Variety's Scores

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For 17,835 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,166 out of 17835
  2. Mixed: 7,032 out of 17835
  3. Negative: 1,637 out of 17835
17835 movie reviews
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  1. A Coffee In Berlin
    This day-in-the-life indie says something profound about an entire generation simply by watching a feckless young man try to figure it out.
  2. Dear Frankie
    Material that might have turned to standard dysfunctional family treacle in other hands is given stirring poignancy, warmth and emotional insight in Shona Auerbach's assured first feature.
  3. Little Jerusalem
    In what is arguably her best performance since "Van Gogh," Zylberstein brings Mathilde to life with grace and fervor.
  4. A State of Mind
    Admirably non-judgmental docu about life in "the least visited, known, understood country in the world," per Brit director Daniel Gordon, brings a refreshing balance to the usual blind vilification of the country.
  5. Atomic Blonde
    Virtuosic kick-ass filmmaking can be its own reward, but to paraphrase “Idiocracy,” you still need to care about whose ass it is, and why it’s being kicked.
  6. I'm Your Woman
    This is the kind of movie where the most dynamic thing in every scene is the art direction, followed by the natty retro costumes (which Jean must have used the cash to buy, since she didn’t have time to pack), and only then comes the people.
  7. Vitus
    A natural for kidfests, pic is a fine example of old-fashioned story-telling and also will dance wherever detailed character development and leisurely-paced drama are appreciated.
  8. Cachorro
    Taking a seed of an idea and nurturing it into a fable about moral hypocrisy, Bearcub substantiates prolific Spanish helmer Miguel Albaladejo's rep for well-observed, character-based dramas with an offbeat twist and a potent emotional undertow.
  9. Halftime
    Halftime justly salutes Lopez’s pride in her achievements, but it’s every bit as much a salute to her brand management.
  10. How She Move
    Title refers not only to its heroine's physical gyrations but also her moral maneuverings as she strives to break out of her lower-class surroundings in this moody, intelligent take on conventional material.
  11. Andre Gregory: Before and After Dinner
    Cindy Kleine pays tribute to her famed theater-director hubby in Andre Gregory: Before and After Dinner, with thoroughly delightful results.
  12. Anna Karenina
    Setting most of the action in a mocked-up theater emphasizes the performance aspects of the characters' behavior, a strategy enhanced by lead thesp Keira Knightley's willingness to let her neurotic Anna appear less sympathetic than in previous incarnations.
    • 63 Metascore
    • 60 Critic Score
    Bad Influence
    Bad Influence proves a reasonably taut, suspenseful thriller that provides its share of twists before straying into silliness. Rob Lowe doesn’t really project enough menace or charisma to pull off his role as Alex, a babyfaced psycho who slowly leads Michael (James Spader) through a liberating fantasy that ultimately turns into a yuppie nightmare.
  14. Perfect Strangers (Perfectos Desconocidos)
    Released in Mexico late last year, Caro’s seriocomic adaptation alternates between a tense, well-acted chamber drama and an at times overly didactic parable, but its focus on our newfound willingness to collect all of our darkest secrets behind such an easily pierced veil – do we realize how precarious that tightrope we’re walking is? On some level, are we secretly hoping we might fall? – provides for plenty of squeamish entertainment.
  15. The Sisterhood of the Traveling Pants 2
    It's all largely eye candy, especially the men, although this can be forgiven: Women have a long enough history of being superficial in the movies, and a little payback is perfectly understandable.
  16. Chéri
    Like a passable bottle of champagne, Cheri fizzes and slides down quite easily but lacks real body and doesn't really hit the spot.
  17. Friends with Benefits
    The raunchy premise here is just a smokescreen for the sort of squarely moralistic, altar-bound comedy of which even Jane Austen would approve.
  18. Polytechnique
    A weaker "Elephant," Quebecois director Denis Villeneuve's school-shooting drama Polytechnique nevertheless distinguishes itself by endeavoring to comprehend the 25-year-old man who murdered more than a dozen female students at Montreal's Polytechnique School in 1989.
  19. Being Ginger
    Pleasant but slim in running time and substance, this very first-person documentary raises some interesting issues it doesn’t pursue very far.
  20. Burning Sands
    The occasional heavy-handed or clumsy elements don’t seriously impair a film whose high spirits, talented cast and luridly intriguing subject consistently entertain, even if they seldom truly surprise.
  21. Easy's Waltz
    Movies like this don’t exactly light up the box office, but they stick with the folks fortunate enough to see them.
  22. Muriel's Wedding
    Most of the action is played for broad laughs, and Hogan demonstrates the ability to generate them, even if the humor is very base and often cruel, making fun of people's looks and ineptitude.
  23. The Blood of My Brother
    Made with access to the Mehdi Army and embittered citizens the Western news media -- or even the CIA -- might envy, producer-helmer-lenser Andrew Berends creates a revealing insight into the war in Iraq from the locals' POV.
    • 63 Metascore
    • 80 Critic Score
    Honey, I Shrunk the Kids
    Pic [story by Stuart Gordon, Brian Yuzna and Ed Naha] is in the best tradition of Disney and even better than that because it is not so juvenile that adults won’t be thoroughly entertained.
  25. Banana Split
    The director, Benjamin Kasulke, is a veteran cinematographer who brings the L.A. settings a spangly glow, but he stages too many scenes with generic “punch.” I wish he’d played against the comedy instead of italicizing it, and that he’d come up with some pop-music epiphanies and ditched the film’s cloying synthesizer score.
  26. Walking on Water
    The artist’s forceful character does battle with technology, bureaucracy, corruption and the elements, resulting in an installation of stunning beauty and a documentary that delights in capturing the act of creation.
  27. The Last Exorcism
    The Last Exorcism makes first-rate use of religious doubt and religious extremism to concoct a novel horror-thriller clever enough to seduce unbelievers while satisfying the bloodlust of its congregation/fanbase.
  28. It's Kind of a Funny Story
    The filmmakers fully retain their offbeat sensibility and attentiveness to character while providing perhaps the sharpest showcase yet for Zach Galifianakis' outsized talents.
  29. Vidal Sassoon: The Movie
    Teper buries his material in gimcrack mod trappings that trivialize rather than celebrate Sassoon's accomplishments.
  30. Gaga: Five Foot Two
    I found the film intensely revealing of Gaga’s life and personality, especially when she’s getting treatments to deal with the pain that’s dogged her for three years, ever since she suffered a broken hip (misdiagnosed at the time) on tour.
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