Variety's Scores

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For 17,833 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,165 out of 17833
  2. Mixed: 7,031 out of 17833
  3. Negative: 1,637 out of 17833
17833 movie reviews
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    • 63 Metascore
    • 60 Critic Score
    A Bridge Too Far
    Futility and frustration are the overriding emotional elements in A Bridge Too Far, Joseph E. Levine's sprawling Second World War production [from the novel by Cornelius Ryan] about a 1944 military operation botched by both Allied and German troops.
  2. Native Son
    Native Son, after its promising first half, leaves you dispirited, because it’s a movie where hope gets snuffed by a stacked deck.
  3. Walk Hard: The Dewey Cox Story
    Strums the genre for considerable laughs, with John C. Reilly playing the title balladeer from teen to senior citizen, generating enough goodwill to offset the flat sections and a decidedly juvenile streak.
  4. Planet B-Boy
    Often exhilarating docu charts several breakdancing crews' path to the Battle of the Year, which hosts national winners from 18 countries -- not excluding Israel, Belgium or Latvia -- in dazzling competitive displays.
  5. Unlocking the Cage
    Wise is plenty eloquent on the complex legal issue, but remains vague about how the status he seeks will practically impact animals (could animal weddings be far behind?) or why he’s the “person” best qualified to represent them in court.
  6. The Guilty
    Gyllenhaal’s impressive, but The Guilty almost certainly would have been more effective if he’d dialed down the intensity a bit.
  7. Chicken Run: Dawn of the Nugget
    Scripted by “Chicken Run” alums Karey Kirkpatrick and John O’Farrell, along with newcomer Rachel Tunnard, the sequel doesn’t offer many surprises plotwise, but is consistently amusing in its dad-jokey kind of way.
  8. Reel Injun
    The tone of Reel Injun is respectfully serious, though well short of angry, while focusing on how the stereotypical depictions of marauding redskins affected the self-images of Native Americans.
  9. The Dead Center
    There’s a lot of excellent atmospherics here that are more unsettling than the actual violence, which in turn is all the more effective for largely being kept just off-screen.
    • 63 Metascore
    • 80 Critic Score
    Peyton Place
    Under Mark Robson’s direction, every one of the performers delivers a topnotch portrayal.
    • 63 Metascore
    • 50 Critic Score
    Irma la Douce
    Two hours and 23 minutes is an awfully long haul for a frivolous farce.
  12. Hold the Dark
    Boasting the sort of shocking brutality and unnerving menace that has become Saulnier’s signature, Hold the Dark is also a strangely seductive film, and one that understands the difference between simple plot resolution and catharsis, leading us on a journey into Alaska’s frigid heart of darkness that poses more questions than it answers.
  13. My Cousin Rachel
    It’s pure pleasure to watch Weisz as Rachel, who is also an actress of sorts, adapting to suit the needs and desires of whoever she’s seducing. Her manipulations feel more intuitive than conniving and need not be explicitly sexual per se.
  14. The Lincoln Lawyer
    It's easy enough to just soak up star Matthew McConaughey's good-ol'-boy appeal and overlook the film's stilted dialogue, bizarre directorial indulgences, excessive running time and boilerplate "Law and Order"-style narrative.
  15. Young & Beautiful
    A nuanced, emotionally temperate study of a precocious youth.
  16. Piece By Piece
    Paradoxically, the Lego approach gives the film a far more imaginative visual range than traditional documentaries, even as it robs us of the thing we most want to see: human faces.
  17. The Merchant of Venice
    Despite a series of disclaimers about the treatment of Jews in the 16th century, there's even less disguising onscreen than onstage that this is an uncomfortably anti-Semitic play and somewhat problematic for contempo audiences.
  18. Nyad
    Audiences want to see Diana Nyad succeed, but the pleasure of the experience comes from watching actors become these characters. No matter how tricky such feats must have been to re-create, you get the impression that everyone involved was having a blast.
    • 63 Metascore
    • 90 Critic Score
    Star 80
    An engrossing, unsentimental and unavoidably depressing account of the short life and ghastly death of Playmate-actress Dorothy Stratten.
  20. Pulp: A Film About Life, Death & Supermarkets
    As celebrated in Habicht’s warmly human documentary, Pulp has always been defiantly different.
  21. Kingdom of Heaven
    Genuinely spectacular and historically quite respectable, Ridley Scott's latest epic is at its strongest in conveying the savagery spawned by fanaticism.
  22. Ash
    The movie’s razor-sharp visuals leave scratch marks on the back of your eyeballs, liable to burst back into your consciousness in subsequent dreams.
  23. A Common Thread
    Thoughtful cross-generational portrait is full of familiar building blocks rendered fresh by first time feature helmer Eleonore Faucher.
  24. On Swift Horses
    There’s a current of tragedy running beneath all of the couples here, as the characters create obstacles to their own happiness. It can feel a bit diagrammatic, as if the novelist were setting up impossible loves and then watching them fail. But there’s hope too, and however contrived the last scene may feel, there’s poetry in watching someone betting their future on yet another horse.
  25. Sarah Silverman: Jesus Is Magic
    Sarah Silverman: Jesus Is Magic showcases the comic-actress in her familiar on-stage persona as a blithely self-involved Jewish American Princess whose penchant for perky vulgarity can be explosively funny or unnervingly shocking.
  26. Bombón: El Perro
    A natural crowd-pleaser.
  27. The Electrical Life of Louis Wain
    Whether one considers said work to be worthy of a feature-length movie is almost entirely beside the point, since Stephenson and Sharpe have unearthed so much else that’s engaging about Wain’s story.
  28. Chronicles
    Starts out bracingly but gradually loses focus. Ecuadorian writer-director Sebastian Cordero's screenplay trades in underdeveloped conflicts and blank characters, hinting far too early at the killer's probable identity.
  29. The Hitchhiker's Guide to the Galaxy
    More smile-inducing than laugh-aloud funny.
  30. A Cat in Paris
    Delightfully old-school on the animation side, but too old-fashioned on the story side, French 2D toon A Cat in Paris is easy enough on the eyes yet never quite justifies feature-length status.
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