For 17,807 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,148 out of 17807
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Mixed: 7,022 out of 17807
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Negative: 1,637 out of 17807
17807
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Scott Foundas
Melanie Laurent brings a sure, sensitive hand to tonally tricky material and draws superb work from relative newcomers Josephine Japy (“Cloclo”) and Lou De Laage (“Jappeloup”).- Variety
- Posted Sep 8, 2015
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Reviewed by
Maggie Lee
The film reaches a narrative and emotional impasse once it gets past the will-they-or-won’t-they stage.- Variety
- Posted Sep 8, 2015
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Reviewed by
Jay Weissberg
Reitz maintains his visionary sweep through history, favoring plot over development of characters, except as embodiments of large themes.- Variety
- Posted Sep 8, 2015
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Reviewed by
Andrew Barker
The Scorch Trials offers virtually no character development and only hints of plot advancement, mostly just functioning to move a group of obliquely motivated characters from one place to another without giving much clue where the whole thing is headed.- Variety
- Posted Sep 8, 2015
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Reviewed by
Peter Debruge
There’s no denying that Hooper and screenwriter Lucinda Coxon have delivered a cinematic landmark, one whose classical style all but disguises how controversial its subject matter still remains.- Variety
- Posted Sep 6, 2015
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Reviewed by
Geoff Berkshire
The directorial debut of visual artist Corin Hardy is never less than arresting to the eye, but thin characters and a familiar story hold this Irish chiller back from entering the top tier of recent horror entries.- Variety
- Posted Sep 6, 2015
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Reviewed by
Justin Chang
It’s a testament to the story’s underlying integrity that, even when deprived of some of the elements that made Emma Donoghue’s 2010 book so gripping, director Lenny Abrahamson’s inevitably telescoped but beautifully handled adaptation retains considerable emotional impact.- Variety
- Posted Sep 6, 2015
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Reviewed by
Justin Chang
Carey Mulligan gives an affecting, skillfully modulated performance that lends a certain coherence to this assemblage of real-life incidents, composite characters, noble sentiments, stirring speeches and impeccable production values — all marshaled in service of a picture whose politics prove rather more commendable than its artistry.- Variety
- Posted Sep 6, 2015
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Reviewed by
Justin Chang
Writer Aaron Sorkin, director Danny Boyle and star Michael Fassbender have given their subject the brilliant, maddening, ingeniously designed and monstrously self-aggrandizing movie he deserves.- Variety
- Posted Sep 6, 2015
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Reviewed by
Maggie Lee
Despite its magnificent natural vistas and some pulse-pounding action in stunning 3D, Wolf Totem boils down to a familiar environmentalist allegory that doesn’t move or provoke too deeply.- Variety
- Posted Sep 5, 2015
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Reviewed by
Scott Foundas
If Johnny Depp’s mesmerizing performance — a bracing return to form for the star after a series of critical and commercial misfires — is the chief selling point of Black Mass, there is much else to recommend this sober, sprawling, deeply engrossing evocation of Bulger’s South Boston fiefdom and his complex relationship with the FBI agent John Connolly, played with equally impressive skill by Joel Edgerton.- Variety
- Posted Sep 4, 2015
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Reviewed by
Andrew Barker
Undeniably likable in its own breezy, resolutely unambitious way, Jay Karas’ tennis laffer Break Point manages to generate decent laughs, even if its reliance on indie-comedy formula borders on the pathological.- Variety
- Posted Sep 3, 2015
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Reviewed by
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- Variety
- Posted Sep 3, 2015
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- Variety
- Posted Sep 3, 2015
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Reviewed by
Dennis Harvey
A mean-spirited farce whose strenuous bad taste seldom translates into actual laughs.- Variety
- Posted Sep 3, 2015
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Reviewed by
Guy Lodge
For all Hardy’s expressive detail and physical creativity, Helgeland’s chewy, incident-packed script offers little insight into what made either of these contrasting psychopaths tick, or finally explode.- Variety
- Posted Sep 3, 2015
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Reviewed by
Justin Chang
Like so many films consumed with the minutiae of daily journalism, Spotlight is a magnificently nerdy process movie — a tour de force of filing-cabinet cinema, made with absolute assurance that we’ll be held by scene after scene of people talking, taking notes, following tips, hounding sources, poring over records, filling out spreadsheets, and having one door after another slammed in their faces.- Variety
- Posted Sep 3, 2015
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Reviewed by
Andrew Barker
The Transporter Refueled comes up strong where it counts, with frequent bursts of ludicrously implausible yet coherently directed mayhem.- Variety
- Posted Sep 3, 2015
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Reviewed by
Justin Chang
While Fukunaga creates Agu’s world with an extraordinary attentiveness to detail, he hasn’t quite found a way to approximate the novel’s radically childlike perspective, or to bridge the gap between this child soldier’s psyche and our own.- Variety
- Posted Sep 2, 2015
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Justin Chang
Kormakur doesn’t make the mistake of exalting his subjects as extraordinary individuals, or suggesting that they were obeying some sort of noble higher calling. Everest is blunt, businesslike and — as it begins its long march through the death zone — something of an achievement.- Variety
- Posted Sep 2, 2015
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Reviewed by
Joe Leydon
A slow-burning found-footage suspenser with some mildly clever twists and a knockout payoff.- Variety
- Posted Sep 1, 2015
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Reviewed by
Joe Leydon
It’s easy to laugh at the arrant contrivances and heavy-handed dialogue in the script penned by Alex and Stephen Kendrick. But it’s even easier to admire the persuasive sincerity and emotional potency of the lead performances by Shirer and Stallings, who do not transcend their material so much as imbue it with conviction.- Variety
- Posted Aug 31, 2015
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Reviewed by
Dennis Harvey
The conflict between different notions of freedom, law-enforcement problems, and an atmosphere of escalating violent threat make Michael Beach Nichols and Christopher K. Walker’s documentary as engrossing as a fictional thriller.- Variety
- Posted Aug 28, 2015
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Reviewed by
Andrew Barker
[A] hysterical, insightful and genuinely empathetic documentary.- Variety
- Posted Aug 28, 2015
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Reviewed by
Dennis Harvey
When Animals Dream lacks peasants bearing flaming torches to hunt down Frankenstein’s monster outside the terrorized village. But it also lacks the depth to avoid seeming just as corny, albeit in a dressed-up, self-consciously important way.- Variety
- Posted Aug 27, 2015
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Reviewed by
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Reviewed by
Peter Debruge
Though it takes some work to engage with the characters at first, the journey makes a powerful impact.- Variety
- Posted Aug 27, 2015
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Reviewed by
Bill Edelstein
Home Run Showdown serves up an uninspiring premise — a competition among little-leaguers to catch the most outs at a home run derby — and goes downhill from there.- Variety
- Posted Aug 26, 2015
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Reviewed by
Geoff Berkshire
Although limited in scope, the feature documentary debut of TV news veteran Cary Bell benefits greatly from the infectious personality of its subject, Abigail Evans.- Variety
- Posted Aug 25, 2015
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Reviewed by
Dennis Harvey
There’s a good-naturedness to the whole enterprise that makes it pleasing despite its lack of truly inspired moments.- Variety
- Posted Aug 25, 2015
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Reviewed by
Justin Chang
We Are Your Friends” has its heart in the right place, and it’s shrewd and cuddly enough to get a few likes. But it would be an infinitely better movie if it sustained the sort of trancelike sonic ecstasy that turns fans into fanatics.- Variety
- Posted Aug 25, 2015
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Reviewed by