For 17,810 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,150 out of 17810
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Mixed: 7,023 out of 17810
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Negative: 1,637 out of 17810
17810
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Ronnie Scheib
Richly layered picture dramatizes a landmark doctor/patient showdown, chronicles a classic case of transgenderism and reveals how aspects of Schreber's story prefigured Nazism.- Variety
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Peter Debruge
Arthouse audiences who welcome challenging material will find sustenance in film's fractured narrative and unflinching characterizations.- Variety
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Joe Leydon
An unwieldy mix of self-conscious camp and heavy-handed allegory, Automatons plays like a cheesy '50s no-budget sci-fier with serious delusions of grandeur.- Variety
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Todd McCarthy
Mel Gibson is always good for a surprise, and his latest is that Apocalypto is a remarkable film. Set in the waning days of the Mayan civilization, the picture provides a trip to a place one's never been before, offering hitherto unseen sights of exceptional vividness and power.- Variety
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Brian Lowry
Africa's enduring sorrow is ripe for drama, but Blood Diamond is, finally, a fitting metaphor for the gems: Potentially brilliant from a distance, but upon closer inspection, one likely will see the flaws.- Variety
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- Variety
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- Variety
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Reviewed by
Justin Chang
Anchored by a terrific performance from Nick Nolte as a grizzled umpire who gets an unexpected second chance at fatherhood, this easygoing comedy-drama plays out slowly but assuredly, infusing a conventional story about a blossoming relationship with welcome reserves of honesty and humor.- Variety
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Peter Debruge
A noble cause does not a good movie make. Pic repeatedly drowns its impassioned message with music, creating an awkward hybrid between history lesson and concert documentary.- Variety
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Joe Leydon
Infused with a strong sense of moral outrage, The Empire in Africa provides more heat than light while attempting to explain the motives and methods of combatants who waged the 1991-2002 civil war in Sierra Leone.- Variety
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John Anderson
Since the documentary will likely find its home in the educational market, a more balanced approach might have made it more insightful and educational.- Variety
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Jonathan Holland
A deft, witty and emotionally rewarding study of a thirtysomething man in his roles as father and son.- Variety
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Jay Weissberg
Inland Empire may mesmerize those for whom the helmer can do no wrong, but the unconvinced and the occasional admirer will find it dull as dishwater and equally murky.- Variety
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Robert Koehler
Ingmar Bergman lays his soul on the line in Marie Nyreroed's gentle, intimate and thorough documentay.- Variety
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Jay Weissberg
Committed performances and strong widescreen lensing carry the message with a righteous, if heavy weight.- Variety
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Jonathan Holland
A solidly-built but somewhat airless debut from the assistant director of "The Motorcycle Diaries."- Variety
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Derek Elley
Superbly cast drama… that looks to be a solid upscale attraction wherever the special chemistry of good writing and performances is appreciated.- Variety
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Todd McCarthy
Memories of dreary Sunday school classes come flooding back courtesy of The Nativity Story.- Variety
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Dennis Harvey
The four-years-in-the-making, badly recycled (not to mention awful) sequel might stain the honor of the Lampoon label if it hadn't already produced several even worse films.- Variety
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Dennis Harvey
3 Needles is a great discussion tool for World AIDS Awareness Day that never achieves coherent shape as a three-paneled drama.- Variety
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Robert Koehler
Interplay between a jaunty Freeman as an unemployed movie star and the magnetic Paz Vega as a no-nonsense grocery store checker gives pic humanity and lift.- Variety
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Dennis Harvey
The "Hostel" similarities may strike some as too close for comfort, not only in plot outline but also in general mix of xenophobia, sexploitation, sadism and gore.- Variety
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Robert Koehler
Picture veers unsteadily between melodrama and light comedy, with no confidence in either.- Variety
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Justin Chang
Jason Matzner's woozily romantic, gorgeously lensed directorial debut about a trailer park love triangle seems to unspool in a dream of its own, and despite some sketchy story elements, much of it is pretty intoxicating -- that is, until the unambiguous life lessons bring pic down to earth with an earnest splat.- Variety
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Robert Koehler
Fascinating if overly self-involved Slamdance entry is among the few U.S. pics that deliberately smudges the line between non-fiction and invention as it tells how Crumley and Buice meet online and develop a relationship.- Variety
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- Variety
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Reviewed by
Joe Leydon
Begins as a morosely melancholy study of a thirtysomething couple on the verge of divorce, then devolves into an unpleasant thriller about their confrontation with psychos.- Variety
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Derek Elley
Using the familiar device of cuisine as a metaphor for national identity and personal feelings, bitter-sweet pic about a man torn between his ethnicity (Greek) and the country of his birth (Turkey) makes its points lightly and entertainingly, with only a routine third act letting down the package.- Variety
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Robert Koehler
Sequel is no more than a cheapo campy goof, but this edition does contain a higher quota of laugh lines and an unsubtle message that efforts to make gay youth "go straight" is destined to fail.- Variety
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Leslie Felperin
Looks at the agricultural industry across Europe through sound and images alone. Pic offers a tabula rasa in which some auds will see a horrifying indictment of the industry's cruelties, others a realistic depiction of mechanized farming, and some a soft-spoken tribute to manual labor. Meanwhile, precisely composed lensing and painstaking sound design create moments of sublime beauty.- Variety
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