Variety's Scores

For 17,831 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17831 movie reviews
  1. This robust, action-packed adventure benefits from a headier sense of forward momentum and a steady stream of 3D-enhanced thrills.
  2. Picture initially suggests a sort of Gallic "Damages," with Kristin Scott Thomas and Ludivine Sagnier in the Glenn Close and Rose Byrne roles, but the corporate catfight soon gives way to a cleverly designed whodunit.
  3. A creative exploration of the global honeybee crisis replete with remarkable nature cinematography, some eccentric characters and yet another powerful argument for organic, sustainable agriculture in balance with nature.
  4. "It's un-American," Goldstein says about the abuses of power at the heart of the film, before correcting himself: "No -- you know what? It is American." That's precisely the message that Battle for Brooklyn doesn't sufficiently explore.
  5. Has plenty of problems. But most stem from a young filmmaker overswinging on his first time up to the plate and hitting a deep fly out rather than a home run.
  6. While not quite as charming or unique as the original, Despicable Me 2 comes awfully close.
  7. Family-friendly and abounding in uplift, The Mighty Macs is an undemandingly pleasant indie drama.
  8. Like any mixtape, it offers some truly transcendent moments alongside a smattering of filler, and never quite assembles its pieces into a cohesive whole.
  9. By contemporary horror standards, the original “Halloween” was actually quite tame, featuring just five (human) deaths, whereas this one more than triples the body count — and it does so with style, borrowing several of Carpenter’s classic devices...before getting into the more prosthetic-heavy mayhem that follows.
  10. A lightly enjoyable road picture about a circuitous road to redemption, Black, White and Blues offers simple, down-home pleasures while spinning an undeniably familiar but emotionally satisfying tale.
  11. A smartly paced, highly entertaining Bollywood gagfest. No comic masterpiece, perky pic nevertheless boasts likable characters, colorful villains, well-timed gags and Ram Sampath's extremely catchy tunes, all woven into a seamless, escalating whole.
  12. Although helmer Yoav Potash's approach is low-key and only vaguely cinematic, each instance of judicial malfeasance -- and there are many -- is allowed to toll loudly in its own moral echo chamber.
  13. It's a rare film that feels too short, but Small Town Murder Songs leaves one wanting more -- more murder story, mystery and revelations from lead thesp Peter Stormare and virtuoso helmer Ed Gass-Donnelly.
  14. Though high-octane stunts have always been the primary selling point here, Lin and veteran “Fast” screenwriter Chris Morgan have labored to add depth, dimensionality and inner conflict to the now-sprawling cast of recurring characters — so much so that, at times, “Furious 6” plays like a glossy gearhead melodrama.
  15. Though the issue of illegal immigration is nothing new in French cinema, Welcome makes auds care deeply for its absorbing characters.
  16. Joseph Dorman's intelligent if conventional bio-doc of Sholem Aleichem proves particularly revealing, since the famed, dandyish Yiddish writer led a life as full of colorful ironies as the motormouth schlemiels that populate his stories.
  17. This robust, impersonal visual-effects showpiece proves buoyant and unpretentious enough to offset its stew of otherwise derivative fantasy/action elements.
  18. Some movie buffs will be amused to note slight but perceptible plot similarities between Daylight and, of all things, "The Tall T," Budd Boetticher's classic 1957 Western. To their credit, the filmmakers more or less acknowledge the influence in the closing credits.
  19. Expertly constructed, impressively lensed and surprisingly entertaining.
  20. The horrific events in Mexico are proving fertile ground for black comedy, and though Saving Private Perez is certainly not the blackest, it may well be the funniest.
  21. Despite a few continuity problems, this rough-edged, low-budget drama impresses with spot-on performances, perfect-pitch dialogue and an overall sense that something bad might happen at any moment, unless something worse happens first.
  22. Unlike John Boorman's trippy 1967 L.A. noir of the same title, frenetic Gallic suspenser Point Blank provides few existential thrills but plenty of heart-racing action as it follows one man's marathon dash to save his kidnapped wife from execution.
  23. The Harvest/La Cosecha, whose exec producers include actress Eva Longoria, has few artistic pretensions, but its observations are potent.
  24. Here, the laughs come not from the silly voices but a blend of snappy editing and clever character bits, including a recurring joke about an inappropriately named sidekick who calls himself White Shadow (Michael Patrick Bell).
  25. Sorta doing for "Texas Chainsaw Massacre"-type slashers what "Shaun of the Dead" did for zombie pics, "T&D" offers good-natured, confidently executed splatstick whose frequent hilarity suffers only from peaking too early.
  26. Picture's tone is far more poetic than polemical.
  27. Grim, gritty and ultra-violent, Dredd reinstates the somber brutality missing from the U.K. comicbook icon's previous screen outing.
  28. Although discomfiting to audiences desiring a steady narrative thread (and less accessible to those unfamiliar with Eastern European history and culture), it sustains interest throughout as a devastating critique of Russian society.
  29. Like most Sono pictures, too long. But its gleeful humor and dare-you-to-watch aesthetic will help it rack up kills at specialty fests.
  30. Redundancy remains a problem, but this overlong superhero sequel gets by on sound, fury and star chemistry.

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