Variety's Scores

For 17,832 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17832 movie reviews
  1. An aptly infuriating expose of sexual abuse within the U.S. military, Kirby Dick's documentary The Invisible War calls high-ranking officials to account for turning a blind eye to a violent epidemic.
  2. Breaking it down, The Heat has been engineered to deliver the laughs, and the result certainly does, despite coming alarmingly near to botching the procedural elements along the way.
  3. Rohrwacher's picture offers a Dardennes-esque look at a working-class teen's growing pains in a backwater parish in southern Italy. Minor tonal inconsistencies are overcome by this intimate tale's naturalistic thesping and loose lensing style.
  4. Though Demy's approach breaks no new ground, directorially speaking, Martin's personal journey finds a fresh angle on a universal piece of wisdom. Every mother's son believes he's the star of his own life; Americano captures that humbling moment where one realizes perhaps he has only been a bit player in his parents' story, not the star, as initially believed.
  5. Audiences may not care about this gang when the party starts, but once the dust settles, you’ve gotta admit, they made for pretty good company.
  6. Although Martin Sheen often goes full cherub in his depiction of the film's central Catholic priest, the pictue is also a frank assessment of a cleric's crisis of faith and the church's rather ruthless efforts to maintain medieval control in the face of modernization.
  7. A winning musical detective story about a failed, forgotten early '70s rocker.
    • 75 Metascore
    • 70 Critic Score
    With a different book and new, added tunes, this is a lightly diverting, modish, Parisian-localed tintuner.
  8. A delightfully scrappy backburner passion project from Jay and Mark Duplass.
  9. If the AIDS crisis has crested, it's due in large part to the radical advocacy group so intelligently portrayed in United in Anger: A History of ACT UP, a documentary that could have been a lot angrier but aims to educate rather than agitate.
  10. A potent comedy of genetic chaos, Starbuck is pointedly contemporary and occasionally cloying, but guaranteed to draw attention for its premise and central character.
  11. For all its obvious smarts and mildly provocative ideas, Mockingjay doesn’t seem to trust its audience quite as much as it clearly trusts its heroine.
  12. The humanist spirit of Gallic novelist-director Marcel Pagnol is alive and well in the old-fashionedly sincere The Well-Digger's Daughter, a competent remake of Pagnol's eponymous 1940 melodrama about a working-class girl impregnated by a young pilot who's sent off to war.
  13. Director James Gunn’s presumptive franchise-starter is overlong, overstuffed and sometimes too eager to please, but the cheeky comic tone keeps things buoyant — as does Chris Pratt’s winning performance as the most blissfully spaced-out space crusader this side of Buckaroo Banzai.
  14. A fraction less gut-bustingly goofy than its predecessors.
  15. The family that slays together pays together in Killer Joe, a nasty little Texas noir that transfers Tracy Letts' 1993 play from page to screen with generally gripping results before devolving into an over-the-top splatterfest.
  16. The result looks as much like a Natural History Museum diorama as it sounds: a respectful but waxy re-creation that feels somehow awe-inspiring yet chillingly lifeless to behold, the great exception being Jones' alternately blistering and sage turn as Stevens.
  17. The same winning balance of seriousness and humor that made "Persepolis" such a hit works equally well in Chicken With Plums.
  18. Helmer-writer Padraig Reynolds creates a dizzying pastiche of genre conventions, and he has a terrific actress in Anessa Ramsey, who's that rare thing in horror, a thoroughly convincing victim.
  19. Sushi: The Global Catch offers an intriguing mix of history, process and state-of-the-fish reports, advocating a reversal of the world's assault on bluefin tuna fisheries and a short course on the alternatives.
  20. Reminiscent of 2010 Sundance breakout "The Kids Are All Right," Ry Russo-Young's Nobody Walks captures the fallout of an open-minded Los Angeles family shaken up by the arrival of a sexy outsider, only this time, it's the outsider whose perspective takes precedence.
  21. Nicole Karsin's beautifully crafted documentary We Women Warriors highlights the activism of three strong, extraordinarily likable women from three different regions and indigenous cultures of Colombia.
  22. One need not fully subscribe to Peter Navarro's demonization to appreciate his lucid wake-up call to the imminent dangers of the huge U.S.-China trade imbalance and its disastrous impact on the American economy.
  23. Curtis ends up making a virtue out of the narrative’s episodic quality, a tendency that’s been criticized in his previous work; the film, like life, is just one damn thing after another, and that’s really the rather lovely point.
  24. Kormakur shows he knows his way around an action movie better than most, keeping the pace quick, the banter lively and the old-school, mostly CGI-free thrills delivering right on schedule.
  25. While it's highly unlikely that anyone predisposed to championing Obama would be won over by the sound and fury here, there's no gainsaying the value of "2016" as a sort of Cliffs Notes precis of the conservative case against the re-election of our current U.S. president.
  26. Smartly engineered to engage sports fans and non-fans, the picture's account of Lithuania's 1992 Olympics bronze medal-winning team, presented as a symbol of post-Cold War freedom.
  27. An often hilarious living-dead comedy that just had to happen, given the current hunger for zombies, vampires and other things that refuse to keel over.
  28. Audaciously giving itself license to do whatever it wants, Leos Carax's narratively unhinged, beautifully shot and frequently hilarious Holy Motors coheres -- arguably, anyway -- into a vivid jaunt through the auteur's cinematic obsessions.
  29. Heckerling always manages to get her finger firmly on the pulse of the contemporary moment, and while her club-hopping heroines may be undead, they serve as adorable metaphors for what the filmmaker sees as a zombified moment in cultural history.

Top Trailers