Variety's Scores

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For 17,807 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,148 out of 17807
  2. Mixed: 7,022 out of 17807
  3. Negative: 1,637 out of 17807
17807 movie reviews
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  1. Going Away
    Garcia, co-scenarist Jacques Fieschi and the excellent cast (including a welcome Dominique Sanda as Baptiste’s regal mother) bring a sense of depth and shared history to even those figures we meet just briefly.
  2. Shanghai
    This derivative, ploddingly plotted WWII-set thriller goes through all the motions of an old-school wartime spy pic with plenty of technical competence but zero panache.
  3. This Changes Everything
    This Changes Everything is genuinely stirring as it details improbable victories and green-economy opportunities.
  4. Nostalgia for the Light
    Part of the beauty of Nostalgia is that the many metaphors and surprising parallels between the universe, archaeology and Chile’s recent past rise organically from the material.
  5. The Pearl Button
    What “Nostalgia for the Light” did for the desert, The Pearl Button is meant to do for water, but the deft melding of past and present that characterized Patricio Guzman’s earlier film becomes muddied here by the Natural Science 101 voiceover and an unsatisfying bridge between two rather disparate subjects.
  6. Northern Soul
    If “Soul’s” script errs on the side of simplicity, it does effectively downplay the cliches inherent in its unambitious story arc. And the foregrounded local culture is always engaging, with meticulous but unshowy attention to period detail on all levels.
  7. The Creeping Garden
    Good-humored but not campy in its regard of some genuinely fascinating research, and full of trippy visuals, this science-fair bonanza would have been a midnight staple in the era of “The Hellstrom Chronicles.”
  8. Labyrinth of Lies
    An intelligent and arresting fact-based drama.
  9. The Green Inferno
    Empty cynicism isn’t a substitute for well-reasoned critique, and Roth winds up looking more clueless than the so-called “social justice warriors” he’s trying to satirize.
  10. Deathgasm
    This amiably dumb feature debut for New Zealand writer-director Jason Lei Howden could have used some additional polish on the scripting side to bump its bad-taste humor up from the routinely to the inspirationally silly.
  11. The Walk
    What Zemeckis delivers here is an entirely different brand of spectacle from that which audiences have come to expect from recent studio tentpoles, sharing a true story so incredible it literally must be seen to be believed, as opposed to imaginary feats full of impossible CG creatures.
  12. Ashby
    McNamara’s second directorial feature (following 2003’s Aussie “The Rage in Placid Lake,” another teenage-misfits-make-good comedy) winds up a poorly mixed bowl of mismatched ingredients that is nonetheless tepidly, forgettably digestible.
  13. The Whispering Star
    In trying to make sense of an android’s point-of-view, Sono has sensibly turned repetition and routine into a narrative strategy, but the unrelieved tedium of The Whispering Star takes a toll. If anything, Sono’s past work has suffered from a an overabundance of jokes, digressions, and crazed visual flourishes, but their near-total absence here becomes a problem of another kind.
  14. The Boy and the Beast
    Though it piles all sorts of emotional baggage onto a series of already-tired believe-in-yourself cliches, Hosoda’s over-complicated script has the virtue of expressing itself less via words than it does through truly spectacular set pieces.
  15. Pay the Ghost
    This somnolent supernatural thriller is a low-energy wash from start to finish.
  16. Redwood Highway
    Redwood Highway delivers in high spirits and fine thesping what it lacks in dynamic tension and narrative consistency.
  17. Endgame
    Certainly the director’s heart is in the right place here; it’s in moving her pawns around that flummoxes her.
  18. Mustang
    the director proves especially skilled with her cast of newcomers (of the thesps playing the sisters, only young Iscan, from “My Only Sunshine,” is a veteran), whose powerful individualism as well as their vibrant bond together are perfect vessels for the script’s message.
  19. The Anomaly
    From its elaborate but incoherent premise to its clunkily staged time-freeze fight sequences, not one detail of “The Anomaly” hasn’t been borrowed from a better movie. That magpie opportunism would matter less if the film at least had barreling narrative momentum.
  20. Hotel Transylvania 2
    Any message about the need for open-mindedness in life and love, however, is muddled by a slapdash plot that ultimately cares less about taking a stand in favor of progressive values than it does in superficially employing such feel-good ideas for unimaginative, hyperactive adolescent slapstick.
  21. Western
    A low-key but sharply observed work that benefits from real local flavor and a gift for lyric image making.
  22. Lost in Hong Kong
    Trading the earlier film’s goofy fish-out-of-water gags for robust action acrobatics and fail-safe family drama, the laffer induces the warm-and-fuzzies as an ode to Hong Kong cinema and its role in mainland Gen-Xers’ sentimental coming of age.
  23. Office
    This boardroom tuner charmingly mines humor, romance and no shortage of eccentric lyrics from the world of spreadsheets and stock portfolios, but its real achievement is a formal and conceptual one, conjuring a tongue-in-cheek vision of modern capitalism in splendidly Brechtian terms (and in widescreen 3D, to boot).
  24. The Reflektor Tapes
    Joseph winds up with an disorganized mishmash of visual gimmicks, empty exoticism, and soundbites worthy of “This is Spinal Tap.” Great music and some dynamic, up-close concert footage gives it the occasional life, but The Reflektor Tapes will appeal to Arcade Fire devotees only and even their patience might be tested.
  25. Manson Family Vacation
    If the outcome of the film feels at once daring and more than a little preposterous, Davis just about pulls it off, largely by treating the emotional fallout in completely rational, even realistic fashion.
  26. The Intern
    It takes all the leads’ considerable combined charm to forestall the aftertaste of the pic’s smug life lessons and near-comically blinkered worldview.
  27. Hardcore Henry
    Hardcore feels like umpteen post-“Star Wars” action blockbusters trash-compacted into one — and whether that fundamentally appeals or not, the ingenuity of effort is undeniably high.
  28. Go Away Mr. Tumor
    Notwithstanding its bubblegum visuals and relentlessly perky hijinks, the yarn proceeds naturally toward a touching conclusion without high-handed lurches into tragedy or mawkishness.
  29. Veteran
    With a screenplay less bloated than Ryoo’s previous works, and drawing characters who know what they stand for, the film steadily builds up to its sensational catharsis and undeniably satisfying payoff.
  30. East Side Sushi
    Writer-director Anthony Lucero’s delectable debut feature has its share of on-the-nose writing and Cinderella-story contrivances, but for the most part folds its cross-cultural insights into a pleasing underdog narrative as deftly as its heroine presses together rice and nori.
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