For 17,794 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,142 out of 17794
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Mixed: 7,015 out of 17794
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Negative: 1,637 out of 17794
17794
movie
reviews
- By Date
- By Critic Score
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Reviewed by
John Anderson
Helmed by Steve Sawalich, this real-life dramedy is anchored by Michael Sheen’s captivating performance as the severely handicapped, profoundly acerbic Art Honeyman.- Variety
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Todd McCarthy
Reserved, careful and largely predictable in the way it plays out its wrenching emotional crises.- Variety
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Reviewed by
Robert Koehler
Even by the standards of the recent "Saws," which have enjoyed considerably larger budgets than the first pic, the new edition is more frenetically cut (by editors Kevin Greutert and Brett Sullivan), more dimly lit (by lenser David A. Armstrong), sweatier in terms of perfs by the grimly serious cast, more madly packed with micro-incidents and action, and more brazen in requiring suspension of disbelief.- Variety
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Reviewed by
Robert Koehler
Apparently needing to release some private thoughts, musings and images to the world, Anthony Hopkins takes a leap into stunning self-indulgence with his directorial debut, Slipstream.- Variety
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Robert Koehler
Alternately seduced and repelled by its subject, the garish and power-hungry Harlem gangster and '70s cocaine kingpin Nicky Barnes, Mr. Untouchable is one seriously confused documentary.- Variety
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Dennis Harvey
Excels at bloodthirsty action, though dialogue and human-interest aspects are a tad anemic. Result is a mixed bag but has a catchy premise and quite enough splatter to satisfy gorehounds.- Variety
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Joe Leydon
An exceptionally lame genre parody that plumbs depths of ineptitude heretofore charted only by the marginally less abysmal "Date Movie."- Variety
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Lisa Nesselson
Moral ambiguity is the real star of Ben Affleck's helming debut, Gone Baby Gone, an involving Boston-set tale of mixed motives, selflessness and perfidy in the wake of a 4-year-old girl's disappearance.- Variety
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Reviewed by
Dennis Harvey
Chilling, often moving docudrama focuses not so much on the mayhem or murderer, but on the bewildered, occasionally courageous reactions of ordinary citizens caught in the inexplicable violence.- Variety
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Todd McCarthy
By underplaying the melodrama in the presumed hope of seeming subtle when Kelley Sane’s script is so baldly melodramatic, the “Tsotsi” helmer drains the life out of an obviously explosive subject.- Variety
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Reviewed by
Todd McCarthy
A dramatic situation that should be wrenching is mostly tedious in Reservation Road.- Variety
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Reviewed by
John Anderson
There's something clumsily charming about Sarah Landon and the Paranormal Hour.- Variety
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Todd McCarthy
A live-wire performance by Benicio Del Toro sparks an otherwise morose study of loss, addiction and catharsis.- Variety
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Justin Chang
Though its absurdist inventions occasionally border on twee, this affectionate slow-blooming romance mines an understated vein of comic melancholy that the actors' wistful performances perfectly capture.- Variety
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Ronnie Scheib
Proves a welcome addition to the growing body of films on Iraq, but ultimately promises more than it delivers.- Variety
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Reviewed by
Joe Leydon
A well-intentioned misfire featuring 3-D CGI animation that recalls lesser vidgames of the mid-1990s.- Variety
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Reviewed by
John Anderson
Features some first-rate cinematography and solid acting, but absolutely no sense of emotional boundaries.- Variety
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Reviewed by
Dennis Harvey
Dull casting and cliche-ridden writing drain everyone of vividness.- Variety
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Reviewed by
John Anderson
First-rate performances, an uncompromising point of view and a fresh take on a well-worn movie subject -- madness.- Variety
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Todd McCarthy
Without the pleasure of watching Cate Blanchett continue the role that launched her to stardom, there would be little to recommend this latest of many cinematic and television accounts of the celebrated monarch's life.- Variety
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Reviewed by
John Anderson
There's not quite as much corn in The Final Season as there is in the Iowa farm fields that run through it, but it's close.- Variety
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Alissa Simon
Helmer Craig Gillespie's sweetly off-kilter film plays like a Coen brothers riff on Garrison Keillor's "Lake Woebegone" tales, defying its lurid premise with a gentle comic drama grounded in reality.- Variety
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Robert Koehler
The results will be received with a large, loud yawn by all but the most loyal fans of Pinter and hard-working co-stars Michael Caine and Jude Law.- Variety
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Lisa Nesselson
Sure to inspire debate in France and Germany and of obvious interest to anyone who follows the roots of modern international terrorism, doc probes gray areas in the colorful life of its controversial, limelight-courting subject.- Variety
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Ronnie Scheib
Though fans might miss Perry's genre-exploding daring, the excellent cast injects enough pathos and zing to keep picture percolating.- Variety
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Todd McCarthy
Adequately acted and flecked with the required quota of action to satisfy genre fans, pic recalls numerous good police dramas of the 1970s, but mostly in superficial ways that bring nothing new to the table.- Variety
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Dennis Harvey
No doubt inspired to some degree by "Super Size Me," this equally engaging, slightly better-crafted documentary deftly balances humor and insight.- Variety
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Reviewed by
Leslie Felperin
Beads together complex ideas and gorgeously wrought segments like pearls on a string, but, with its emblematic characters and sometimes baffling, mystical storyline, pic ultimately remains emotionally distant.- Variety
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Reviewed by
Derek Elley
Rani Mukerji provides the star power, but up-and-coming actress Konkona Sen Sharma is the revelation in Laaga chunari mein daag, a glossy throwback to '90s Bollywood that proves a treat, if you check most of your brains at the door.- Variety
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- Variety
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