Variety's Scores

For 17,833 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17833 movie reviews
    • 63 Metascore
    • 60 Critic Score
    The Hall Caine novel from which this film was adapted is a weak one, but the director has done his best with it.
  1. Although it will most readily appeal to cinephiles…offers sufficient reality-based incident and ponderable cultural issues to attract curious audiences.
  2. Picture is targeted at the already initiated, but directors Steve Cantor and Matthew Galkin deftly resolve one often glaring problem with tribute documentaries -- making those who might not care do so.
  3. A slick, stylish drama, Human Capital starts as a class critique wrapped around a whodunit, and though the mystery elements have overtaken the social assessment by the final third, the pic remains an engrossing, stinging look at aspirational parvenus and the super-rich they emulate.
  4. Intelligent and highly respectful of its central character and his titular landmark poem, HOWL is an admirable if fundamentally academic exploration of the origins, impact, meaning and legacy of Allen Ginsberg's signal work.
  5. The unflaggingly perky caper has no down time, so one can’t help wishing for more the laid-back gamesmanship and boyish banter of the older renditions.
  6. The existential road movie gets an offbeat, elliptical yet peculiarly compelling Transcaucasian makeover in director Hilal Baydarov’s second fiction feature, In Between Dying.
  7. Pesce’s spare script doesn’t seek to obscure, but its quiet, matter-of-fact handling of drastic dramatic events will catch some off-guard.
  8. Yet for all its expected highs, the adaptation has been managed with more gusto than grace; at the end of the day, this impassioned epic too often topples beneath the weight of its own grandiosity.
  9. Even by recent standards for mainstream comedy packaging, "Tub" looks dull and ugly.
  10. Though the storied actress’ personality offers moments of charm and occasional depth, a weak, cliché-riddled script reduces almost everyone to a maximum of two characteristics.
  11. Estevan Oriol’s entertaining, energetic, better-than-it-had-to-be documentary Cypress Hill: Insane in the Brain offers a more complete picture of this massively popular yet often underestimated grou
    • 63 Metascore
    • 80 Critic Score
    It is strong meat for the heavy drama addicts, tellingly produced and played to develop tight excitement.
  12. Mopey to a fault, with a missed opportunity for an ending, Your Monster amounts to an intermittently amusing, grubby-looking pity party.
    • 63 Metascore
    • 70 Critic Score
    Pacing his assignment at a steady gait, Hitchcock catches all of the laugh values from the above par script of Norman Krasna.
    • 63 Metascore
    • 70 Critic Score
    Irene Dunne and Cary Grant pick up the thread of marital comedy at about the point where they left off in The Awful Truth. With these two stars working again with Leo McCarey, a surefire laughing film is guaranteed.
  13. Looks with fresh eyes at a new millennium in which, seemingly, the entire world is bought and sold in neatly wrapped packages engineered for mass consumption.
  14. Elegantly constructed, deceptively complex documentary.
  15. Serves up a judicious blend of showy action, political intrigue, ticking-clock suspense and intramural CIA one-upsmanship for mainstream entertainment.
  16. Generates enough inspired lunacy to sail past the arid stretches and provide a welcome splash of breezy, at times jaw-droppingly bizarre summer fun.
  17. Combo of some stunning animal direction (courtesy of ace trainer Thierry Le Portier) and exotic period setting somewhere in French colonial Indochina charms when the quadripeds stalk the action but creaks when the bipeds open their mouths.
    • 63 Metascore
    • 70 Critic Score
    Figgis never lets the pace slow long enough to expose the story’s thinness despite, in retrospect, a moderate amount of action.
    • 63 Metascore
    • 70 Critic Score
    Initial teaming of Bing Crosby and Bob Hope in Road to Singapore provides foundation for continuous round of good substantial comedy of rapid-fire order, swinging along at a zippy pace.
  18. Emotionally powerful and stylistically sure-handed, this true story-inspired drama begins small with the disappearance of a young boy, only to gradually fan out to become a comprehensive critique of the entire power structure of Los Angeles, circa 1928.
  19. Considering how graphic Campos is willing to be, "restrained" may not the right word for his approach, and yet Simon Killer withholds so much that some amount of frustration is sure to follow.
  20. Knock at the Cabin takes a premise audiences think they know and does something unconventional and (alas) frustrating with it. Trouble is, these days, it’s no surprise to be let down by a Shyamalan movie.
  21. Though there might have been some real drama to tap in following some seniors’ efforts to reconnect with their long-lost loves, Cassaday either doesn’t find any such intrigue, or didn’t bother looking for it.
  22. The differing responses Accidental Courtesy is likely to evoke in viewers make it a great conversation-starter for public and educational forums.
    • 63 Metascore
    • 90 Critic Score
    George Roy Hill’s film adaptation of [John Irving’s novel] The World According to Garp has taste, intelligence, craft and numerous other virtues going for it.
    • 63 Metascore
    • 80 Critic Score
    Highly entertaining, thrilling and rarely lets down for a moment.

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