Variety's Scores

For 17,810 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17810 movie reviews
  1. Serviceable but uninspired, this latest version of Emile Zola’s much-adapted 1867 novel “Therese Raquin” sends its characters to their doom on schedule without stirring much sense of tragedy or emotional involvement.
  2. Despite an impressive global scope and admirable ethnic diversity among the interview subjects, the central thesis that women are leading the charge on green issues receives nothing but anecdotal support.
  3. Incandescent performances by Naomi Watts and Matt Dillon and an unerring grasp of strip-mall-dominated Florida distinguish Sunlight Jr.
  4. It’s an inspiring picture, particularly given the difficulty of imagining one of today’s sports superstars going so far out on a limb for unpopular beliefs.
  5. A carefully constructed and beautifully acted tale of two very different sisters brought together when their aging father falls seriously ill.
  6. Runner Runner’s appeal increases dramatically whenever Affleck enters the frame.
  7. Flu
    The story flatlines as the crisis escalates, falling prey to pedestrian human drama and improbable conspiracy subplots.
  8. +1
    Carefully repeated imagery, in-camera tricks and well-executed fx combine to create a tantalizing visual puzzle that demands full attention, even as the flavorless characters and largely so-so performances risk audience indifference.
  9. What Erica Rivinoja, John Francis Daley and Jonathan Goldstein’s script lacks in lingering nutritional value, it compensates for with amusing food puns. If nothing else, the pic’s zany tone and manic pace are good for a quick-hit sugar high.
  10. There’s precious little glory — and not even that much cage fighting — in Chavez: Cage of Glory.
  11. The Square is journalism, but Noujaim’s agenda is greater than mere reportage.
  12. Bittersweet, charming yet often very thorny.
  13. There’s little in the way of drama, character depth or mise-en-scene to distract from Tiger Chen’s technically dazzling display of human combat in Keanu Reeves’ helming debut.
  14. Von Stuerler’s debut showcases nature, but its real theme is its subjects’ engagement with their work.
  15. A scrappy portrait of half a dozen renegade gold-diggers.
  16. Ultimately, the enigmatic surface conflict — in which a man must contend with his own carbon copy as rival — proves to be the film’s own worst enemy, for its dark, David Lynchian allure proves almost too compelling, obscuring the material’s deeper themes.
  17. Sal
    While Sal means to honor its subject, it’s too clunky and amateurish to really illuminate him.
  18. Affectionately captures the tail end of a culture in which specialized dice, character sheets and hand-painted figurines were the gateway to elaborate flights of imagination.
  19. Sophisticated cutting brings out the story’s complex emotional undercurrents, though “Breakdown’s” less convincingly scripted second half sputters more often than it shines.
  20. Utterly routine futuristic horror-thriller The Colony substitutes the term “ferals” for plain old zombies (the modern, fast-moving kind), and that’s about it for originality.
  21. The ups and downs of a decades-long friendship are charted with warmth and sensitivity in Shepard and Dark.
  22. A definitive document for anyone who’s ever hoisted the devil-horn fingers in metalhead solidarity.
  23. Covering a broad swath of liberal economic theory in brisk, simply stated fashion, Inequality for All aims to do for income disparity what “An Inconvenient Truth” did for climate change.
  24. Michael Polish’s Big Sur offers an elegantly muted take on the midlife ennui of Kerouac’s autobiographical 1962 novel.
  25. While it earns high marks for Jon Henson’s production design, this murkily derivative sci-fi-horror entry sets its sights disappointingly low in terms of story and ideas.
  26. Working from a tightly compressed screenplay by David Nicholls, director Mike Newell strikes the beats of a deservedly oft-told tale with dour competence but little in the way of dramatic inspiration or visual flair.
  27. Chemistry you can fake, but charm is far harder to pull off, and Baggage Claim never quite succeeds on that front.
  28. Gore and nastiness are plentiful, but they’re just wearyingly gratuitous rather than truly shocking.
  29. Not so much harrowing as achingly reflective.
  30. Wholesome, effortless entertainment that runs smoothly enough but seldom takes one’s breath away in the romance department.

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