For 17,831 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,163 out of 17831
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Mixed: 7,031 out of 17831
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Negative: 1,637 out of 17831
17831
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Justin Chang
This robust, action-packed adventure benefits from a headier sense of forward momentum and a steady stream of 3D-enhanced thrills.- Variety
- Posted Dec 6, 2013
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Reviewed by
Jordan Mintzer
Picture initially suggests a sort of Gallic "Damages," with Kristin Scott Thomas and Ludivine Sagnier in the Glenn Close and Rose Byrne roles, but the corporate catfight soon gives way to a cleverly designed whodunit.- Variety
- Posted Sep 2, 2011
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Reviewed by
Alissa Simon
A creative exploration of the global honeybee crisis replete with remarkable nature cinematography, some eccentric characters and yet another powerful argument for organic, sustainable agriculture in balance with nature.- Variety
- Posted Jun 7, 2011
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Reviewed by
John Anderson
"It's un-American," Goldstein says about the abuses of power at the heart of the film, before correcting himself: "No -- you know what? It is American." That's precisely the message that Battle for Brooklyn doesn't sufficiently explore.- Variety
- Posted Jun 18, 2011
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Todd McCarthy
Has plenty of problems. But most stem from a young filmmaker overswinging on his first time up to the plate and hitting a deep fly out rather than a home run.- Variety
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Peter Debruge
While not quite as charming or unique as the original, Despicable Me 2 comes awfully close.- Variety
- Posted Jun 17, 2013
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Joe Leydon
Family-friendly and abounding in uplift, The Mighty Macs is an undemandingly pleasant indie drama.- Variety
- Posted Oct 18, 2011
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Andrew Barker
Like any mixtape, it offers some truly transcendent moments alongside a smattering of filler, and never quite assembles its pieces into a cohesive whole.- Variety
- Posted Sep 5, 2011
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Peter Debruge
By contemporary horror standards, the original “Halloween” was actually quite tame, featuring just five (human) deaths, whereas this one more than triples the body count — and it does so with style, borrowing several of Carpenter’s classic devices...before getting into the more prosthetic-heavy mayhem that follows.- Variety
- Posted Sep 9, 2018
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Joe Leydon
A lightly enjoyable road picture about a circuitous road to redemption, Black, White and Blues offers simple, down-home pleasures while spinning an undeniably familiar but emotionally satisfying tale.- Variety
- Posted Aug 20, 2011
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Ronnie Scheib
A smartly paced, highly entertaining Bollywood gagfest. No comic masterpiece, perky pic nevertheless boasts likable characters, colorful villains, well-timed gags and Ram Sampath's extremely catchy tunes, all woven into a seamless, escalating whole.- Variety
- Posted Jun 30, 2011
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John Anderson
Although helmer Yoav Potash's approach is low-key and only vaguely cinematic, each instance of judicial malfeasance -- and there are many -- is allowed to toll loudly in its own moral echo chamber.- Variety
- Posted Jun 28, 2011
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John Anderson
It's a rare film that feels too short, but Small Town Murder Songs leaves one wanting more -- more murder story, mystery and revelations from lead thesp Peter Stormare and virtuoso helmer Ed Gass-Donnelly.- Variety
- Posted Jun 28, 2011
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Reviewed by
Scott Foundas
Though high-octane stunts have always been the primary selling point here, Lin and veteran “Fast” screenwriter Chris Morgan have labored to add depth, dimensionality and inner conflict to the now-sprawling cast of recurring characters — so much so that, at times, “Furious 6” plays like a glossy gearhead melodrama.- Variety
- Posted May 13, 2013
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Jay Weissberg
Though the issue of illegal immigration is nothing new in French cinema, Welcome makes auds care deeply for its absorbing characters.- Variety
- Posted Jul 1, 2011
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Ronnie Scheib
Joseph Dorman's intelligent if conventional bio-doc of Sholem Aleichem proves particularly revealing, since the famed, dandyish Yiddish writer led a life as full of colorful ironies as the motormouth schlemiels that populate his stories.- Variety
- Posted Jul 5, 2011
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Reviewed by
Justin Chang
This robust, impersonal visual-effects showpiece proves buoyant and unpretentious enough to offset its stew of otherwise derivative fantasy/action elements.- Variety
- Posted Oct 22, 2013
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Joe Leydon
Some movie buffs will be amused to note slight but perceptible plot similarities between Daylight and, of all things, "The Tall T," Budd Boetticher's classic 1957 Western. To their credit, the filmmakers more or less acknowledge the influence in the closing credits.- Variety
- Posted Jul 16, 2011
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Ronnie Scheib
Expertly constructed, impressively lensed and surprisingly entertaining.- Variety
- Posted Jul 12, 2011
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Reviewed by
Ronnie Scheib
The horrific events in Mexico are proving fertile ground for black comedy, and though Saving Private Perez is certainly not the blackest, it may well be the funniest.- Variety
- Posted Sep 2, 2011
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Joe Leydon
Despite a few continuity problems, this rough-edged, low-budget drama impresses with spot-on performances, perfect-pitch dialogue and an overall sense that something bad might happen at any moment, unless something worse happens first.- Variety
- Posted Nov 7, 2011
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Jordan Mintzer
Unlike John Boorman's trippy 1967 L.A. noir of the same title, frenetic Gallic suspenser Point Blank provides few existential thrills but plenty of heart-racing action as it follows one man's marathon dash to save his kidnapped wife from execution.- Variety
- Posted Jul 24, 2011
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John Anderson
The Harvest/La Cosecha, whose exec producers include actress Eva Longoria, has few artistic pretensions, but its observations are potent.- Variety
- Posted Jul 30, 2011
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Peter Debruge
Here, the laughs come not from the silly voices but a blend of snappy editing and clever character bits, including a recurring joke about an inappropriately named sidekick who calls himself White Shadow (Michael Patrick Bell).- Variety
- Posted Jul 10, 2013
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Dennis Harvey
Sorta doing for "Texas Chainsaw Massacre"-type slashers what "Shaun of the Dead" did for zombie pics, "T&D" offers good-natured, confidently executed splatstick whose frequent hilarity suffers only from peaking too early.- Variety
- Posted Sep 25, 2011
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- Variety
- Posted Jul 26, 2011
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Reviewed by
Geoff Berkshire
Grim, gritty and ultra-violent, Dredd reinstates the somber brutality missing from the U.K. comicbook icon's previous screen outing.- Variety
- Posted Sep 3, 2012
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Alissa Simon
Although discomfiting to audiences desiring a steady narrative thread (and less accessible to those unfamiliar with Eastern European history and culture), it sustains interest throughout as a devastating critique of Russian society.- Variety
- Posted Sep 25, 2011
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Leslie Felperin
Like most Sono pictures, too long. But its gleeful humor and dare-you-to-watch aesthetic will help it rack up kills at specialty fests.- Variety
- Posted Aug 1, 2011
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Guy Lodge
Redundancy remains a problem, but this overlong superhero sequel gets by on sound, fury and star chemistry.- Variety
- Posted Apr 8, 2014
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