Variety's Scores

For 17,832 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17832 movie reviews
  1. Too narratively disjointed to achieve maximum impact, but too emotionally potent in fits and starts to be dismissed out of hand. Ultimately, Over the GW resembles nothing so much as a rough draft for a more conventional feature.
  2. Destined to be better remembered for its grisly billboard imagery than for its relatively tame torture-porn tropes, Captivity is a thoroughly nasty piece of work that nonetheless earns credit for generating modest suspense after a predictable but effective plot twist around the 50-minute mark.
  3. Patchy lead perfs and mannered helming subtract value from pic's tangible plus points (solid supporting turns, pleasant score).
  4. Film has major assets in Walter Carvalho's stunning landscapes and livewire young lead Hermila Guedes, but overall, it's too uninvolving.
  5. Features some first-rate cinematography and solid acting, but absolutely no sense of emotional boundaries.
  6. Beads together complex ideas and gorgeously wrought segments like pearls on a string, but, with its emblematic characters and sometimes baffling, mystical storyline, pic ultimately remains emotionally distant.
  7. Kagan's green-screen filmization, in its over-busy editing, ever-changing angles and constantly shifting backdrops, strips the play of its starkness, leaving disproportionate schmaltz and propaganda.
  8. Proves a welcome addition to the growing body of films on Iraq, but ultimately promises more than it delivers.
  9. A well-intentioned misfire featuring 3-D CGI animation that recalls lesser vidgames of the mid-1990s.
  10. Generates enough mild humor to keep the spoof rolling, but lacks the commitment and scope.
  11. Alternately seduced and repelled by its subject, the garish and power-hungry Harlem gangster and '70s cocaine kingpin Nicky Barnes, Mr. Untouchable is one seriously confused documentary.
    • 42 Metascore
    • 50 Critic Score
    While key blockbuster elements (ticking bombs, intrepid reporters, lightweight politics) are all present, the film's brisk pacing can't hide the fuzzy logic of the tenuously structured, convoluted script.
  12. Has almost zero plot but molto mood. It will appeal to the most faithful of the director's camp-followers and no one else.
  13. CJ7
    "E.T."-inspired comic fantasy about a poor boy adopting a cute alien catches the eye but not fully the heart with its undernourished father-son dynamics, critter hijinks and smattering of social commentary.
  14. If telenovelas were convincingly real, they would no doubt look like the tumultuous world of domestic strife and libido deftly limned in Alice's House. Documaker Chico Teixeira gives a light, natural feel to his small but fetching first feature.
  15. Aggressively upbeat docu, helmed by two males ill-equipped to bring any distance to the camp's pervasive feel-good feminism, tends to relentlessly reiterate points better served by example.
  16. A convoluted bilingual thriller about a kidnapping in Colombia, Towards Darkness may be too clever for its own good. Frosh director Antonio Negret intertwines so many disparate characters, each with a flashback-studded backstory, that after a while the exhausted viewer, assaulted by sudden time-jumps, agitated handheld camerawork and tediously protracted suspense, ceases to care.
  17. Despite intimate, prolonged access to her subject, director Jyll Johnstone seems to have missed the most interesting wrinkles of Weddell's story in favor of fuzzy life's-a-stage affirmations.
  18. Mainland helmer Wang Quanan and his regular lead actress, Yu Nan, tread on largely familiar ground in Tuya's Marriage.
  19. Beyond its cool, reflective surfaces and infinite plays with perspective lies nothing -- character, relationships, motives all seemingly irrelevant. Even Willem Dafoe as a haunted cop cannot ground these artfully grisly optical illusions, unconnected to any comprehensible storyline.
  20. As high school zeitgeist stories go, Remember the Daze holds no great secrets or revelations, no iconic characters or “American Pie”-style set pieces, but it demonstrates considerable promise on the part of its director and her up-and-coming cast.
  21. With Swaziland providing this mother lode of material, helmer Michael Skolnik extracts only the most pedestrian of films.
    • 54 Metascore
    • 50 Critic Score
    Page is generally commanding as the self-pitying teenager, but there are several moments when, let down by the text, the young thesp obviously does not believe what she is saying.
  22. Hootnick seems determined to make everyone likable, no matter how vapid, objectionable or ill-articulated their views are. The emphasis on personality over politics or serious debate makes the pic feel lightweight, ill-suited to theatrical exposure.
  23. A strong cast, beautiful production values and generally pleasant execution can't disguise the fact both laughs and surprises are on the thin side here, despite the abundant care and affection lavished on the central characters by first-time writer-director David Munro.
  24. Predictable fare that only occasionally fulfils its intention of being simultaneously heartbreaking and heartening.
  25. Although it avoids overt moralizing or clunky lesson-learning, pic's careful balancing act between tragedy and comedy eventually becomes its sole raison d'etre.
  26. A God's little acre's worth of premeditated eccentricity runs through Diminished Capacity, a triumphant losers-in-Cornville comedy starring Matthew Broderick in a role he might have phoned in, and Alan Alda as a combination Jed Clampett and Raymond Babbitt.
  27. A neat idea that doesn't quite hit the bull's-eye.
  28. While mazel tovs are due for efficient playing and execution, predictable script seldom scores big laughs.

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