For 17,825 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,159 out of 17825
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Mixed: 7,029 out of 17825
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Negative: 1,637 out of 17825
17825
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Justin Chang
A work of both modest enchantment and enchanting modesty, grounded in a classically Spielbergian realm where childlike wonderment crosses paths with the tough realities of young adulthood.- Variety
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Reviewed by
Peter Debruge
Rather than mixing classical and modern styles the way "Step Up" did, this hip-hop-powered sequel is all about new moves, which should keep the kids coming back after the pic's initial Valentine's Day crush.- Variety
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Reviewed by
Derek Elley
A long-limbed story that is utterly simple in structure, but decorated with enough character interplay and side plots to keep the movie ticking over to a powerful finale.- Variety
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Deborah Young
Despite its grim subject, the powerful storytelling projects the strongly affirmative message that it's a miracle to be alive and bear witness to those who did not survive. This memorable film, one of Techine's best, is in no way limited to gay viewers.- Variety
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Reviewed by
Eddie Cockrell
The moral quandary of Nazi complicity is revisited in taut drama The Counterfeiters, which tells the true story of a disparate group of imprisoned artists, financiers and swindlers secretly assembled in a concentration camp to forge millions of pound and dollar notes to support the German war effort.- Variety
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- Variety
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Reviewed by
Todd McCarthy
Ultimately, the pic will be noted and remembered not for any inherent drama or analysis but for its simply having so thoroughly documented a strange place most people have never seen and never knew existed.- Variety
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Reviewed by
Todd McCarthy
A vibrantly crafted evocation of a convulsive moment in 20th century American history, Chicago 10 is far less interested in offering a fresh, probing look at what took place on the streets during the 1968 Democratic National Convention and the circus trial that followed than it is in celebrating the stars of the anti-war movement and rallying the current generation to follow their examples.- Variety
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Derek Elley
A sexy, good-looking political bodice-ripper with an almost flawless cast at the top of its game.- Variety
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Joe Leydon
Very much in the tradition of "Slap Shot," George Roy Hill's raucously funny and foul-mouthed 1977 laffer about the misadventures of a minor-league hockey team, Semi-Pro scores big laughs with the rowdy play-by-play of hard-luck hoopsters struggling for professional survival.- Variety
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Reviewed by
Todd McCarthy
The tone, casting and material form a less-than-perfect match in Married Life, a period domestic drama that never quite decides if it wants to be a credible marital study, a noirish meller or a sly comedy.- Variety
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Reviewed by
Todd McCarthy
McDormand's performance slowly builds a solid integrity, and contrasts well with Adams' more flamboyant turn.- Variety
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Reviewed by
Dennis Harvey
Neil Marshall's flair for visceral action more than compensates for his script's lack of conceptual novelty in Doomsday. Principally South Africa-shot tale of a post-apocalyptic Great Britain cobbles together large chunks of "Escape From New York," "The Road Warrior," "28 Days Later" and "Resident Evil," but those with a taste for revved-up, splattery fantasy thrills won't be complaining.- Variety
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John Anderson
The real stars of the movie are the animators, who imbue even the overgrowth in Horton's jungle with a certain floppy Seuss-ishness.- Variety
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Leslie Felperin
The deceptively complex picture gradually grows sharp edges and snowballs into a compelling study in culture clash, with spectacular scenery to boot.- Variety
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Lisa Nesselson
Both pertinent and discomfiting, this sober, well-cast drama remains quietly riveting, despite its 140-minute running time.- Variety
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Reviewed by
Dennis Harvey
A pleasant romantic drama that works best when focused on the romance -- or on the waves, since the principal characters spend a lot of time surfing.- Variety
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Reviewed by
Dennis Harvey
David Schwimmer's first bigscreen directing effort reveals something very different: a thoroughly competent mainstream craftsman who imposes no individual character on formulaic material.- Variety
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Joe Leydon
Picture shrewdly shuffles together attractive young leads, cagey screen vets and a fantasy-fulfillment scenario in a slickly polished package that should appeal to anyone who's ever dreamed of beating the odds.- Variety
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John Anderson
What The Cool School does so well, through its color accents and black-and-white photography, through the kinetic music that propels Jeff Bridges' narration by and the unorthodox attitude that reflects the artists themselves, is impart a sense of discovery.- Variety
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Jay Weissberg
Scripted by "The Best of Youth" duo who brought the post-WWII years into stark and moving light, pic offers a warm humor that illuminates the defiant vista of hope even when the proceedings turn tragic.- Variety
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Lisa Nesselson
Co-scripter/helmer Pierre Salvadori serves up an enjoyable riff on genuine romance versus the pay-as-you-go variety, in crowd-pleasing, exportable picture.- Variety
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Reviewed by
Todd McCarthy
Martin Scorsese’s energetic account of a Stones concert at Gotham’s Beacon Theater in fall 2006 takes full advantage of heavy camera coverage and top-notch sound to create an invigorating musical trip down memory lane, as well as to provoke gentle musings on the wages of aging and the passage of time.- Variety
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Lisa Nesselson
The painfully spot-on essence of teen angst meets the spirit of Esther Williams in Water Lilies. First film by gifted scripter-helmer Celine Sciamma nails the aching doubts and offhanded cruelty of 15- and 16-year-old girls.- Variety
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Joe Leydon
A surprisingly effective teen-skewing thriller that soft-pedals graphic violence (in marked contrast to the R-rated 1980 original) while generating a fair degree of suspense.- Variety
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Reviewed by
Joe Leydon
Segel makes an engaging impression throughout Forgetting Sarah Marshall, gamely making himself the butt of many jokes that involve Peter's non-macho proclivities.- Variety
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Deborah Young
Playing dual roles as a rich Irish businessman riding the economic boom and his down-and-out twin, Gleeson animates Boorman's amusing Prince and the Pauper screenplay, which sports a dark social underbelly that puts Ireland's rich-poor divide centerstage- Variety
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John Anderson
An unlikely but entertaining amalgam of "Heat," "Memento" and "Regarding Henry," Brad Furman's streetwise caper drama The Take is elevated by the potent performances of John Leguizamo and Rosie Perez and a momentum that seldom stops.- Variety
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- Critic Score
Montana-set, reality-inspired picture feels like an homage to a bygone era of moviemaking: It takes its time to build character and story, there's hardly a CG effect in sight, and there's nothing high-concept about it.- Variety
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- Variety
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