For 17,810 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,150 out of 17810
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Mixed: 7,023 out of 17810
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Negative: 1,637 out of 17810
17810
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Joe Leydon
Instructions Not Included is a sporadically amusing but unduly protracted dramedy that slowly — very slowly — devolves into a shameless tearjerker during its third act.- Variety
- Posted Sep 5, 2013
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Reviewed by
Ronnie Scheib
“Waka” refers to an ancient form of poetry still widely popular today, and helmers Haptas and Samuelson, through their serene lensing and fluid editing, propose a visual thread linking the past to the present “as the crow flies.”- Variety
- Posted Sep 5, 2013
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Reviewed by
Dennis Harvey
Ass Backwards proves that no amount of comic talent can shine — or raise a chuckle — in the absence of even halfway decent material.- Variety
- Posted Sep 4, 2013
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Scott Foundas
An improbable but very enjoyable sequel that recaptures much of the stripped-down intensity of Diesel and director David Twohy’s franchise starter "Pitch Black."- Variety
- Posted Sep 4, 2013
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Reviewed by
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- Variety
- Posted Sep 4, 2013
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- Variety
- Posted Sep 4, 2013
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Reviewed by
Andrew Barker
It’s difficult to get past the film’s restless, ill-fittingly bombastic style.- Variety
- Posted Sep 4, 2013
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Reviewed by
Ronnie Scheib
Holiff Sr.’s extensive audio diaries and taped phone conversations with Cash give authentic voice to the film’s otherwise stodgy re-creations of this true odd couple’s stormy relationship.- Variety
- Posted Sep 4, 2013
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Reviewed by
Boyd van Hoeij
Two minor problems in the closing reels hold the film back from instant-classic status.- Variety
- Posted Sep 4, 2013
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Alissa Simon
Even though mood trumps character psychology, the entire cast provides mesmerizing, evocative performances.- Variety
- Posted Sep 3, 2013
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Reviewed by
Peter Debruge
To the extent that Adele’s hunger for affection resonates with audiences, what emerges is a powerful — if implausible — romance.- Variety
- Posted Sep 3, 2013
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Peter Debruge
Not just one of the great racing movies of all time, but a virtuoso feat of filmmaking in its own right, elevated by two of the year’s most compelling performances.- Variety
- Posted Sep 3, 2013
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Reviewed by
Peter Debruge
Though the film brims with memorable characters, the show ultimately belongs to Ejiofor, who upholds the character’s dignity throughout.- Variety
- Posted Sep 2, 2013
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John Anderson
A documentary as messy as the movement it tries to portray, 99%: The Occupy Wall Street Collaborative Film possesses energy, passion and about a dozen documentaries inside it yearning to breathe free.- Variety
- Posted Aug 31, 2013
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Reviewed by
Scott Foundas
A spellbinding, sensationally effective thriller with a complex moral center.- Variety
- Posted Aug 31, 2013
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Guy Lodge
That We Are What We Are steers just shy of silliness even at its most outrageous is in large part thanks to a committed cast of non-disposable character actors.- Variety
- Posted Aug 29, 2013
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Reviewed by
Scott Foundas
Easily one of the dopiest major studio releases since Elie Samaha got out of the business.- Variety
- Posted Aug 28, 2013
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Reviewed by
Justin Chang
The director’s long-overdue follow-up to “Children of Men” is at once a nervy experiment in blockbuster minimalism and a film of robust movie-movie thrills, restoring a sense of wonder, terror and possibility to the bigscreen.- Variety
- Posted Aug 28, 2013
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Reviewed by
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- Variety
- Posted Aug 25, 2013
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Reviewed by
Peter Debruge
In angling for suspense, this low-budget stunt relies a bit too heavily on our suspension of disbelief.- Variety
- Posted Aug 25, 2013
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Reviewed by
Scott Foundas
It’s cheesy enough fun while it lasts, but in the Harlin pantheon, it isn’t a patch on “Deep Blue Sea.” Then again, few things are.- Variety
- Posted Aug 24, 2013
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Reviewed by
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Reviewed by
Justin Chang
Resolutely sappy and sometimes amateurish, the briskly paced doc remains heartfelt and direct about the same admirable mission Wampler had in making the climb.- Variety
- Posted Aug 23, 2013
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Reviewed by
Joe Leydon
Despite an effective Jim Caviezel, this anecdotal drama never rises above the level of lightly likable.- Variety
- Posted Aug 22, 2013
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Justin Chang
Hua Tien-hau’s sentimental, conventionally inspiring film offers good-natured insights on the importance — and the difficulty — of living life to the fullest at any age.- Variety
- Posted Aug 22, 2013
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Reviewed by
Scott Foundas
Even at its most opaque, Bastards always exerts a dreamlike pull rooted in Denis’ rhythmic layerings of image, sound and music.- Variety
- Posted Aug 22, 2013
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Reviewed by
Justin Chang
A ludicrous, borderline-nonsensical supernatural concoction with a slightly redeeming sense of its own silliness.- Variety
- Posted Aug 20, 2013
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Reviewed by
Andrew Barker
The film’s central fivesome prove charming pallbearers throughout the film, which alternates between inspired and insipid as it hits its hagiographic marks.- Variety
- Posted Aug 20, 2013
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Reviewed by
Peter Debruge
Director D.J. Caruso offers a practical solution to the issue of adolescent bullying, as its two young protags respond to a case of vicious hazing not with despair or retaliation, but through teamwork and character-building.- Variety
- Posted Aug 20, 2013
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Reviewed by
Rob Nelson
Escape From Tomorrow is a sneakily subversive exercise in low-budget surrealism and anti-corporate satire.- Variety
- Posted Aug 19, 2013
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Reviewed by
Peter Debruge
The director commissioned Struzan to paint the one-sheet for his debut, “Sexina: Popstar P.I.,” and while this sophomore effort is no masterpiece, it’s far more deserving of Struzan’s talent.- Variety
- Posted Aug 18, 2013
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