Variety's Scores

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For 17,847 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,172 out of 17847
  2. Mixed: 7,036 out of 17847
  3. Negative: 1,639 out of 17847
17847 movie reviews
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  1. The Interrupters
    James captures candid counseling sessions and heated tussles with equal dynamism, but never quite earns his 164-minute running time.
  2. The Guard
    A crusty jewel of a performance by Brendan Gleeson goes a long way toward enlivening an otherwise routine tale of murder, blackmail, drug trafficking and rural police corruption in The Guard.
  3. The Future
    For all the superficial hilarity of July's approach, a much sadder streak runs deep through the entire film, reinforced by Jon Brion's score (more tones than melody). Still, it's curious that this is the feeling she chooses to leave us with in the end.
  4. The Devil's Double
    The life story of Latif Yahia, body double to Saddam Hussein's diabolically unhinged son Uday, makes for slick action-movie fodder in The Devil's Double, a rocket-powered thriller.
  5. Cowboys & Aliens
    While Cowboys & Aliens offers little in the way of sociological insight (except perhaps giving the white man a taste of his own resource-stealing medicine), it's still a ripping good ride.
  6. Attack the Block
    Brit comedian-TV presenter Joe Cornish emerges fully formed as an exciting new writer-helmer with his enormously appealing debut feature, Attack the Block.
  7. Crazy, Stupid, Love
    Old-fashioned as that might sound, there's a fresh, insightful feel to this multigenerational love story.
  8. Captain America: The First Avenger
    As Marvel heroes go, Captain America must be the most vanilla of the lot.
  9. Fire in Babylon
    This triumph-of-the-underdogs tale is enjoyable in the retelling, despite its repetitious hammering of the message.
  10. Sarah's Key
    Working in a classical style and genre that rep a far cry from his previous work ("Pretty Things," "Gomez and Tavares, "UV"), Pacquet-Brenner's direction is always respectful if never entirely subtle.
  11. The Myth of the American Sleepover
    A movie that tries and fails to channel the indelibly dreamy mood of Sofia Coppola's "The Virgin Suicides." Well-intentioned but derivative and only intermittently engaging, the suburban Michigan-set indie hits at least as many false notes as true ones.
  12. A Little Help
    This tale of a Long Island dental hygienist dealing with various family crises is likable enough, but never really distinctive in character delineation, tone, atmosphere or plotting.
  13. Friends with Benefits
    The raunchy premise here is just a smokescreen for the sort of squarely moralistic, altar-bound comedy of which even Jane Austen would approve.
  14. Daylight
    Some movie buffs will be amused to note slight but perceptible plot similarities between Daylight and, of all things, "The Tall T," Budd Boetticher's classic 1957 Western. To their credit, the filmmakers more or less acknowledge the influence in the closing credits.
  15. Impolex
    Reveling in its provocative absurdity, Impolex is a madly uncommercial head-scratcher that will strike a dream-logic chord in some viewers and leave others in a "My kid could do better than that" mood.
  16. Snow Flower and the Secret Fan
    Mawkish, clunky and unenlightening about female suffering in this or any generation.
  17. Romeo and Juliet in Yiddish
    Hearing the majestic iambic pentameter rendered in the sharply rising and falling cadences of colloquial Yiddish proves wackily charming, but the lack of correlation between the two plots makes the result feel unfocused.
  18. The Undefeated
    Slickly produced and blatantly manipulative, Bannon's hagiographic tribute is a celebratory cavalcade of career highlights and glowing testimonials that doubtless will please Palin's devoted followers, appall her fiercest critics -- and, perhaps, occasionally surprise the undecided.
  19. Hood to Coast
    Expertly constructed, impressively lensed and surprisingly entertaining.
  20. Girlfriend
    The bittersweet Girlfriend features Down syndrome actor Evan Sneider in its starring role, and he gives one of the better performances in writer-director Justin Lerner's obviously well-intended and affectionately made first feature.
  21. Tabloid
    Errol Morris' Tabloid is bonkers in all the best possible ways -- a welcome return to perverse portraiture after a lengthy sojourn in the realm of more serious-minded subjects.
  22. Life, Above All
    It's an absorbing, vividly inhabited tale nonetheless, never exploiting its horrors but rather treating them as tough local realities.
  23. The Chameleon
    Like last year's "All Good Things," this fictionalized take on a still unresolved true-crime case of deception and disappearance can't help but intrigue, though the execution falls short of its full potential.
  24. Fading of the Cries
    The connective tissue between its separate segments is so tenuous and unconvincing that "Cries" almost suggests a failed anthology.
  25. Farmageddon
    Racks up damning anecdotal evidence without substantially altering the discussion.
  26. Zookeeper
    Ultimately, it's a marketing pitch in search of a movie that proves punishingly flat.
  27. Harry Potter and the Deathly Hallows: Part 2
    With its accelerated rhythm, relentless flow of incident and wizard-war endgame, "Part 2" will strike many viewers as a much more exciting, involving picture than the slower, more atmospheric "Part 1."
  28. Horrible Bosses
    The manner in which the central scheme plays out is predictably moronic, vulgar and juvenile, though the parties involved just about make up for it.
  29. Summer of Goliath
    Pereda moves into territory where atmosphere and tone are more important than story or character.
  30. Ironclad
    Ironclad might be the perfect actioner for gorehound fanboys gaga for medieval trappings, but all others may find this British-American-German co-production a bit of a drag.
  31. Rapt
    The issues come clashing together in an explosive package that, despite some snafus, remains fairly riveting to the end.
  32. Septien
    Duly offbeat without ever being very compelling in content or aesthetic.
  33. The Ward
    Fans excited to see John Carpenter back in bigscreen action after nine years' absence will find limited cause for joy in The Ward, a horror opus that briskly -- maybe too briskly -- charts ghostly doings at a nuthouse.
  34. Sholem Aleichem: Laughing in the Darkness
    Joseph Dorman's intelligent if conventional bio-doc of Sholem Aleichem proves particularly revealing, since the famed, dandyish Yiddish writer led a life as full of colorful ironies as the motormouth schlemiels that populate his stories.
  35. Project Nim
    A provocative and surprisingly emotional saga that ranges from wrenching to downright hilarious as it spans more than a quarter-century of unpredictable twists, "Nim" reaches far beyond mere scientific curiosity to become compelling human drama.
  36. The Ledge
    There's a great deal of on-the-nose talk here about faith, rationality, sin and so forth. But Chapman's sincerity is undercut by the crudely melodramatic explanations of why his principals believe as they do.
  37. Winnie the Pooh
    The desire to stay true to what was lovable and enduring about the originals is palpable throughout, down to the amusing storybook conceit of having the characters interact not only with the narrator (voiced by John Cleese), but also with the letters and punctuation marks on the page.
  38. Another Earth
    Out there, to say the least, but rescued from risibility by its well-matched lead performances and crazy low-budget ambition.
  39. Welcome
    Though the issue of illegal immigration is nothing new in French cinema, Welcome makes auds care deeply for its absorbing characters.
    • 43 Metascore
    • 60 Critic Score
    Monte Carlo
    A frothy, innocuous smorgasbord of girlhood wish fulfillment that scores a direct hit with its target demo.
  41. Delhi Belly
    A smartly paced, highly entertaining Bollywood gagfest. No comic masterpiece, perky pic nevertheless boasts likable characters, colorful villains, well-timed gags and Ram Sampath's extremely catchy tunes, all woven into a seamless, escalating whole.
  42. Small Town Murder Songs
    It's a rare film that feels too short, but Small Town Murder Songs leaves one wanting more -- more murder story, mystery and revelations from lead thesp Peter Stormare and virtuoso helmer Ed Gass-Donnelly.
  43. Polytechnique
    A weaker "Elephant," Quebecois director Denis Villeneuve's school-shooting drama Polytechnique nevertheless distinguishes itself by endeavoring to comprehend the 25-year-old man who murdered more than a dozen female students at Montreal's Polytechnique School in 1989.
  44. Larry Crowne
    Movie stars may be less valued than they used to be, but it's still puzzling to see Tom Hanks and Julia Roberts stuck in a romantic comedy as flat-footed and tone deaf as Larry Crowne.
  45. Crime After Crime
    Although helmer Yoav Potash's approach is low-key and only vaguely cinematic, each instance of judicial malfeasance -- and there are many -- is allowed to toll loudly in its own moral echo chamber.
  46. Transformers: Dark of the Moon
    The result may still be a big, bloated spectacle, but it's a big, bloated spectacle you can just about follow.
  47. Terri
    Jacobs' slow-building portrait of a late bloomer makes this poetic picture an outsider even among outsider movies.
  48. The Perfect Host
    Just when the picture seems to be settling into torture porn, it begins pulling a series of clever twists -- although they lose some punch when you realize the script depends on one whopping coincidence.
  49. Beginning of the Great Revival
    A Chinese propaganda film without the heavy dogma and dour treatment that would have been expected a generation ago, Beginning of the Great Revival is a slick and lavish historical epic charting the 1921 formation of the Chinese Communist Party.
  50. A Love Affair of Sorts
    Tedious enough to serve as a cautionary example of the pitfalls of DIY filmmaking.
  51. The Best and the Brightest
    Offering a fitfully funny sitcom plot clumsily stretched to 90 minutes, then goosed with increasingly tiresome doses of smuttiness and political incorrectness, The Best and the Brightest is neither.
  52. Conan O'Brien Can't Stop
    The biggest laughs and most intriguing revelations are provided offstage in this slickly produced documentary, as O'Brien -- often pushing himself to the point of exhaustion before, during and after performances -- plays for keeps while playing for laughs.
  53. Cars 2
    The rare sequel that not only improves on but retroactively justifies its predecessor, this lightning-paced caper-comedy shifts the franchise into high gear with international intrigue, spy-movie spoofery and more automotive puns than you can shake a stickshift at, handling even its broader stretches with sophistication, speed and effortless panache.
  54. A Better Life
    Director Chris Weitz's problematic new picture, which, despite Demian Bichir's affecting lead performance and a strong feel for Los Angeles' Mexican-American communities, emerges an earnest and overly programmatic heart-tugger.
  55. If a Tree Falls: A Story of the Earth Liberation Front
    Lacks the passion of previous Marshall Curry films ("Racing Dreams," "Street Fight") -- something mirrored in his principal character, but also something that keeps the documentary from being as sharp as it might have been, or as up-to-date.
  56. Bad Teacher
    What's singularly lacking here is any sense of how to use the underage characters, who, apart from one or two, are a barely distinguishable gaggle.
  57. Jig
    Although there is some insightful observational work, and the dancing itself is aces, pic feels overcrowded with characters.
  58. Buck
    Warmly engaging Buck is a portrait of Buck Brannaman, a trainer whose remarkable way with equines provided a model for "The Horse Whisperer" in both novel and movie forms.
  59. Battle for Brooklyn
    "It's un-American," Goldstein says about the abuses of power at the heart of the film, before correcting himself: "No -- you know what? It is American." That's precisely the message that Battle for Brooklyn doesn't sufficiently explore.
  60. Green Lantern
    An attempt to infuse an earnest piece of comicbook lore with an irreverent, tongue-in-cheek sensibility yields decidedly mixed results in Green Lantern.
  61. R
    More pathetic than sympathetic, the young protags are not romanticized or made heroic. While this suits the style of the picture, which never conforms to the melodramatic conventions and stock characters of the prison genre, it also works against audience identification.
  62. The Art of Getting By
    Facile, formulaic and utterly charm-free.
  63. My Afternoons with Margueritte
    French feel-good filmmaking to the max. Yet a heaping pile of cliches doesn't prevent this touchingly simplistic tale -- from exuding a strong and universal emotional appeal.
  64. Kidnapped
    A technically proficient and aggressively unpleasant suspenser about sadistic home invaders.
  65. Page One: A Year Inside the New York Times
    This efficiently assembled primer hardly counts as a revelatory dispatch from the old-vs.-new-media frontlines, but its ideas will engross anyone for whom the viability of traditional newsgathering remains a matter of pressing significance.
  66. Reindeerspotting: Escape from Santaland
    With an obvious nod to "Trainspotting," Joonas Neuvonen's junkie documentary Reindeerspotting combines the greasy immediacy of that Danny Boyle parable, the naked candor of Larry Clark's "Tulsa" and the laconic poetry of William S. Burroughs' "Junkie."
  67. Queen of the Sun: What Are the Bees Telling Us?
    A creative exploration of the global honeybee crisis replete with remarkable nature cinematography, some eccentric characters and yet another powerful argument for organic, sustainable agriculture in balance with nature.
  68. The Trip
    Michael Winterbottom's The Trip is about 20 minutes too long, but the other 90 are among the funniest in recent memory.
  69. Just Like Us
    Funny, thoughtful and, with its quasi-travelogue voiceover by helmer-comedian Ahmed Ahmed, best suited for a cable outlet that won't cut the vulgarity upon which so much depends.
  70. One Lucky Elephant
    A bittersweet story of man, beast and a very real relationship that makes helmer Lisa Leeman's documentary the thinking person's "Dumbo" -- and, coincidentally, one of the better kids' movies.
  71. Trollhunter
    Enormously entertaining chiller.
    • 72 Metascore
    • 50 Critic Score
    Super 8
    A relatively standard monster movie.
  73. Turkey Bowl
    This ongoing improvisation, along with the completed passes and resulting chest-bumping celebrations or recriminations, serves to define these otherwise "ordinary" ciphers and lend shape and momentum to an otherwise plotless movie.
    • 37 Metascore
    • 40 Critic Score
    Judy Moody and the Not Bummer Summer
    Picture comes off as an exaggerated slapstick romp rather than the breezy, affecting tale of an 8-year-old tomboy it might have been.
  75. !Women Art Revolution
    Anyone seeking a dialectic, of course, can look elsewhere, but Hershman Leeson's film is a valuable resource on a movement whose issues remain relevant.
  76. Mr. Nice
    Mildly amusing but overly discursive.
  77. YellowBrickRoad
    Underwhelming finish explains zilch, but good performances, atmospherics and use of backwoods locations make Yellowbrickroad an intriguing cipher.
  78. X-Men: First Class
    After undergoing some unfortunate mutations in recent years, a beleaguered Marvel movie property gets the smart, stylish prequel it deserves in X-Men: First Class.
  79. Beautiful Boy
    Although it's very much a contemporary yarn, there's a distinctly '70s feel to much of Beautiful Boy.
  80. Beginners
    Rarely do you find such self-plunging material beyond the realm of documentary or far-fringe museum fare, and despite his background in that arena, Mills sheds all preciosity in service of genuinely revealing introspection.
  81. Love, Wedding, Marriage
    Performances range from wooden to hysterical, and it's largely due to Mulroney's inexperience behind the camera.
  82. Rejoice and Shout
    An overview of African-American gospel sounds whose dazzling talent-display should exhilarate viewers regardless of religious leanings.
  83. Submarine
    Rises above the genre's tired, cookie-cutter competition, presenting familiar elements, such as preternaturally articulate teens preoccupied with virginity, through fresh eyes.
  84. The Abduction of Zack Butterfield
    Woefully amateurish psychological thriller.
  85. We Are the Night
    "Night" trades politics for acrobatics, the film's kinetically edited action sequences filling the void left by sketchy character development.
  86. Cost of a Soul
    As is, the emotional elements explored by Cost of a Soul, and the devices it employs, seem trite and occasionally shoplifted from better-told tales.
  87. Tuesday, After Christmas
    Again, Muntean and his script collaborators offer exceptionally naturalistic dialogue.
  88. Kung Fu Panda 2
    Once again, the DreamWorks team demonstrates that humor is the primary weapon in its arsenal.
  89. The Hangover Part II
    The rote professionalism on display verges on cynicism, and despite some occasional sparks, this ranks as a considerable disappointment.
  90. Life 2.0
    A disturbing but nonjudgmental study of online addiction and the lure of manufactured identities.
  91. The Big Uneasy
    Well-intended and informative, but also unfocused, unwieldy and a little smug, picture pales in comparison to the really first-rate films on the subject ("When the Levees Broke," "Trouble the Water").
  92. The Tree of Life
    Result is pure-grade art cinema destined primarily for the delectation of Malick partisans and adventurous arthouse-goers.
  93. Make Believe
    A charming, affectionate and often elegantly executed study of teenage magicians, their craft and the social shadows they step out of when they do their stuff.
  94. The Topp Twins: Untouchable Girls
    A documentary that has you falling in love with two of the crazier people you've never met.
  95. The Big Bang
    A borderline unintelligible, scattershot attempt at Lynchian neo-noir that takes intellectual and aesthetic risks it has no reasonable hope of pulling off. And yet train wreck that it may be, it's completely watchable, at times garishly eye-catching, and certainly the only film in theaters that features Snoop Dogg comparing himself to Alfred Hitchcock.
  96. Hey, Boo: Harper Lee and 'To Kill a Mockingbird'
    An unremarkable documentary about Harper Lee and her single literary masterwork, Hey, Boo features what the French call a "structuring absence," that of Lee herself.
  97. Go for It!
    Serves up a bland recycling of cliches and archetypes from just about every youth-skewing, dance-centric picture to hit the megaplexes since "Flashdance."
  98. Pirates of the Caribbean: On Stranger Tides
    Serves as a welcome corrective, reviving the fun, feather-light frivolity that any film based on a Disneyland ride ought to exhibit.
  99. Midnight in Paris
    Like a swoony lost chapter from "Paris, je t'aime" agreeably extended to feature length.
  100. L'amour fou
    Shy on the celebrity-gawking (and celebrity input) that marks many fashion documentaries, and neither gossipy nor an objective appreciation of his impact and legacy, picture is a successful portrait on its own terms, save one: It's unlikely to excite much theatrical interest.
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