Variety's Scores

For 17,832 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17832 movie reviews
  1. The reputed swan song for the series and its first entry in 3D, pic contains a respectable number of laughs, but also borrows its storyline from the oft-recycled "It's a Wonderful Life," and if that's all its creators can do, it's best to put Far Far Away far far away.
  2. If The Joneses were pure farce, which it isn't, Borte could have gotten away with a lot. Likewise, the picture might have succeeded if it were all a bit funnier and a little less mean-spirited about spending, debt and envy.
  3. This tepid romantic comedy falls somewhere between a weak sitcom pilot and a second-tier Hallmark movie.
  4. Has a terrible fascination that glues viewers to the screen. At the same time, audience patience is tested.
  5. The camera's closer scrutiny doesn't flatter this unique theatrical reportage.
  6. There's nothing remotely original about Freshmen, but this somewhat formulaic comedy-drama about four college newbies has a lot of charm and sincerity going for it.
  7. Michele Maher's Garmento appears more shocked at the fashion industry's cynical side than moviegoers are likely to be, making its drama of corruption a preordained snooze.
  8. An unusually bright, inspired look at the perils of breaking into the acting business.
  9. Admirably balanced production that pulls the curtain back slightly on a little-charted period of modern Chinese history.
  10. Insufficiently focused but undeniably intriguing.
  11. An earnest drama that's never quite as raw or moving as it means to be.
  12. A relentless excoriation of the School of the Americas.
  13. Film makes a strong case for some form of miscarriage of justice and subsequent high level cover-up in the Rosario shootings.
    • 52 Metascore
    • 50 Critic Score
    While the whole may be less than the sum of its parts, those parts are individually commendable. Shalhoub has an eye for composition and a strong sense of pacing.
  14. Treads a delicate line between documentary and fiction to reconstruct the kidnapping and murder of director Albertina Carri's parents during the military dictatorship.
  15. The kind of tale where even viewers who didn't miss a frame will feel as if they entered in the middle, muddled but amusing account of an adorable yet profanity-prone feline who travels through time and space is fueled by irony and incongruity.
  16. Film struggles to balance its past-present memory drama and a rather standard take on an American immigrant family. Although accented by fine cinematic flourishes, pic is harmed by an abrupt conclusion and technical glitches.
  17. Has stubborn charm, suggesting onward-and-upward career prospects for helmer/coscenarist Remi Lange.
  18. First hour is an often gripping look at the realities of modern Islam ("You can do anything you want, as long as it's not in public," says a soldier's wife), before silliness takes over.
  19. Latest pic directed by Gil M. Portes, could be called "To Madam With Love"; vet Filipino helmer is out to open maximum tear ducts with sentimental tale.
  20. Thesping and production values are solid and sometimes even attractive, but pic's overall American-style gloss becomes extremely odd and discomforting given the setting.
  21. Seldom boring but also rarely electrifying.
  22. Gorgeously lensed, photographer-turned-helmer Bruce Weber's heartfelt docu tribute to his dogs, his friends and his friends'dogs.
  23. Proteus has enough erotic and exotic content to win back some of the arthouse viewers previously beguiled by Greyson's "Lilies." But pic lacks that gem's lush aesthetics and impassioned complexity, ending up a tad remote.
  24. Though Pieck is to be admired for the rigorousness in telling this chilling story (on what looks like a near zero budget), the film itself remains resolutely unlikable.
  25. Unmistakably sympathetic but mostly even-handed documentary.
  26. An uneven but exuberantly anarchic comedy homage to the spaghetti Western.
  27. Goes beyond simple Bush-bashing to paint a horrifying portrait of organized U.S. imperialist expansion and public deception stretching back to the early Reagan era.
  28. Preaches purely to the converted.
  29. Gamely thesped, lowbrow farce.

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