Variety's Scores

For 17,831 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17831 movie reviews
  1. Crisp and efficient, with the occasional clunky moments, Parker also shows off Jennifer Lopez (literally) to good effect, while mostly squandering the rest of its first-rate cast.
  2. With just the right dose of magic and no shortage of sentiment, this inspirational parenting tale from writer-director Peter Hedges plays like "Mary Poppins" in reverse.
  3. Emerges as a surprisingly smart, gripping and imaginative addition to the zombie-movie canon, owing as much to scientific disaster movies like “The China Syndrome” and “Contagion” as it does to undead ur-texts like the collected works of George Romero.
  4. Though it cries out for trimming, "Musan" is a welcome, substantive marker on the current cinema landscape.
  5. When a baby orca strayed from its family pod near Puget Sound and showed up 200 miles away in Canada in 2001, it became the center of a long-running human drama by turns cute, inspirational, ludicrous and tragic, as documented in The Whale.
  6. Like the lemon meringue pies and shrimp cocktails it features throughout, Brit comedy-drama Toast is tasty, hearty and rather conventional.
  7. All in all, the pace -- although buoyed by Joel Goodman score -- is rather plodding until Clash's life story intersects with that of the little red guy, at which point it lifts off. And even yanks a tear or two.
  8. Engaging leads, high-end production values, wedding preparations, energetic musical numbers and a familiar story should ensure healthy biz for Mere brother ki dulhan, a lightweight, unambitious three-way romantic comedy whose utter predictability may be its greatest asset.
  9. Shepard delivers in spades, his character weary but just crackpot enough to survive.
  10. Though Mungiu's presumed two shorts have the most individual feel, the other helmers -- Ioana Uricaru, Hanno Hoefer, Razvan Marculescu and Constantin Popescu, all feature novices -- show a plethora of styles within the so-called "Romanian New Wave."
  11. To claim the dialogue is written to comfort the narratively challenged would be mere quibbling, as the picture's chief pleasure lies in its store of funny lines, which Stallone tosses off with genuine brio.
  12. Audiences will find the group's triumph inspiring.
  13. An inventive marriage of ancient China and Agatha Christie, Detective Dee and the Mystery of Phantom Flame is a lavishly overwrought historical whodunit.
  14. Vivid photography, true-to-life moments and a wonderful lead performance compensate for some first-timer missteps in debutante writer-director Dee Rees' Pariah.
  15. A worshipful tribute to the life and work of Jane Goodall.
  16. A chirpy, tween-skewing, snowboarding-themed romantic comedy, Chalet Girl slaloms exuberantly down a predictable path, kicking up regular flurries of fun along the way.
  17. Picture ultimately pulls off a fairly ambitious narrative agenda with a wrap both credible and crowdpleasing.
  18. Yet for all its expected highs, the adaptation has been managed with more gusto than grace; at the end of the day, this impassioned epic too often topples beneath the weight of its own grandiosity.
  19. Peter and Bobby Farrelly tone down the abuse without compromising the numbskulls' unique style of physical comedy, making for an unexpectedly pleasant yet unapologetically lowbrow outing true to the spirit that has made the trio such an enduring comedy fixture since its bigscreen debut in 1930.
  20. Setting most of the action in a mocked-up theater emphasizes the performance aspects of the characters' behavior, a strategy enhanced by lead thesp Keira Knightley's willingness to let her neurotic Anna appear less sympathetic than in previous incarnations.
  21. Surprisingly entertaining.
  22. Oddly, the director's personal connection with his subject adds little warmth, filmmaker Carl proving nearly as unemotional as his deadpan dad.
  23. Reminiscences about Goodman and readings of his poetry are played over old pictures that capture his singularly seductive appeal and lively sense of humor.
  24. Luc Cote and Patricio Henriquez's You Don't Like the Truth demonstrates, through excerpts from an actual videotaped interrogation at Guantanamo, the process by which human will can be systematically broken down to force an admission of guilt, regardless of truth.
  25. Recalls last year's "World's Greatest Dad," similarly using a snowballing fib to lampoon the ambulance-chasing relationship between morbidity and celebrity. But unlike that primarily satirical exercise, Norman gradually ditches the snark in favor of poignant, understated dramatics.
  26. The cops play things as dirty as the crooks in Gangster Squad, an impressively pulpy underworld-plunger that embellishes on a 1949 showdown between a dedicated team of LAPD officers and Mob-connected Mickey Cohen (Sean Penn) for control of the city.
  27. If movies were subject to sanity tests, Oka! would be a crazy old man with a three-day beard and a sock full of kruggerrands under his mattress.
  28. Candace Against the Universe has been made for “Phineas and Ferb” believers, and like such hipster kiddie brand extensions as “Teen Titans Go! To the Movies,” it’s not necessarily more fun than three good episodes of the show stacked together. But that’s fun enough.
  29. As its English-language title indicates, Philipp Stoelzl's yarn is clearly modeled on "Shakespeare in Love." But though it lacks that film's delirious wordplay, this German cousin is well plotted and impressively mounted.
  30. The Other F Word is a raucous, eye-opening, sad and unexpectedly wise look at veteran punk rockers as they adapt to the challenges of fatherhood.

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