Variety's Scores

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For 17,807 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,148 out of 17807
  2. Mixed: 7,022 out of 17807
  3. Negative: 1,637 out of 17807
17807 movie reviews
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  1. Kill the Poor
    Result hovers a little uncertainly between dark comedy and urban drama, but remains compelling thanks to its gritty narrative texture, nervous energy and loose, jumpy structure, which fit well with the DV-shot production's no-frills approach.
  2. BloodRayne
    Anemic action-fantasy.
  3. I Am Taraneh, I Am Fifteen Years Old
    An appealing film thanks to its irresistible teenage heroine, I, Taraneh, Am Fifteen delivers the message that there's a new generation of strong-minded femmes out there who aren't afraid of bucking social norms.
  4. El carro
    Winning, consistently funny comedy, with lively script by veteran Colombian producer/scribe Dago Garcia ("Maximum Penalty"), The Car is driven by unusually sharp helming from newcomer Luis Orjuela, and a dynamite ensemble cast.
  5. Stryker
    Slapdash but strangely likeable.
  6. Tau man ji D
    Super-slick street-racing pic, based on a Nipponese manga series and set in Japan, is aimed squarely at the East Asian market, which it has conquered in spades since late June release.
  7. The Promise
    A mixed bag of near-risible storylines, second-rate CG effects, some fabulous set pieces, somewhat cartoonish martial arts fighting and difficult international casting.
  8. Match Point
    Well-observed and superbly cast picture is the filmmaker's best in quite a long time.
    • 66 Metascore
    • 70 Critic Score
    Ich hiess Sabina Spielrein
    Engaging doc should stir psychologists and feminists.
  10. Wolf Creek
    Essentially a worst-case-scenario white-knuckler executed with terrifically focused skill and realism.
  11. Casanova
    A handsome chunk of widescreen entertainment that's as nimble as its rakish hero.
  12. Rumor Has It...
    As muddled in most respects as its title, Rumor Has It... begins with an intriguing premise...but it devolves into a bland romance spiced with too little comedy.
  13. The New World
    Malick's exalted visuals and isolated metaphysical epiphanies are ill-supported by a muddled, lurching narrative, resulting in a sprawling, unfocused account of an epochal historical moment.
  14. The Matador
    Deftly maneuvering through audacious mood swings and tonal shifts, The Matador emerges as a quirky yet commercial commingling of black comedy, seriocomic psychodrama, heart-tugging sudser and buddy-movie farce.
  15. Munich
    Beautifully made pic will spur newsy media coverage and possible consternation on both sides of the Israeli-Palestinian divide, but members of the general public will be glancing at their watches rather than having epiphanies about world peace.
  16. Caché (Hidden)
    A tightly plotted and paced thriller whose not-so-hidden agenda is to expose the bad conscience of the world's haves toward its have-nots, "Hidden" is one of Austrian helmer Michael Haneke's most watchable and pungent works.
  17. The Ringer
    Sometimes veering close to being a promotional film for the Special Olympics, pic will be applauded by the disability community and its advocates but quickly ignored by longtime fans of the Farrellys and Knoxville.
  18. The Intruder
    A beautiful, complex work that challenges viewers to mentally sift interior and exterior journeys.
  19. Cheaper by the Dozen 2
    Bland, canned but studiously professional sequel retains most of the principals from Fox's family-friendly 2003 hit, including the ever-reliable Steve Martin and Bonnie Hunt.
  20. Fun with Dick and Jane
    The rare Hollywood remake that, by daring to reinterpret its source material within a fresh political context, actually has a reason to exist.
  21. The White Countess
    This final production from the team of James Ivory and the late Ismail Merchant is itself adrift in more ways than one, with a literate but meandering script by "The Remains of the Day" novelist Kazuo Ishiguro that withholds emotional payoffs to an almost perverse degree.
  22. The Family Stone
    Keaton embodies the formidable Stone matriarch with an offhand sense of humor that cuts like a knife.
  23. The Three Burials of Melquiades Estrada
    Outstandingly realized on all levels.
  24. Electric Shadows
    A fairly conventional heartwarmer, lifted by likable performances, good-looking production values and (for movie buffs) a story centered on an outdoor cinema in rural China.
  25. The Producers
    So determinedly old-fashioned it makes a strong claim to being the best film musical of 1959.
  26. Hoodwinked!
    Little Red Riding Hood gets a cheeky CGI makeover in Hoodwinked!, a fast-paced, fitfully clever 3-D-animated feature that will entertain tykes.
  27. The Big White
    Snowed under by misjudgment on every level, The Big White is DOA. Despite a cast that generally reads like an indie production's wish list, pic's tendency to liberally borrow from the Coen Brothers playbook of comic mayhem is exceeded only by its lack of sense of what's actually funny.
  28. Angels with Angles
    Shrouded by memories of better times and better movies, Frank Gorshin and Rodney Dangerfield's final screen appearances are unfortunately in the thoroughly hapless and embarrassing comedy, Angels With Angles.
  29. King Kong
    Almost too much of a good thing, Peter Jackson's remake of the film that made him want to make movies is a super-sized version of a yarn that was big to begin with, a stupendous adventure that maximizes, and sometimes oversells, its dazzling wares.
  30. Happy Here and Now
    Isn't for everyone. It seems certain to confound as many viewers as it will inspire. But pic will foster a core critical contingent that will find itself transfixed and, ultimately, deeply moved by the film's ravishing power.
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