For 17,807 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,148 out of 17807
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Mixed: 7,022 out of 17807
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Negative: 1,637 out of 17807
17807
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Ronnie Scheib
Magnificent photographs, archival news footage, and location-shot porn add texture and immediacy to Joseph Lovett's fascinating memoir of the sexually explosive 12-year period (1969-1981).- Variety
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- Variety
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John Anderson
For all the film's provocations and documentation, however, Greenwald never seems get to the heart of the matter: that it is the consumer who makes Wal-Mart powerful.- Variety
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Ken Eisner
Combo of gorgeously shot Western settings (mostly in snowbound Idaho), memorably mismatched characters, and light-touch social commentary.- Variety
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Joe Leydon
As discomfortingly fascinating as listening to a couple's heated argument at a table near yours in a restaurant.- Variety
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Brian Lowry
Bigger, louder and considerably less charming than its predecessor…Still, there are enough crowd-pleasing moments amid the frenetic action.- Variety
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Ronnie Scheib
Despite a comic Yiddishe mama turn by Meryl Streep and a sensitively nuanced performance by Uma Thurman in a convincing changeup from her recent kickass action roles, Prime remains an oddly juiceless older woman-younger man romance, with a Freudian twist.- Variety
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Robert Koehler
New pic lets the air out by divulging the startling mystery that concluded the original. Add this to problematic juggling of police procedural and group-in-distress storylines, and Lions Gate has what looks like a sequel rushed for Halloween.- Variety
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Justin Chang
Aiming for an Alexander Payne-style synthesis of wry comedy and unflinching character study, pic has been made with the utmost sincerity, but the frankly lugubrious material and barely compensating spasms of humor are all but impossible to warm to.- Variety
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Dennis Harvey
A charmer whose lack of profane language or images renders it unexpectedly viable for general broadcast.- Variety
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Derek Elley
Handsomely shot in widescreen, mostly on actual West Bank locations, and well-played by the cast, pic lays out the issues in an accessible but rather too over-correct way, seemingly eager to please all parties at the expense of real passion.- Variety
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- Critic Score
Nicholson plays the character with personal flair, as penetrating as Antonioni's handling of the film. (Review of Original Release)- Variety
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Reviewed by
David Rooney
Plenty of vile little secrets and ghastly urges are explored in the stylishly made Asian-fusion horror triptych.- Variety
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Ronnie Scheib
Name cast, occasional deft touches and nifty contrast between the two locales cannot overcome script's terminal awkwardness.- Variety
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Dennis Harvey
Pic can be taken as either inspirational or cautionary, but either way rivets attention on the efforts of both medical science and Conn herself to keep the little guy alive.- Variety
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- Variety
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Emanuel Levy
Intellectually demanding and non-commercial film should be embraced in the festival and arthouse circuits by film students and viewers interested in postmodern, deconstructionist cinema.- Variety
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Justin Chang
It's really not all that bad. Ultra-derivative bigscreen transplant of one of the most successful (and controversial) games ever made plays like a mutant cross between a biotech thriller and a zombie movie, with all the alien autopsies, blood-gushing protuberances and meaningless scientific jargon that come with the territory.- Variety
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- Variety
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Joe Leydon
Martin hits all the right notes while subtly conveying both the appealing sophistication and the purposeful reserve of Ray. But he cannot entirely avoid being overshadowed by Dane's endearingly vulnerable, emotionally multifaceted and fearlessly open performance.- Variety
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Todd McCarthy
An ultra-arty "The Sixth Sense" that deliberately inhibits comprehension of the story until the very end -- and arguably continues to inhibit it even then -- pic features certifiably talented people on both sides of the camera collaborating on a project that probably shouldn't have been undertaken in the first place.- Variety
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Todd McCarthy
Once again making a diverting but insubstantial movie look better than it is, Downey, with haggard charm to burn, is winning all the way. Kilmer is riotous at times as an impeccably groomed, businesslike guy keen to assert his orientation at every opportunity.- Variety
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- Variety
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Robert Koehler
A stunning indictment of Belgium's brutal colonization of the Congo in the late 19th century, Brit documaker Peter Bate's White King, Red Rubber, Black Death illustrates how European exploitation in Africa caused irreparable damage to the continent.- Variety
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Robert Koehler
Sincere but fairly soft piece of ennobling journalism that gives a positive spin to some of Africa's seemingly intractable problems.- Variety
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- Variety
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John Anderson
Entertaining and substantial enough to attract at least a portion of the Michael Moore audience.- Variety
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Justin Chang
Josh Stolberg launches a scalding attack on the stodgy conservatism of the American public school system, only to end up stacking the deck in egregiously smirky and simple-minded ways.- Variety
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Robert Koehler
Debuting helmer Ti West taps into the realist-horror spirit of mentor and exec producer Larry Fessenden, and makes a scarier pic than any by his master.- Variety
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Eddie Cockrell
Explores another courageous, little-known chapter in the saga of resistance and heroics during World War II.- Variety
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