For 17,794 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,142 out of 17794
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Mixed: 7,015 out of 17794
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Negative: 1,637 out of 17794
17794
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Derek Elley
This is a thoroughly Euro bedmate to the 1997 "Bean," with the Gauls rather than the Yanks as the butt of Bean's bumblings.- Variety
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- Variety
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John Anderson
Overly sentimentalized and the execution is slack. If not for Samuel L. Jackson's performance as the ravaged boxer, "Champ" would be of limited interest.- Variety
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Todd McCarthy
Chris Gorak grabs the viewer by the throat in the first few minutes, but quickly fritters away involvement by concentrating almost exclusively on two characters who are both annoying and boring.- Variety
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Justin Chang
The didactic presentation, grim speechifying and tacked-on love story all signify a less-than-healthy regard for the audience's intelligence.- Variety
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Joe Leydon
Quickly devolves into a standard-issue crime drama laced with routine martial artistry.- Variety
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Joe Leydon
There's a pleasantly dreamy quality to much of Eye of the Dolphin, and that goes a long way toward enabling audiences to ignore the formulaic plot and enjoy the laid-back charms of this innocuous indie.- Variety
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Leslie Felperin
Patchy lead perfs and mannered helming subtract value from pic's tangible plus points (solid supporting turns, pleasant score).- Variety
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Joe Leydon
Has the unmistakable look and feel of a micro-budget indie produced for a small circle of friends, many of whom are listed in the credits.- Variety
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Todd McCarthy
The bawdy jokes score big points, but it's the rueful acknowledgement of adolescent embarrassment and humiliation that most distinguishes Superbad, another ultra-raunchy and commercial sex comedy from the Judd Apatow laugh factory.- Variety
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John Anderson
With a circus parade of mourning Brits and enough appalling circumstances to set proper Englishness back to the Dark Ages, Death at a Funeral pits decorum against sex, drugs and dysfunction.- Variety
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Lisa Nesselson
Romania-set scare-fest deploys the full cinematic vocabulary of creepy sounds and hostile intruders.- Variety
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Scott Foundas
Crammed into a lively 85-minute package delivered with loads of dark humor and cinematic flair, this is a worthy winner of Sundance's Grand Jury prize for documentary.- Variety
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Justin Chang
Presents the viewer with reams of depressing data, loads of hand-wringing about the woeful state of humanity and, finally, some altogether fascinating ideas about how to go about solving the climate crisis.- Variety
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- Variety
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Reviewed by
Joe Leydon
Seriously hampered by glaring inconsistencies of tone and intent, and often feels like a series of highlights carved out of a much longer epic.- Variety
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Derek Elley
With a commanding performance by Sun Haiying as the unbending, ornery father, and a glammed-down Joan Chen remarkable as the boy's devoted mom, pic serves up solid dramatic values instead of being yet another panorama of social and political changes in China during the late 20th century.- Variety
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Derek Elley
Shaky handheld lensing, terrific cutting and uplifting music build to a grandstand finish in which the main characters are bound tightly into the physical drama. It ain't subtle, but it packs a punch at a simple emotional level.- Variety
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Jay Weissberg
Sensitive, sobering, and tinged with respectful melancholy, Primo Levi's Journey retraces the enforced peregrinations of the great Italian chemist following his release from Auschwitz.- Variety
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Jonathan Holland
An all-or-nothing perf from old DiCillo hand Steve Buscemi and a script that leaves no ironical stone unturned make this laugh-out-loud fare.- Variety
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Deborah Young
The special effects are quality fun, the humor only a little Japanese, and the story boasts the offbeat genre twists Miike lovers clamber for.- Variety
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Deborah Young
Film has major assets in Walter Carvalho's stunning landscapes and livewire young lead Hermila Guedes, but overall, it's too uninvolving.- Variety
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Joe Leydon
Plays more like '70s drive-in fare than a monster mash of recent vintage.- Variety
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Jay Weissberg
No amount of Botox or false eyelashes can rejuvenate helmer Ray Yeung's Cut Sleeve Boys, which recycles way too many gay cliches.- Variety
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John Anderson
Pic's message is the one thing that's made clear: A victim can sink lower than her predator. Whether receiving that message justifies the cost of watching Descent is another question.- Variety
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Justin Chang
This unusually voluble comedy is as eloquent about love, self-realization and adolescent angst as its protagonist is endearingly tongue-tied.- Variety
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Robert Koehler
The latest picture to feature one of the movies’ oddest crime-fighting tandems nevertheless stays true to the franchise formula of East-West fusion action, broad cultural comedy and international intrigue, this time largely in Paris.- Variety
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John Anderson
Sprinkled with tongue-in-cheek humor, fairly adult jokes and some well-known faces acting very silly, this adventure story should have particular appeal to fans of "The Princess Bride," but in any event will never be mistaken for a strictly-for-kids movie.- Variety
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Derek Elley
Film's rarity value and still-hot subject matter make this required viewing.- Variety
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John Anderson
This sequel to the 2003 Eddie Murphy comedy may appeal to auds still young enough not to have seen it all before, or who still find flatulence hilarious, or who think adults, when agitated, flail about like epileptic marionettes.- Variety
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