Variety's Scores

For 17,831 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17831 movie reviews
  1. Sticking closely to the written text (with basketballs and barbells supplying incidental props) and wisely not attempting to reimagine the specific circumstances that separate the lovers, a dynamite ensemble cast of young actors invests the Bard's poetry with energetic immediacy.
  2. Though the story is told and edited in a way that too often obscures rather than enhances its central tragedy, much is compensated by a career-defining, powerfully physical lead perf by Matthias Schoenaerts and ace lensing by local widescreen wiz Nicolas Karakatsanis.
  3. The picture still tells a riveting story about contempo Russia's darkest side.
  4. Illustrating the banality of evil in an impressively controlled and sometimes darkly humorous fashion, Michael takes a coolly nonjudgmental, non-psychological approach to a disturbing topic.
  5. May not be great cinema, but its broad, crowdpleasing qualities should make it a welcome night out for femmes.
  6. Fortunately, writer-director Richard LaGravenese has jettisoned most of the novel and refashioned its core mythology and characters into a feverishly enjoyable guilty pleasure.
  7. A routine, even mundane crime story relayed in tones of world-weary fatigue, Killing Them Softly deglams the mob movie to coolly distinctive if rarely pulse-quickening effect.
  8. A droll New Zealand parody with a tone so deadpan it becomes laugh-out-loud funny.
  9. In The Fairy, Abel, Gordon and Romy have all of Le Havre as their playground. And now that the they've established the ideal format for their brand of comicbook-style humor, one can't help but wish they show the good sense to keep it at this level going forward.
  10. Maria Karlsson's multilayered screenplay makes the film much more than just a crime thriller, beautifully incorporating themes of parents and children, misplaced values, and greed and corruption.
  11. What elevates the picture above the norm is a series of remarkably candid and eerily prescient interviews.
  12. Di Gregorio's dialogue and performers are once again marked by a spontaneity and ease; who else working today treats so-called "middle age" with such jocular honesty?
  13. Spurlock brings his usual good-humored approach to the subject, nicely balancing absurdity with genuine human interest.
  14. A delightful comic cocktail of modern city symphony, police procedural and love story.
  15. A satisfying wartime espionage drama focused on little-noted intersections between Arabic emigres and the French Resistance.
  16. A bona fide high-wire act, Cirque du Soleil: Worlds Away delivers towering thrills through its candy-colored 3D ode to the titular outfit's astounding acrobatics.
  17. Doesn't rise much above sitcom level in material or execution, but provides enough laughs and goodwill to be disarmingly entertaining.
  18. Progress does a remarkable job weaving together these and many other big ideas in a crisp, coherent, easy-to-take fashion that somehow never becomes an informational overload.
  19. This madcap romp runs out of steam well before the finish, but its combo of sweetness and high spirits -- not unlike the chemical composition of the dope-infused brownies that serve as a key plot device -- proves sufficiently ingratiating to satisfy viewers.
  20. The genially goofy shenanigans, incredibly corny punchlines and Hank Azaria’s go-for-broke performance as the incompetent wizard Gargamel are very much the same ― an entirely welcome thing in a summer movie season full of so much apocalyptic Sturm und Drang.
  21. Picture's visual elegance makes a limited arthouse life possible, although Nigerian-born fashion photog-turned-helmer Andrew Dosunmu is far more interested in aesthetics than narrative in erecting his visually poetic "City."
  22. Transcends mere torture porn -- though there's plenty for the squeamish to squirm over here -- in its deftly controlled mix of empathy, grotesquerie and sardonic humor.
  23. Though named after a party girl's pet Chihuahua, Starlet could just as easily describe the two exceptional first-timers making their debuts in this brittle, beautifully understated San Fernando Valley character study.
  24. Spearheaded by phenomenal pint-sized lead Sydney Aguirre, this challenging third feature from the Zellner Brothers retains much of their provocative trademark idiocy but navigates darker waters.
  25. An unusual example of what can be termed a "gay Christian" film, Cone's feature is among the best of a recent spate of dramas observing American Christian life.
  26. It’s a less playful enterprise than the original, but meets the era’s darker demands for action reboots with machine-tooled efficiency and a hint of soul.
  27. What Erica Rivinoja, John Francis Daley and Jonathan Goldstein’s script lacks in lingering nutritional value, it compensates for with amusing food puns. If nothing else, the pic’s zany tone and manic pace are good for a quick-hit sugar high.
  28. It's one girl against the world in Lola Versus, a snappy yet sincere romantic comedy that begins where others end, with the proposal and wedding plans pointing toward happily ever after.
  29. The title is an apt one, suggesting that for all its staging and overt theatrics, independent (read: non-WWF) pro wrestling makes huge demands on the body and spirit.
  30. Too deliberately eccentric to attain quite the level of wigginess it aspires to, Jesus Henry Christ does feature some standout performances and a refreshingly unconventional approach to telling its slight story.

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