For 17,810 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,150 out of 17810
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Mixed: 7,023 out of 17810
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Negative: 1,637 out of 17810
17810
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Brian Lowry
This is an especially limp star vehicle that delivers a few widely spaced moments of frivolity before what should be a quick mop-up trip to the DVD aisles.- Variety
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Reviewed by
Joe Leydon
Indeed, you could argue that weighty questions about the nature of evil and the allure of sin figured more prominently in the similarly titled "Se7en," one of several other, better suspensers dimly echoed here.- Variety
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Reviewed by
Justin Chang
There's plenty of blood -- both literal and figurative -- coursing through the veins of Pan's Labyrinth, a richly imagined and exquisitely violent fantasy from writer-director Guillermo del Toro.- Variety
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Reviewed by
Derek Elley
The seductive, sensory prose of Patrick Suskind's bestseller, "Perfume," reaches the screen with loads of visual panache but only intermittent magic.- Variety
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Robert Koehler
Renee Zellweger, in another Blighty role, struggles to make Beatrix credible.- Variety
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Reviewed by
Robert Koehler
More ambitious than her 2002 debut, "Blue Car," Moncrieff's new film maintains her focus on women, expanding to include a range of ages, circumstances and psychologies. Picture's drama, however, is deliberately fractured into a quintet of stories that vary considerably in their overall impact.- Variety
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Reviewed by
Robert Koehler
The wild, unhinged life of Andy Warhol's favorite "superstar," Edie Sedgwick, is refashioned in Factory Girl as a tame biopic with little feel for the 1960s New York Underground.- Variety
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Eddie Cockrell
Helmer Douglas Mackinnon does what he can to make the most of emotional bullet points and gloss over the lack of connective tissue.- Variety
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Robert Koehler
Haplessly blends live-action and visually repellent computer-animated work.- Variety
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Reviewed by
Deborah Young
Like an Iraq-war mirror image of "Life Is Beautiful," actor-director Roberto Benigni's The Tiger and the Snow re-runs the successful structure and comic persona of the 1998 Oscar-winning film in a trippy fantasia about a poet who follows his love to hell and, in this happier ending, back.- Variety
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Justin Chang
The riveting interplay between Dench and Cate Blanchett draws blood with every scene, thanks to a precision-honed script and Eyre's equally incisive direction.- Variety
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Reviewed by
Derek Elley
Picture more than delivers on the action front -- not in bang-for-your-buck spectacle but in the kind of gritty, doculike sequences that haul viewers out of their seats and alongside the main protags.- Variety
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Reviewed by
Joe Leydon
It's debatable whether the original 1974 "Black Christmas" is, as its most rabid fans claim, the mother of all slasher movies. But there can be no argument regarding the scant merits of its slapdash, soporifically routine remake, suitable only for the least discriminating of gore hounds.- Variety
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- Critic Score
Robert De Niro's second film as a director adopts a methodical approach and deliberate pace in attempting to grasp an almost forbiddingly intricate subject, with a result that is not boring, exactly, but undeniably tedious.- Variety
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Reviewed by
Justin Chang
This rambunctious, "Jumanji"-style extravaganza is a gallery of special effects in search of a story; rarely has so much production value yielded so little in terms of audience engagement.- Variety
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Reviewed by
Brian Lowry
Full of good intentions, We Are Marshall has a game plan that's hard to fault, but as with any playbook, a scheme is only as good as how well it's executed.- Variety
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Reviewed by
Todd McCarthy
Genuinely funny, randy and moving by turns, breezily enjoyable throughout.- Variety
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Robert Koehler
Zhang Yimou's strangest and most troubled film, abounds in hysterical, mannered Tang Dynasty-era palace intrigue and dehumanized CGI battle sequences.- Variety
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Reviewed by
Todd McCarthy
Taken together, "Flags" and "Letters" represent a genuinely imposing achievement, one that looks at war unflinchingly -- that does not deny its necessity but above all laments the human loss it entails.- Variety
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Reviewed by
Todd McCarthy
Intelligent scripting, solid thesping and eye-catching location shooting aren't enough to make a compelling modern film of The Painted Veil.- Variety
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Robert Koehler
The time away from the ring has done Rocky and the franchise some good, although it takes pic a good long while to gather momentum and clout before a surprisingly satisfying third-act heavyweight bout.- Variety
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Leslie Felperin
Whatever audiences might have wanted to know about sculptor-filmmaker Matthew Barney but were too embarrassed to ask is revealed in accessible documentary Matthew Barney: No Restraint.- Variety
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David Rooney
Finally. After "The Phantom of the Opera," "Rent" and "The Producers" botched the transfer from stage to screen, Dreamgirls gets it right. Bill Condon's adaptation of the 1981 show about a Motown trio's climb to crossover stardom pulls off the fundamental double-act those three musical pics all missed: It stays true to the source material while standing on its own as a fully reimagined movie.- Variety
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Reviewed by
Todd McCarthy
For actor and director, the project seems like trying on a new coat, and it doesn't fit either of them.- Variety
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Reviewed by
Todd McCarthy
Entirely respectable in every way, it nonetheless has a very cool body temperature and thus likely will inspire polite admiration rather than excitement among viewers.- Variety
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Reviewed by
Todd McCarthy
Nowhere to be found is any dramatic surprise, heightening of the pulse or genuine pulling of heartstrings. Gary Winick's direction consists of button pushing, and the mechanics are palpable at every step.- Variety
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Reviewed by
Justin Chang
Appropriating all the external trappings of big-budget fantasy but none of the requisite soul, this leaden epic never soars like the CG-rendered fire-breather at the core of its derivative mythology.- Variety
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Reviewed by
Brian Lowry
The Pursuit of Happyness is more inspirational than creatively inspired -- imbued with the kind of uplifting, afterschool-special qualities that can trigger a major toothache.- Variety
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Jonathan Holland
Sarah Polley gives a wonderfully searching performance, as a woman in a state of extreme isolation, in The Secret Life of Words, a compellingly claustrophobic drama set mostly aboard an oil rig.- Variety
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Reviewed by
Dennis Harvey
There is an undeniable quirky appeal to the creative world of Daniel Smith, though those who hope a behind-the-scenes look will explain his motivation or personality won't find the enigma resolved here.- Variety
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