Variety's Scores

For 17,833 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17833 movie reviews
  1. While mazel tovs are due for efficient playing and execution, predictable script seldom scores big laughs.
  2. Shiota piles tons of symbolic baggage on his pint-size protagonists, who luckily rise to the challenge.
  3. Wide-ranging educational documentary attaches itself to the rise and fall of a 12-year-old fashion model, and indeed, its sincere, cautionary tone seems best suited to younger auds and small screen exposure.
  4. This amusing rather than laugh-out-loud funny project is best suited to smallscreen exposure.
  5. The temptation of artists to fiddle with their earlier works brings predictably mixed results in Ashes of Time: Redux.
  6. Once Choose Connor ventures into the larger political arena, it begins to work against itself.
  7. Remarkably informative yet gracelessly constructed, jumping between documentary and concert footage at random.
  8. Scores high on the tech front but considerably lower on script smarts.
  9. Warmly affectionate yet curiously hollow, The Universe of Keith Haring is a straightforward biodoc about the Gotham-based artist and style-setter.
  10. That Blitstein pulls off this tiredly self-reflexive conceit with relative panache is due in no small part to the scruffy grace of leads Justin Rice ("Mutual Appreciation") and indie fixture Brendon Sexton III.
  11. An overlong, dramatically unbalanced picture whose emotional wallop gets somewhat diffused.
  12. While it admirably avoids either schoolboyish titters or schoolmarmish prudery, the docu's cheery neutrality comes at the expense of any point of view at all.
  13. Alternately jerking the audience's tears and splashing snow in their faces, 3-D indie Call of the Wild loses focus (literally) but gets by on its good-hearted demeanor and a gently sweet turn by white-bearded Christopher Lloyd as the heroine's protective gramps.
  14. Balancing black humor against allegorical indictment of the Pinochet regime's oppression on narrow stack heels, striking, very offbeat period pic Tony Manero follows a psychotic petty criminal into the depths of his crazed obsession with John Travolta's character in "Saturday Night Fever."
  15. The comedy's broad perfs, predictable story beats and pro but characterless packaging have a smallscreen feel.
  16. The filmmakers' metaphor of the housing market as a casino, with hard-working people's homes used as chips, although apt, may lack the visual and visceral excitement.
  17. A radiant perf by Annie Parisse and a virtuoso turn by Eli Wallach are insufficient to lift this male intergenerational angst-fest out of the ghetto.
  18. Its amusingly off-kilter humor underserved by pedestrian packaging, Dave Boyle's sophomore feature, White on Rice, is the kind of comedy that hinges on a protagonist near-imbecilic in all matters social, physical and especially romantic.
  19. Kalmbach’s laid-back approach proves more likable than revelatory.
  20. Breezy and indulgent, his is a style that lives or dies on the appeal of his characters and performers, and this time he is mostly let down by both.
  21. Feels like it was made more for the kids' sake than to communicate their story to outside audiences, who would likely prefer a condensed newsmag-style recap.
  22. Absurdist underdog yarn that feels positively Martian in its brand of tom-tomfoolery. Like a "Saturday Night Live" sketch gone on too long, Ari Gold's feature debut will tax unsuspecting viewers, while sending those on Gold's special wavelength into seizures of delight.
  23. Frequently cutting away from storylines just before they peak and returning to them too much later, odd editing/structural choices never let the picture build up a satisfying head of steam. Overall look is just slightly better than homevideo.
  24. Amiable but uneven.
  25. Writer-director Brant Sersen's amiable indie comedy -- even less edgy than Greg Mottola's theme-park-set "Adventureland" -- attempts to compensate for its too-familiar romantic setup by defining its characters through idiosyncratic hobbies and traits.
  26. A mixed bag, Mammoth is a good-looking, smoothly directed, continent-hopping drama about parents and children, globalization and the disconnect between rich and poor, but comes with too much repetitive exposition and lacks an emotional payoff.
  27. An intriguingly plotted mystery that unfortunately forgets to put the noir in film noir. A drab, pale-looking affair without a trace of visual style, this cross-country pursuit yarn fights a losing battle to sustain viewer attention via narrative alone, so much does it flounder for lack of imagistic flair.
  28. A startling wake-up call about appalling conditions prevailing in American schools, The War on Kids contradicts popular wisdom.
  29. Because Ozon doesn't develop his characters once Ricky shows his true nature, the movie's slightly overcooked working-class realism quickly morphs into a grotesque -- and admittedly funny -- story of a mutant baby.
  30. Looking and sounding like a second-tier '80s made-for-cabler, Crazy on the Outside is the sort of bland trifle one might watch to kill time during an extended flight.

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