For 17,794 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,142 out of 17794
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Mixed: 7,015 out of 17794
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Negative: 1,637 out of 17794
17794
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Derek Elley
Has almost zero plot but molto mood. It will appeal to the most faithful of the director's camp-followers and no one else.- Variety
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Brian Lowry
A near-claustrophobic comedy that manages to be both predictable and preachy. Solid actors in supporting roles offer minor redemption.- Variety
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Joe Leydon
A plodding patchwork of derivative fantasy-adventure, medieval production design, risible dialogue, unimpressive CGI trickery and haphazardly edited action sequences.- Variety
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Justin Chang
Won't do anything for adult auds, but this second bigscreen adventure from the popular VeggieTales franchise should easily win over tots with its reliable menu of silly songs, easily digestible morals and wholesome (if not always fresh) produce-based characters.- Variety
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Ronnie Scheib
Documentary seems best suited to cable: Lake's informal, Oprah-like concern invites the intimacy of home viewing. But the chick-chat approach in no way undermines the gravity of the problems the docu addresses.- Variety
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- Variety
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Dennis Harvey
This decent if derivative scare machine should benefit from a lack of genre competition.- Variety
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Eddie Cockrell
Anchored by a fearless, commanding lead perf by newcomer Jonas Ball as deranged assassin Mark David Chapman, The Killing of John Lennon is a harrowing, impressionistic, widescreen tour-de-force that unfolds with the propulsive urgency of a scrapbook thrown into a howling wind.- Variety
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John Anderson
The result is one of Sayles' best films. The music, a mix of blues, seminal rock and newcomer Gary Clark Jr.'s performance, will be an obvious draw, as will the performances by some leading African-American actors.- Variety
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Justin Chang
A fastidiously grim ghost story that rattles the bones of the haunted-house genre and finds plenty of fresh (but not too bloody) meat.- Variety
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Todd McCarthy
Boldly and magnificently strange, There Will Be Blood marks a significant departure in the work of Paul Thomas Anderson.- Variety
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Joe Leydon
Provides enough cheap thrills and modest suspense to shake a few shekels from genre fans before really blasting off as homevid product.- Variety
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Lisa Nesselson
This autobiographical tour de force is completely accessible and art of a very high order.- Variety
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Todd McCarthy
A feel-good film about death, a sitcom about mortality, "Ikiru" for meatheads. It's also a picture about two cancer patients confronting reality, and deciding how they want to spend their presumed last days, that has not an ounce of reality about it.- Variety
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Todd McCarthy
Tailor-made for maximum inspirational, historical and educational impact, The Great Debaters shines a bright spotlight on a remarkable example of black achievement long forgotten in the sorry history of the Jim Crow South.- Variety
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Justin Chang
Though it strikes some predictable coming-of-age notes, this moving, well-wrought adventure should appeal to fans of "E.T." and Carroll Ballard.- Variety
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John Anderson
"Ghost" with a brogue, "The Notebook" without the burden of old people, this post-life comedy will have the sentimentally challenged weeping openly, while clutching desperately to the pants-legs of boyfriends and husbands who are trying to flee up the aisle.- Variety
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Todd McCarthy
Charlie Wilson's War is that rare Hollywood commodity these days: a smart, sophisticated entertainment for grownups.- Variety
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Justin Chang
Graced with some extra star wattage courtesy of Helen Mirren and Ed Harris, this diminishing-returns sequel sends Nicolas Cage on another quest to strike it rich, get young auds excited about history and solve puzzles that are generally less stimulating than yesterday's Sudoku.- Variety
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John Anderson
Like its sister films in the surfing-movie genre, the extreme-skiing movie Steep is less a documentary than a sales pitch -- not for a product or a place, but for a sport, one its practitioners feel requires pugnacious self-promotion.- Variety
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Todd McCarthy
Both sharp and fleet, Sweeney Todd: The Demon Barber of Fleet Street proves a satisfying screen version of Stephen Sondheim’s landmark 1979 theatrical musical.- Variety
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Brian Lowry
Strums the genre for considerable laughs, with John C. Reilly playing the title balladeer from teen to senior citizen, generating enough goodwill to offset the flat sections and a decidedly juvenile streak.- Variety
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- Variety
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Todd McCarthy
Remarkably eerie yet annoyingly larded with cheap horror-film shock effects, I Am Legend stands as an effective but also irksome adaptation of Richard Matheson's classic 1954 sci-fi novel.- Variety
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Alissa Simon
While the largely unknown cast and subtitled dialogue may present a marketing challenge, they also create a feeling of authenticity in this poignant, intimate epic, which should attract a strong following among discerning audiences.- Variety
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Robert Koehler
Conceit often stretches -- and breaks -- the limits of what the tales can handle, though the implication of viewers as voyeurs gives pic a subversive edge.- Variety
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Jay Weissberg
Attempting to harness multiple genres, pic is brought down by ponderous dialogue (much of it dubbed) and an inability to connect with its characters.- Variety
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Derek Elley
Both the pic's power and its problems stem from Love deliberately taking no moral position nor offering any solutions; he gives his audience what it wants at a gut level and doesn't wimp out at the end.- Variety
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John Anderson
Neither perfect nor much of a holiday, more like a fruitcake passed around from arthritic aunt to demented uncle -- stale, predictable and made with fossilized ingredients.- Variety
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Justin Chang
The horrific 1937-38 massacre of more than 200,000 Chinese during the early days of the Japanese occupation gets a polished presentation in Nanking.- Variety
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