Variety's Scores

For 17,825 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17825 movie reviews
  1. Moral ambiguity is the real star of Ben Affleck's helming debut, Gone Baby Gone, an involving Boston-set tale of mixed motives, selflessness and perfidy in the wake of a 4-year-old girl's disappearance.
  2. Chilling, often moving docudrama focuses not so much on the mayhem or murderer, but on the bewildered, occasionally courageous reactions of ordinary citizens caught in the inexplicable violence.
  3. Helmed by Steve Sawalich, this real-life dramedy is anchored by Michael Sheen’s captivating performance as the severely handicapped, profoundly acerbic Art Honeyman.
  4. Helmer Craig Gillespie's sweetly off-kilter film plays like a Coen brothers riff on Garrison Keillor's "Lake Woebegone" tales, defying its lurid premise with a gentle comic drama grounded in reality.
  5. Sure to inspire debate in France and Germany and of obvious interest to anyone who follows the roots of modern international terrorism, doc probes gray areas in the colorful life of its controversial, limelight-courting subject.
  6. Though fans might miss Perry's genre-exploding daring, the excellent cast injects enough pathos and zing to keep picture percolating.
  7. Adequately acted and flecked with the required quota of action to satisfy genre fans, pic recalls numerous good police dramas of the 1970s, but mostly in superficial ways that bring nothing new to the table.
  8. Knockout performances by John Cusack and child actor Bobby Coleman help legitimize a whimsical but sententiously moralizing script.
  9. No doubt inspired to some degree by "Super Size Me," this equally engaging, slightly better-crafted documentary deftly balances humor and insight.
    • 63 Metascore
    • 70 Critic Score
    A rare holiday treat, a package that's both thoughtfully selected and sure to please its intended recipients.
  10. Oswald's Ghost impresses as a concise, intelligent and rigorously well-researched piece of work.
  11. A non-pandering crowd-pleaser whose character quirks and small stabs at poignancy feel refreshingly earned.
  12. This study of a disastrous reunion of two sisters feels more like a collection of arresting scenes than a fully conceived and developed drama.
  13. Sparse, low-budget drama, helmed by Spaniard Isabel Coixet, intelligently translates Roth's meditation on lust and mortality without soft-pedaling its narrator's brutally honest, unabashedly sexist views.
  14. Although clearly coming from an antiwar perspective, the story's emotional effectiveness and family grounding give the film a real shot at connecting with general audiences across the political spectrum.
  15. Even if this isn't Schrader's best, it's hardly his worst.
  16. Remarkably eerie yet annoyingly larded with cheap horror-film shock effects, I Am Legend stands as an effective but also irksome adaptation of Richard Matheson's classic 1954 sci-fi novel.
  17. Tailor-made for maximum inspirational, historical and educational impact, The Great Debaters shines a bright spotlight on a remarkable example of black achievement long forgotten in the sorry history of the Jim Crow South.
  18. Anchored by a fearless, commanding lead perf by newcomer Jonas Ball as deranged assassin Mark David Chapman, The Killing of John Lennon is a harrowing, impressionistic, widescreen tour-de-force that unfolds with the propulsive urgency of a scrapbook thrown into a howling wind.
  19. Despite its sudsy storyline, this second tour through the punk-infested Rio slums could attract more mature arthouse auds, drawn by character rather than the minutiae of guns 'n' drugs, though it's unlikely to match "God's" muscular $7.5 million U.S. take.
  20. Frothy, funny and formulaic, 27 Dresses is a pleasantly predictable romantic comedy that sees Katherine Heigl following “Knocked Up” with smooth moves at the wheel of her first starring vehicle.
  21. Photos and video of torture at Bagram and Abu Ghraib are the most viscerally disturbing elements of Taxi to the Dark Side, but the way soft-spoken soldiers were transformed into beasts with the tacit approval of the higher-ups is just as profoundly chilling.
  22. Title refers not only to its heroine's physical gyrations but also her moral maneuverings as she strives to break out of her lower-class surroundings in this moody, intelligent take on conventional material.
  23. Unfolding like a better-than-average episode of a first-rate TV police procedural, Untraceable is a satisfying slice of solidly crafted meat-and-potatoes filmmaking.
  24. Functions swimmingly as both a bigscreen inflation of smallscreen icons and a fairly hilarious stand-alone.
  25. Fresh from commercials and musicvids, novice helmer (and star) Nadine Labaki gathers five women around a Beirut beauty salon to address a range of issues facing Lebanese women -- from extramarital affairs to religious dictates. Low on calories and not especially original but always diverting.
  26. What makes this involving beyond its subject's slightly freakish fascination is helmer Ilana Trachtman's capturing of a complex family dynamic in which Lior isn't the only intriguing personality.
  27. A warm and delightful take on cross-cultural relations that proves that sometimes a light touch is just what's needed to address serious topics.
  28. Closer to pics like “The Hit” and “Miller’s Crossing” than to McDonagh’s bristling, funny plays, this half-comic, half-serious account of two Irish hitmen who are sent to the titular Belgian burg to cool their heels after a job is moderately fair as a nutty character study, but overly far-fetched once the action kicks in.
  29. A pleasingly non-formulaic romantic seriocomedy, Definitely, Maybe has charm and some depth.

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