Variety's Scores

For 17,832 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17832 movie reviews
  1. Dickler's acting debut is memorably repellent, even if the movie he's in -- a fitfully engaging story about two estranged brothers on a road trip -- often feels forced and unconvincing, even on its modest, intimately scaled terms
  2. The picture works best as a vehicle for the likable talents of thesp Aasif Mandvi, arguably best known for his occasional "reporting" on the Middle East on "The Daily Show With Jon Stewart."
  3. Schnabel's signature blend of splintered storytelling and sobering humanism feels misapplied to this sweeping multigenerational saga.
  4. A Tempest so kitschy, yet curiously drab and banal.
  5. Bubbles along with a jaunty but unoriginal blend of the sweet, tart, cute and weepy.
  6. It's more likely to serve as a calling card than a breakthrough for any of the parties involved.
  7. Equal parts hagiography and hatchet job.
  8. Obsession, compulsion and fear are all part of The Kids Grow Up, which is occasionally a less-than-pleasant reminder of the goofy way we can act even while we think we're being sane.
  9. An audacious premise gets dangerously unstable execution in Four Lions, a ballsy but wobbly high-concept farce that sends up the bumbling schemes of a Blighty-based jihadist cell.
  10. Spottiswoode's lackluster film fails to offer any fresh perspective on these now well-known events.
  11. This arduous travelogue focuses on the macro (stunning, David Lean-like landscapes) and the micro (countless closeups of blistered flesh) to the virtual exclusion of compelling characters.
  12. Knucklehead has a professional slickness about it, flawless shooting by d.p. Kenneth Zunder, and Johnston's perfectly cloying score. The acting leaves a bit to be desired: Malick is hilarious; Wight is endearing; Rebecca Creskoff ("Hung"), who plays Mary's friend and fellow ex-"dancer," is refreshingly natural.
  13. Not a particularly funny movie. Indeed, the true dilemma of this misguided seriocomedy lies in the filmmakers' confusion as to whether they're making a side-splitting bromance (nope) or an unsparing, warts-and-all look at screwed-up relationships (sort of).
  14. At once delicate and clumsy, tender and twee, Restless wraps the pain of grief and impending mortality in the balm of a teenage love story.
  15. While marred by cheap tricks and borderline camp, picture comes off as a largely low-key, intelligent effort.
  16. The key to enjoying Sanctum is to look, not listen.
  17. A flashy, lunkheaded sci-fi extravaganza sure to appeal to teenagers who like their interplanetary warfare bloodless, their high-school soaps squeaky-clean and their numbers countable on one hand.
  18. Beyond the occasional plot frissons and juicy supporting turns, it's an emotionally and psychologically threadbare exercise.
  19. This high-end softcore thriller is juicily watchable from start to over-the-top finish, but its gleeful skewering of the upper classes comes off as curiously passe, a luxe exercise in one-note nastiness.
  20. In essence, this one is the equivalent of the "B" movies that flourished during the original's era -- and it proves middling, and occasionally muddled, on almost every level.
  21. Not exactly an unholy mess, but still a rather too pious retread of classic sci-fi/action/horror riffs that lacks originality or pizzazz.
  22. Solid execution and some provocative ideas can't save Source Code from a fatal hubris, as it thinks itself far more clever than it actually is and assumes it's earned emotions at which it's only hinted.
  23. Macabre if uneven Louisiana-shot horror-meller should divert genre fans in various territories.
  24. Part bromance, part sci-fi spoof and all a bit disappointing.
  25. While the stabs at grown-up insight miss their targets, picture still packs more pure comedic punch than the Farrellys' last few offerings.
  26. Undistinguished apart from Rebecca De Mornay's performance as an unhinged mama.
  27. Another lumpy mix of broadly played ethnic comedy, deadly serious soap operatics, and aggressively rousing religious uplift. Picture may help him reconnect with faithful fans.
  28. The rote professionalism on display verges on cynicism, and despite some occasional sparks, this ranks as a considerable disappointment.
  29. Well intended but inert.
  30. Teper buries his material in gimcrack mod trappings that trivialize rather than celebrate Sassoon's accomplishments.

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