.
  9. Moviegoers aren’t likely to be similarly spellbound, as Heston employs a too-slow buildup to an explosion of mayhem that incorporates gruesome violence with awkward attempts at dark humor.
  10. Violet & Daisy feels radically disconnected from recognizable human behavior.
  11. Despite a magnificent performance by Javier Bardem, the film not only falls short of the novel's magic, but fails to generate much of its own.
  12. Well-meaning but underachieving drama.
  13. An earnest, over-stuffed infomercial for the potential and benefits of practicing mindfulness.
  14. Although promising a deep-cut dash of contemporary topicality by reimagining the main character as an undocumented African immigrant, there is the sense that the unimpeachable craft and performances — especially from rivetingly charismatic lead Welket Bungué — ultimately add up to just too slick a package.
  15. What might have been an effective fantasy if handled with sophistication and insouciance is instead weighed down by ponderous pacing, overstuffed production values and an instance of miscasting.
  16. There's not quite as much corn in The Final Season as there is in the Iowa farm fields that run through it, but it's close.
  17. A strident, painfully repetitive and hopelessly stage-bound drama about self-indulgent twentysomethings on the fringes of the L.A. film scene.
  18. Costner is as uneven as the storytelling itself, stone cold at moments, shimmeringly real in others.
  19. Fails to captivate or intrigue at the most basic level.
  20. The funny stuff continues for a quite satisfying conclusion during the wedding prep and ceremonies, which Stifler single-handedly transforms into his own personal gross-out comedy masterpiece.
  21. There's a provocative premise at the heart of Master of the Game, but uneven acting, indifferent direction and melodramatic dialogue blunt pointed ironies.
  22. Don't be surprised if the movie's most wince-inducing moments come not from the "disturbing images" (as the MPAA describes the sight of a leg bone sticking six inches out of one character's ski pants) but rather of the bad acting and worse dialogue.
  23. Enjoyment requires denying the increasingly problematic truth about Bond: As heroes go, 007 represents a bygone notion of the privileged white man taking what’s his and leaving destruction in his wake.
  24. The Vampire's Assistant is too busy making impossible claims about just how spectacular its sequels will be to serve up a self-contained story with a satisfying finale.
  25. Weak even by the standard of uninspired recent Asian-horror remakes, The Uninvited is more likely to induce snickers and yawns than shudders and yelps.
    • 43 Metascore
    • 90 Critic Score
    Grade-A pulp fiction. This erotically charged thriller about the search for an ice-pick murderer in San Francisco rivets attention through its sleek style, attractive cast doing and thinking kinky things, and story, which is as weirdly implausible as it is intensely visceral.
  26. The result is attractive and diverting, as any well-appointed film starring these actors in mouthwatering period finery could hardly fail to be — though for a story about people rebuilding their lives through grievous personal loss and moral torment, it’s hard not to wonder if its vast reserves of enviable knitwear are counting for more than they should.
  27. Dustin Guy Defa's Bad Fever takes mumblecore to its reductio ad absurdum, featuring a hero whose utterances border on the unintelligible.
  28. Genre clichés catch up with Schultz just as surely as the past catches up with his characters and the sweet, redemptive possibilities of their relationship gets washed away in the tide of gratuitous bloodshed.
    • 43 Metascore
    • 60 Critic Score
    It's a crowdpleaser -- at least for crowds aged about 6 to 12.

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