Variety's Scores

For 17,828 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17828 movie reviews
  1. With its knockout lead perfs and taut if slightly familiar construction, this '80s-set dramedy about a skinhead gang reps Meadows' most fluently made film so far.
  2. A fairly successful attempt at satire, though given the subject, there's a lot of darkness under the carpet.
  3. Second feature from duo David Wain and Ken Marino of comedy group the State is, like their "Wet Hot American Summer," uneven but often hilarious.
  4. While the point of view of privileged, Anglo observers on African issues usually raises hackles, such is not the case with The Devil Came on Horseback, a tense account of former Marine Capt. Brian Steidle's witnessing of the genocide in Sudan's western province of Darfur.
  5. Romania-set scare-fest deploys the full cinematic vocabulary of creepy sounds and hostile intruders.
  6. This unusually voluble comedy is as eloquent about love, self-realization and adolescent angst as its protagonist is endearingly tongue-tied.
  7. Sprinkled with tongue-in-cheek humor, fairly adult jokes and some well-known faces acting very silly, this adventure story should have particular appeal to fans of "The Princess Bride," but in any event will never be mistaken for a strictly-for-kids movie.
  8. Borrowing heavily from the current trend in zombie comedy and apocalyptic horror but shifting it away from the usual undead norms, pic carves out a fresh angle in the crowded indie horror universe while blatantly stealing ideas from Kiyoshi Kurosawa's "Pulse."
  9. As it explores the limits of human endurance, the pic should suck even landlubbers into a whirlpool of gripping adventure, overblown ambitions and sheer human folly.
  10. This is a thoroughly Euro bedmate to the 1997 "Bean," with the Gauls rather than the Yanks as the butt of Bean's bumblings.
  11. Presents the viewer with reams of depressing data, loads of hand-wringing about the woeful state of humanity and, finally, some altogether fascinating ideas about how to go about solving the climate crisis.
  12. Using material shot sporadically over six years, TV-experienced helmer Pernille Rose Gronkjaer builds an affectionate but admirably unsentimental portrait of her eccentric, headstrong protagonists.
  13. Well-made, often intensely gripping genre piece.
  14. With a commanding performance by Sun Haiying as the unbending, ornery father, and a glammed-down Joan Chen remarkable as the boy's devoted mom, pic serves up solid dramatic values instead of being yet another panorama of social and political changes in China during the late 20th century.
  15. Whenever Sutherland comes on scene, any inadequacies in the film's depiction of the well-to-do become irrelevant.
  16. Eytan Fox delivers another involving tale in The Bubble.
  17. Alternately glib, superficial and amusing, pic vainly attempts to absorb some degree of Serbian irony into a story that's unavoidably lessened by its privileged American vantage point.
  18. All you need is love -- for the Beatles, for psychedelic visuals, for ideas about being young in the ‘60s -- to fully enjoy Across the Universe.
  19. Douglas is a manic joy, and Wood manages to hang on for the ride.
  20. An imperfect but compelling thriller.
  21. Cast is first-rate all around, unafraid to play up the annoying, insensitive or self-pitying aspects of their nonetheless likeable characters.
  22. Septuagenarian director Robert Benton brings his characteristically fine touch with actors and appreciation for the female form to this tastefully erotic ensembler, but compassion finally outstrips insight in a drama as soft-headed as it is soft-hearted.
  23. A realist thriller that mixes crowd-pleasing mayhem with provocative politics.
  24. Filmmaker Daniel Karslake lobs a grenade into the culture wars with his heartfelt, provocative and unabashedly polemical For the Bible Tells Me So.
  25. Though its forays into the subconscious may strike more adventurous cinematic palettes as precious and unimaginative, few will be able to resist Martin Freeman's appealing lead turn or the wry Brit wit that gives this fanciful confection a robust comic core.
  26. Features strong performances and a solid story, drawn from the familiar well of faceless corporations grinding ordinary people through their profit-making machinery. Yet Gilroy's fidelity to his script comes at the expense of the pacing.
  27. The popular human-interest story of a child prodigy becomes an engrossing meditation on truth, media exploitation and the value of art in My Kid Could Paint That.
  28. Trick ‘r Treat neatly apportions scary and campy elements while cleverly interlacing four storylines on Halloween night in an Ohio hamlet.
  29. Inventively staged picture should satisfy the upscale, youth and cult auds Anderson has developed, though it's unlikely to draw significantly better than his earlier work.
  30. Some fans will find the approach (which avoids Nirvana music and perf footage) too arty and indirect; but others will welcome the specialized theatrical release and the subsequent DVD.

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