For 17,810 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,150 out of 17810
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Mixed: 7,023 out of 17810
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Negative: 1,637 out of 17810
17810
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Justin Chang
Roger Ross Williams’ forceful polemic succeeds to a startling degree, rightly decrying the use of the gospel to incite homophobia, and allowing the most fervent interviewees to damn themselves with their own proselytizing words.- Variety
- Posted Oct 7, 2013
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Ronnie Scheib
This engaging if somewhat underwhelming tale of unlikely redemption builds a funny-sad web of intersecting interactions around its strong central perfs.- Variety
- Posted Oct 7, 2013
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Reviewed by
Dennis Harvey
Little in the way of a unified theme emerges to turn Joseph Levy’s feature into something more than a semi-random survey of restaurant life.- Variety
- Posted Oct 7, 2013
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Joe Leydon
Beautiful lensing by Mauro Brattoli and an evocative score Steve Poltz enrich the pic’s flavor as a document of, and a tribute to, an iconic cowboy’s indomitable spirit.- Variety
- Posted Oct 7, 2013
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Reviewed by
Ronnie Scheib
[A] deft assemblage of homemovies, work tapes and interviews is further invigorated by 1980s interviews with Pomus and a dynamite soundtrack of his rock ‘n’ roll perennials.- Variety
- Posted Oct 6, 2013
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David Chute
The serviceable documentary Murph: The Protector could hardly fail to be an emotionally potent experience.- Variety
- Posted Oct 6, 2013
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Peter Debruge
Rather than channeling James Thurber’s satirical tone, Stiller plays it mostly earnest, spinning what feels like a feature-length “Just Do It” ad.- Variety
- Posted Oct 6, 2013
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Joe Leydon
The makers of Grace Unplugged deserve at least some credit for resisting temptations toward melodramatic excess.- Variety
- Posted Oct 6, 2013
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Joe Leydon
A lightly engaging bilingual trifle that benefits greatly from the charm of lead player Jaime Camil, a Mexican TV and film star who evidences smooth self-assurance at the wheel of what could be his crossover vehicle.- Variety
- Posted Oct 5, 2013
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Scott Foundas
Features fewer small-town scares than a rerun of “Dawson’s Creek” and more wooden acting than a marionette theater. Memo to Rob Zombie: Don’t fear the competition.- Variety
- Posted Oct 5, 2013
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Dennis Harvey
The Book Thief has been brought to the screen with quiet effectiveness and scrupulous taste by director Brian Percival and writer Michael Petroni.- Variety
- Posted Oct 4, 2013
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Reviewed by
Peter Debruge
Instead of explaining the system through conventional narration, which would have been extremely helpful, the filmmakers immerse auds in the world they found, capturing its subjects’ behavior with startling candor.- Variety
- Posted Oct 4, 2013
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Reviewed by
Joe Leydon
Costa-Gavras develops such a propulsively suspenseful pace — with no small assist from Armand Amar’s mood-enhancing Euro-tech score — that his drama comes across as the cinematic equivalent of an engrossing page-turner you might purchase off the rack at an airport newsstand.- Variety
- Posted Oct 4, 2013
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Scott Foundas
The movies by their very nature require a certain suspension of disbelief, but Mission Park requires more suspension than a two-ton crane could provide.- Variety
- Posted Oct 3, 2013
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- Variety
- Posted Oct 3, 2013
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Reviewed by
Geoff Berkshire
As violent as its predecessor yet noticeably duller and less outrageous, Machete Kills is dragged to the finish line entirely by its director’s madcap energy and an absurd cast of major stars in strange cameos.- Variety
- Posted Oct 3, 2013
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Reviewed by
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Reviewed by
Justin Chang
The film is a brave act of witness complicated by the documaker’s decision to re-create his experiences using clay figurines, a tricky aesthetic device that raises fascinating and problematic questions of representation.- Variety
- Posted Oct 3, 2013
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Reviewed by
Rob Nelson
Though the ugly phobia that gave rise to the killing and permeated the legal proceedings boils the blood, the film’s tone is somber rather than angry, and its effect is quietly devastating.- Variety
- Posted Oct 3, 2013
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Geoff Berkshire
Unacceptable Levels marries folksy astonishment and alarmist speculation in a documentary far too easy to dismiss.- Variety
- Posted Oct 2, 2013
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Ronnie Scheib
The brilliantly edited tapestry of actions and reactions exposes a pattern of prejudice and fear capable of infinitely repeating itself.- Variety
- Posted Oct 2, 2013
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Dennis Harvey
Nevertheless, Babygirl has sufficient authenticity and charm as a summer-in-the-city miniature to easily hold attention, however modest its payoff.- Variety
- Posted Oct 1, 2013
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Ronnie Scheib
Hampered by pedestrian, underpopulated mise-en-scene, a sketchy script and uneven thesping, “Destiny” definitely underwhelms.- Variety
- Posted Oct 1, 2013
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Reviewed by
Jay Weissberg
The Young and Prodigious T.S. Spivet is the perfect 3D vehicle and Jeunet takes full advantage, offering a feast of amusing visual flourishes suited to the book’s playfulness.- Variety
- Posted Oct 1, 2013
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Scott Foundas
It speaks well of The Investigator that, for much of its running time, it’s possible to lose sight of the movie’s agenda and get caught up in its hokey machinations.- Variety
- Posted Oct 1, 2013
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- Critic Score
There are some subjects so horrific, so far beyond our understanding, that the mind goes numb. Such is the case with Marc Wiese’s chilling docu Camp 14: Total Control Zone.- Variety
- Posted Oct 1, 2013
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Reviewed by
Dennis Harvey
It’s a chirpy heart-on-sleeve confection that’s populist in a somewhat generic way.- Variety
- Posted Oct 1, 2013
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Rob Nelson
Director Argento half-heartedly mixes schlocky 3D f/x with one-dimensional characters for a near-two-hour joke that ought to have been funnier.- Variety
- Posted Sep 30, 2013
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Reviewed by
Leslie Felperin
One of Wiseman’s best, a summation of sorts of a career’s worth of principled filmmaking from a director in his ninth decade.- Variety
- Posted Sep 30, 2013
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Reviewed by
Joe Leydon
Too many stretches of Wedding Palace are so garishly lit and broadly overplayed that they seem more cartoonish than the actual animated sequences that pepper the live-action production. That’s a pity, since this indie romantic comedy is not without its minor charms during its infrequent quiet moments.- Variety
- Posted Sep 29, 2013
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Reviewed by
Joe Leydon
An initially intriguing but ultimately exhausting tale of grieving parents left quite literally dazed and confused in the wake of their young son’s death.- Variety
- Posted Sep 29, 2013
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Reviewed by