Vertigo Games has brought the Arizona Sunshine franchise back from the dead and living its best afterlife. With pitch perfect writing, acting, pacing and outstanding action, Arizona Sunshine 2 offers some of the most engaging and accessible arcade violence yet to grace VR.

Ultrawings 2 is the exact kind of VR sequel we’ve been hoping for, building upon the original’s modest beginnings with a massive increase in scope and variety whilst retaining its air-tight controls and level design. Between the five wildly different aircraft and the addition of combat there are plenty of gripping new challenges to pull you in, and the game is always ready to serve up a different kind of thrill. Whether it’s the cinematic satisfaction of blasting past an enemy as they erupt into flames or the laser-like focus needed to land a plane in one piece, Ultrawings 2 either had me grinning like an idiot or on the edge of my seat. It doesn’t make all the right calls, but VR doesn’t get much more rewarding than this superb follow-up.

It’s a captivating experience full of enchanting adventure from start to finish. When people buy a headset with the idea of visiting strange, beautiful, and rich new worlds full of exciting things they can only do in VR, this is the type of game they’re imagining.

Battlescar is a deafening success, then. Unapologetically in your face and determined not to settle, I’d call it an echo of the scene and characters it so assuredly realizes, were it not for the film’s stubborn refusal to fade out. So grab a headset and crank it all the way up to 11; this is one VR movie you can’t afford to miss. I’m still not sure what ‘it’ is, but Battlescar most certainly has it.

Alyx leaves you with the lingering suspicion that there is yet more ground to cover, that there’s far more this series and this developer can do with this new set of tools and that this is only the first part of that story. Though you’ll find yourself hungry for more, there’s something comforting in the knowledge that, for Valve, this is the dawn of a new era. Half-Life: Alyx makes good on its second chance, it is as essential a VR game as you’ll find in 2020, but perhaps the most exciting thing about it is the message is that the best is yet to come.

Demeo is not a perfect tabletop RPG. Its turn-based combat isn’t especially deep and its difficulty stems from brute force. But it is instantly graspable and endlessly rewarding even when the odds are stacked against you. More importantly, though, it’s a near-peerless social VR experience, polished to such a degree that it transforms the kinks of its systems into enjoyable, suspenseful quirks. Facing its brutish hordes with friends at your side is a thrilling, collaborative endurance test; defeat is met with entertained cries of anguish while victory — rare as that may be — is celebrated with the sort of group-wide elation you might have been missing in this tough past year. Not built for parties of one, then, but if you have a group of three or four ready to raid, Demeo is one of VR’s best.

Pistol Whip’s multiple difficulties and modifiers like Deadeye and Dual-wield add depth to a game that’s more addictive and satisfying than Beat Saber. This is neither fully a shooter nor completely a rhythm game yet it ticks off both boxes and does so exceptionally quickly in a stylish package. The 10 launch songs, all in the same general musical style, are a bit limiting. Pistol Whip, though, is already the game that brings me back to my VR headset again and again, and I expect that to be the case for months to come. I’ll be in the group waiting for more official scenes to arrive, trying to finish a few more songs in Deadeye mode on hard, showing the game to others and hoping someone figures out how to add custom maps and songs.

Titans of Space Plus is the purest example of everything VR can achieve.

Pistol Whip’s multiple difficulties and modifiers like Deadeye and Dual-wield add depth to a game that’s more addictive and satisfying than Beat Saber. The 15 scenes included at the time of this review are all in the same general musical style and a bit of variety would be nice, but that might be coming with future updates. Pistol Whip is the game that brings me back to my VR headset again and again and I expect to keep playing through every update Cloudhead has planned for it.

Resident Evil 4 Remake might not surpass the original and its third-person roots mean that this new VR Mode still has some awkward transitions in between the action. However, by virtue of being Resident Evil 4, this is also arguably one of the best-paced action-packed campaigns available across all VR platforms. Capcom continues to build on each iteration of Resident Evil in VR, making this release confidently its best VR experience to date. This latest PSVR 2 version of a classic features smart refinements that surpass even Armature’s existing VR release of the original on Quest. Resident Evil 4 Remake’s VR Mode is simply a must for any PSVR 2 owner.

Reach is an outstanding effort from nDreams Elevation that wows with its cinematic thrills, compelling narrative, high production values, and deeply satisfying combat. This is an unapologetically high-intensity action game, using as few flatscreen-inspired elements as possible to create a highly immersive, refreshingly high-budget game that's learned from the best VR design practices of the last decade.

Honestly, I don’t know if the world is ready for a game like Resident Evil 7: Biohazard in VR and that’s exactly what makes it so exhilarating.

Moss is the hidden gem the PSVR never knew it needed. From the first moment we played the game at E3 almost a year ago until we saw the closing credits roll, Quill’s adventure has captivated our hearts and minds. Moss strikes that perfect balance between tense, action-packed moments of combat with slow, methodical puzzles that require you to rethink the way you interact with video games through the power of VR. Polyarc has crafted one of PSVR’s most essential games to date.

The Exorcist: Legion VR is without a doubt one of the best VR horror experiences available. The slow-building tension is expertly paced, each and every scare feels visceral and dangerous, and the sheer sense of terror you feel while methodically exploring the richly detailed environments is staggering. It honestly felt like I could hear the voices inside my own head and I could feel the heat from my crucifix as I stared down the faces of demon and eradicated the evil within.

The Invisible Hours is unlike anything else you’ll play or watch in VR this year; a genuinely enthralling murder mystery boldly told in an entirely new way. Its character-driven drama is near faultless not just in the dialogue and plotting but also in the superb staging and pacing that brings the world to life. It’s an experiment that pays off in spades and could well provide a template for VR storytelling to come.

Despite the lack of multiplayer and the horror of ham-fisted progression gates, To The Top is still one of the most singularly fun experiences I’ve ever had inside my VR headset. It’s gameplay is simple, but addictive, and rewards skillful play while never demanding you become an expert all at once. The progression gates are annoying but mostly because they held me back from tearing into more of this truly amazing experience.

Despite the occasionally repetitive moment of combat, Wilson’s Heart is a must-play game that elevates narrative, visuals, sound, and gameplay for VR experiences to an entirely new level. Your time as Robert may have been a nightmare, but it’s a nightmare you’ll be eager to revisit again, and again, and again.

For what it is, Firewall Zero Hour defies the odds by delivering a multiplayer-focused VR shooter that actually lives up to its potential. If you don’t have a PS Aim controller yet, then you should buy one for this game even though it technically supports DualShock 4 as well. If you don’t have a PSVR headset yet, then you should buy one for this game. With a few improvements and additions, First Contact could turn what is already a must-have PSVR game into a genre-defining one.

Hellblade: Senua’s Sacrifice VR Edition is a remarkable achievement in visual and sound design. It’s a great example of how to port a non-VR third-person action game to the immersive realm of HMDs that not only stays true to the source material, but enhances the experience in meaningful ways. If you haven’t played Hellblade before, there is no better time than now and if you have, then this is an engrossing way to re-experience Senua’s journey from a new perspective.

Though it's still early days, the fact that I can instantly queue into a lobby weeks after launch rather late at night bodes well for the game's activity, too. Pixel Dungeon is exactly the type of game that's easy to recommend to anyone looking for something to strap into, whether they're only in it for a shorter session or if they plan to spend a Saturday night getting sweaty with some friends.

For a game that wasn’t originally designed for VR at all, Skyrim VR is nothing short of impressive. This really is the Skyrim that you know and love, but now you can enjoy it like never before with the immersive presence of a VR headset. With a large variety of control schemes to choose from and hundreds of hours of content, this is a game that all RPG fans and lovers of immersive fantasy worlds should play.

There is a lot to unpack in Transference. It deals with several heavy themes that will likely make players uneasy, and from what I can tell, that’s sort of the point. Ubisoft and SpectreVision have mixed the stylings of Black Mirror and The Matrix with a twisted vision of the future that feels dangerously honest and realistic. While I’d have certainly loved for it to be a bit longer, I also appreciate how well-paced and polished it feels at the same time. It’s not without its flaws, but Transference is an unforgettable VR experience that I won’t soon forget.

It's not a stretch to say that Ghost Town is one of the best VR games so far this year. Fireproof Games has delivered a worthy spiritual successor to The Room VR: A Dark Matter that employs a similarly strong level of VR interactivity, backed up by great visuals on Quest 3, a thoroughly engrossing supernatural narrative and intuitive puzzles. I do wish the journey lasted just a little longer, but what's here is an essential experience that you won't want to miss.

Put simply, despite lacking in approachability and customization features, Aces of Thunder offers one of the most thrilling venues for combat VR gaming has to offer and is a fitting callback to the classic flight sims of yesteryear.

It is at times delightful and at others unflinching, with moments of VR purity that tear down the barrier between you and your companion. If you want a look at where the true power of VR lies, look no further than Ghost Giant.

Double Jack's bold choice to make a rhythm game focused around hand tracking succeeds with style. Maestro is a breath of fresh air compared to every other VR rhythm game I’ve played over the years. While I lose interest in most rhythm games quickly, I can't stop playing Maestro, and there's a lot of room for growth from here.

Hotel Infinity is a standout example of true room-scale VR, and a must-own for anyone interested in understanding the potential of this medium. Notably, the potential is not merely to be a new way to experience familiar ideas, but to offer experiences only possible in VR. What a revelation of a game this is.

Roboquest VR takes what was already a great flatscreen roguelite experience and transforms it into a new VR classic. Moment-to-moment gameplay feels fantastic, and the game is right at home on the platform. Flat2VR Studios should take pride in the work they've accomplished, as it feels like an essential experience for hardcore VR players without being revolutionary. I just wish that co-op was available at launch; I'd like any reason to hop back in for another round.

Legendary Tales was a solid dark fantasy akin to Dark Souls, but it failed in many aspects to be crowned a true classic RPG in VR. The hostile onboarding, the flimsy hitboxes, the lack of reliable multiplayer. Two years on, Dawn of History course corrects to offer one of the richest role-playing experiences on the medium. With new and revamped systems, it can now be recognized as a best-in-class dungeon crawler. The frankly baffling amount of builds alone makes for an equally cutthroat and entertaining sandbox to create your own legendary tale.

From slow-motion shootouts to trips across the universe and stories of loved ones lost, VR has already proven that each of its core design tenants can be tamed. But A Fisherman’s Tale might be the first to achieve a perfect storm of gameplay, immersion and narrative in a single experience. Though brief, it fuses experience and interactivity to really show what this medium is capable of. This is exactly what old seadogs aren’t meant to be capable of; something genuinely new.

Metro Awakening is a chilling and dark virtual world woven into a narrative-based VR adventure game. It's one that I'd recommend to anyone who loves a bleak dystopian story and doesn't mind a little repetition or a few minor bugs along the way. Ya know...the kind that aren't those terrifying spiders you just ran from.

Superhot VR’s hypnotic blend of physical, cinematic action is just as entrancing as it’s ever been on Quest. In fact, the lack of wires truly allows you to devote yourself to its endlessly entertaining levels. It might not be worth a second purchase for existing owners but, for those that haven’t played it already, this is the best version of a genuine classic.

Little Nightmares VR: Altered Echoes is the best VR horror game in quite some time. Much like Batman Arkham Shadow, Half-Life: Alyx, and Metro Awakening before it, Altered Echoes stays faithful to its series while still shining in VR. The gameplay is nothing groundbreaking, but the same can be said for the series as a whole. Altered Echoes keeps it simple and executes at a high level, getting nearly everything right with the exception of limited VR options. These ultimately do not detract from a top notch VR horror experience.

Arkham Shadow feels faithful to the flatscreen Arkham games while innovating in its own way through VR-specific design. Combat remains familiar yet incredibly satisfying, Detective Mode feels like a natural fit for first-person gameplay and the strong narrative held my interest throughout. With the flatscreen games, you never stepped into the caped crusader's shoes but with the VR game, I didn't want to leave them.

The Gallery’s second episode isn’t a great deal bigger than the first, but it’s a heck of a lot richer. You won’t visit many more locations or even spend dramatically longer with it, but the entire package feels grander and more considered. Though it’s still very much one installment in something much bigger, it’s evolved to meet our heightened expectations of the second year of VR content, and yet again left us begging for more. This is one adventure you won’t regret going on.

I can see this game becoming a part of my routine even if this 36-song selection remains the limit, although space remains for post-launch DLC song packs that could certainly expand the experience even further. That’s something for the future, though. I’d go as far as saying Starwave is one of the best VR rhythm games on the market. If you love music, want to improve your fitness, or simply want to immerse yourself in an experience like no other, the answer is clear.

Astro Bot is not here to reinvent the wheel or claim the throne as VR’s killer app; there are enough games trying to do that already. Instead, it fuzes the thrill of seeing a virtual world come to life with the dependably engaging gameplay of one of gaming’s most beloved genres and explores what that can mean with fascinating results. It’s a refreshing reminder of just how astonishing VR can be when there’s nothing in your way, and it’s an absolutely essential experience for any PSVR owner.

Beat Saber on PSVR is exquisite. Overall it’s a more polished, feature-packed, and expanded version of the Early Access PC title, while still retaining the core of what made it a viral sensation in the first place. I rarely missed the better tracking afforded by the Rift, Vive, and Windows VR platforms and actually found myself enjoying the crisp visuals and appropriately shaped PS Move controllers throughout it all. The new tracks are almost all excellent, the campaign mode is a great addition, and it overall feels like a complete game now.

A natural evolution of Owlchemy’s “simulated jobs” specialization. The Rick and Morty license enhances the humor that was prevalent throughout Job Simulator and there are some welcome evolutions of Owlchemy’s style, like the addition of a plot and NPC interaction, that you’ll wish were expanded upon a bit more. There’s never a moment that felt uncomfortable or unnatural, even as you step through portals into new spaces.

Pixel Ripped is a love letter to all things classic gaming. From the inventive melding of retro graphics with a modern VR game setting to the way it subverts medium stereotypes by putting you in the dress and shoes of a grade school girl with a trusty Gameboy, it’s hard not to smile while playing this nostalgia-fueled adventure. A few minor hiccups hold it back from truly transcending the medium as a whole, but anyone that has fond memories of video games from the 80s and 90s absolutely needs to check this one out.

Gorn is the product of two years of tireless Early Access development. What started out as a laughable bit of nonsense has gradually evolved into, well, a much more polished and expansive bit of nonsense. It’s a toybox filled with razor-sharp playthings and endless action figures to use them on, upheld by a combat system that bends reality to eschew awkwardness. Ultimately it might just be a glorified tech demo for VR combat, but it’s one that will produce enough laughs and gasps that you’ll be willing to risk bodily harm playing it. For better or worse, that’s a potent example of immersion.

Serious Sam VR: The Last Hope combines frenetic action, testosterone-laden humor and beautiful graphics into a solid VR package that kept me coming back for more punishment. It has few minor blemishes and may not have lasting power for some gamers, but ultimately it’s one of the best VR wave shooters you can play. Now where did I put that rocket launcher?

Arizona Sunshine is still, almost two years after its launch, the best zombie-focused shooter we’ve seen in VR yet. While the Dead Man DLC doesn’t dramatically expand on the existing framework, it does offer a brief (and affordably priced) prequel story that’s worth experiencing for all existing fans of Vertigo Games and Arizona Sunshine. This is mostly more of the same, but it’s some of the best zombie shooting you’ll find in VR regardless of platform.

Almost two years removed from the launch window of the Oculus Rift and HTC Vive, Island 359 — a game that’s been in Early Access for almost just as long — has evolved from its humble beginnings into a shining example of not only quality VR gaming, but how to improve a project while in Early Access. They iterated on what worked and expanded in areas that were lacking until Island 359 became just as polished as it was ambitious. It’s still not for everyone, but fans of tense action games, shooters, and hardcore survival games owe it to themselves to get lost in the lush jungles of Island 359.

Despite the sometimes frustrating movement system and occasional pacing issues, Blood & Truth is a tour de force for PSVR. Sony’s London Studio should be proud of what they’ve accomplished here by turning the brief London Heist demo from PlayStation VR Worlds into a fully-fledged narrative that features some of the best performances we’ve seen in VR yet. The action is pulse-pounding and so bombastic it rivals even the biggest summer blockbusters. This one is easily recommended to any PSVR owner that likes to shoot bad guys and watch stuff blow up.

Ace Combat 7’s VR support makes for one of the most convincing, bombastic games you’ll see in a headset. It’s a powerhouse display of roaring engines and teeth-grinding tension that’s never anything less than relentlessly enjoyable. And yet it’s painfully short, over before you can even pinch yourself to see if you’re dreaming. But, to hell with it, it’s left me with a heightened pulse rate, sweaty palms and the biggest grin VR has yet put on my face. If I can’t praise that, then what’s the point? Now let’s start the campaign for more of it.

Arizona Sunshine combines the narrative power of a fully-featured 4+ hour campaign mode, with the intensity of a wave-based horde mode, and then adds multiplayer to both experiences. The protagonist’s witty humor make it worth recommending on his charming personality alone, with enough depth and variety to keep people coming back for several hours. By doing so many things so well, Arizona Sunshine quickly rose to the top of the pack as the best overall zombie shooter we’ve seen yet in VR.

Against all odds, Groundhog Day: Like Father Like Son nestles itself neatly amongst the growing number of VR titles that marry compelling, involving narrative with thoughtful interactivity. It’s a game with a welcome amount of heart, refusing to settle for the usual standards of tie-in media. Dare I say it, it’s even a worthy follow-up to a movie you’d have thought best left untouched. Bravo.

Fans of VR RPGs need not look further: Vanishing Realms and its new accompanying expansion are fantastic. The Sundered Rift content is a pleasant surprise as not only does it continue on from the base game’s first two chapters, but it delivers an experience that’s longer, larger, and more ambitious. Zones feel more open and varied, there are close to a dozen new enemies, and tons of new weapons and challenges. Even though it does little to actually innovate by way of still using the exact same underlying mechanics and bone structure of the more than three-year old core RPG that came before it, it’s an epic conclusion for Indimo Labs that successfully manages to expand on what made the original so great.

Brass Tactics is a big step forward for RTS games in VR. The tactile feeling of picking up, directing, and interacting with units using your own hands is excellent and the mixture of single player, as well as both cooperative and competitive multiplayer, all adds up to one of the most feature-rich strategy games we’ve seen yet. It lacks some of the depth and complexity of its modern non-VR counterparts, but you’d be hard-pressed to find a more competent and engaging RTS in VR right now.

Lone Echo is a landmark achievement in three key areas of the VR experience: locomotion, UI, and interaction. The winning blend of intuitive movement, discovery-based gameplay and character-driven storytelling create a compelling sense of presence that few VR games could hope to match, while the considered pacing gives it a fresh identity. I hate to mark it down on such a trivial aspect as length, but the package simply feels incomplete, rounding off in the second act and depriving you of both the narrative and mechanical evolutions I was expecting to encounter in the third. If there’s a silver lining, it’s that I expect its sequel to be one of VR’s very best.

Border Bots delivers a rich, engaging VR experience that had me invested. By taking the best aspects of Papers, Please, and Job Simulator, Paw Print Games and vTime Ltd have delivered a highly polished experience that's well suited for VR, offering an entertaining yet sometimes challenging campaign that never feels overwhelming. Combined with its vibrant presentation and great humour, Border Bots comes highly recommended.

Where EXOcars really excels is in the same places that my favorite racing games have always excelled. It provides a visceral, arcade-y, physics-based experience full of the thrilling moments we’re all looking for when we step behind the virtual wheel of a race car. Like the best games in the genre, EXOcars makes you feel like a real-life race car driver.

For a lot of games, the trade-off between power and portability from PC VR to standalone will be a matter of personal preference. In the case of I Expect You To Die, this is unquestionably the best way to play one of VR’s best puzzle games. Schell Games hasn’t sacrificed a slither of the original game’s charm in order to fit it onto the hardware. Zany puzzles and laughs await you in I Expect You To Die, making this one of Quest’s must-see launch titles.

Far-fetched as it may be, Phantom’s fantastically immersive design makes for a VR mission well worth accepting, even if its campaign is shorter and simpler than hoped for. But what it lacks in gameplay complexity, it often makes up for in its giddy role-playing, going a step beyond many other VR games to convince you that you’re really in its (admittedly daft) world. A deeper sequel with more advanced gameplay would elevate the series to essential status, but Phantom already navigates the rough waters of VR stealth better than most.

Certainly not an epiphanic bastion of VR immersion, but a hectic hassle of shouts and screams that exposes the platform’s more playful side. Played with friends, it’s a wickedly entertaining package that will have you passing the headset in rapid succession. There’s a slickness to the production and design here, one that removes much of the baggage of other VR party games. Even as VR headsets start to become more accessible, Acron is remarkably light to the touch.

Racket Club marks another entertaining experience from Resolution Games. By mixing elements of tennis, squash and pickleball, they've delivered an original experience that feels refreshing while playing to VR's immersive strengths. While solo content is limited and mixed reality support feels unnecessary, a highly compelling social multiplayer experience has me coming back for more.

Human Fall Flat VR successfully harnesses the wacky physics platforming essence of the original game, amplifying its chaotic drama with an immersive but approachable control scheme that feels natural to engage with in VR. While it doesn't deviate far from its flatscreen roots, bounding around these thematic worlds, especially with a few buddies in tow, is a moreish expedition well worth your time.

Any issues I had with TMNT: Empire City were overcome by just how fun and breezy the game is to play. If I bumped into anything I didn't care for, seconds later I was on to something else and did not care enough to dwell on it. The glitches I experienced were a nuisance, but easily overcome. Cortopia never forgets that this property is based on a comic book that across forty years has not taken itself too seriously while entertaining fans of all ages. Empire City lives up to that standard. Longtime TMNT fans and newcomers alike will find something to like in Empire City.

Grit and Valor 1949 is a polished blend of tight grid-based combat, roguelite progression, and tactile VR interactivity that makes for a fresh and exhilarating experience. The compact battlefields are tense, the combat is engaging and exciting, and the many upgrade systems continually compel us to play just one more run. While the game's complexity may be a bit overwhelming for some players, on the whole, Grit and Valor 1949 is a tactician's dream.

Pixel Ripped 1995 is a bigger, bolder, and even more nostalgic walk down memory lane that shifts the focus from the late 80s to the early 90s — perhaps the most iconic and formative decade of the video game industry to date. By mixing together riffs off of popular games such as Castlevania, The Legend of Zelda, Streets of Rage, Sonic the Hedgehog, Mario, and more, Pixel Ripped is a sleek and powerful blast of nostalgia that brings back potent memories of hunching over CRT TVs in the dead of night playing games. I want to spend more time in this world and get to know its characters even better and this is a truly solid improvement over Pixel Ripped 1989.

Fated: The Silent Oath deserves to be experienced not for its lush environments or adventure gameplay, but because it’s one of the few VR games yet that effectively creates a connection between you and the characters around you in a way that’s unique to the medium. Something as simple as nodding your head can spark a powerful reaction both in the game world and, more importantly, inside you. There aren’t many VR experiences that pull that off quite so successful yet and, for that reason alone, Fated is worth your time — even if it is a bit brief.

Right now, Cave Crave is an easy recommendation on Quest 3. While the game will continue to receive updates in the weeks and months ahead, this experience already nails it where it counts. If you've ever fancied yourself a cave explorer, you could do far worse than giving this a shot. Cave Crave straddles the line between being simple enough to get into, while offering enough depth to keep players going for even more spelunking.

If you’re looking for a new, addictive VR shooter to sink your teeth into then you can’t go wrong with Population: One. The verticality and freedom of movement is unrivaled and the smooth, snappy gameplay feels fantastic even on the lower-powered Oculus Quest. My only significant gripe is that I wish there was a bit more diversity in content available, but they’ve got an amazing foundation to grow from here. Population: One is definitely the best VR battle royale shooter on the market and will hopefully find a strong audience for quite some time.

UNDERDOGS delivers an outstanding experience from start to finish and we only wish there was more to it. Between the strong presentation, engaging core gameplay and progression systems, One Hamsa has delivered an arena fighter that achieves something that feels fresh and exciting on every level. For players who like to jump straight into the action UNDERDOGS is a must buy.

Green Hell on Quest is a game you have to take on its own merits. Similar to how Superhot VR offered a streamlined take on a strong central idea, this chops away at the original game’s foundations to deliver a focused version of a great survival game. True, it’s a much more straightforward experience with simpler crafting and fewer threats, but the meticulous attention paid to VR interaction and physicality, not to mention the still-impressive scale and performance makes this one of the better flatscreen conversions VR has seen over the past few years. If you really don’t want to compromise on the original experience in VR then you should wait for the PC VR version arriving later down the line but, for anyone interested in a more tailored title, Green Hell’s Quest version is a worthy rumble through the jungle.

Paulo’s Wing is a small miracle, a VR game that shows not just how intense and active these experiences can be, but also how you can create a world with the same technology and a simple set of tools. It’s frantic gameplay isn’t the most original, but it’s a strong reminder that wave based games can be fun when not entirely derivative. If you’re looking for some simple sword swinging fun, don’t miss out. [Tested with HTC Vive]

LA Noire VR is a special kind of VR game that we’ve yet to see on any platform. With a massive, sprawling open world that’s laid out before players, waiting to be explored, the sense of scale is wonderful — even if the world itself is empty and lifeless. Interrogations, crime scenes, and action moments all feel great, but they’re too few and far between with only seven total cases. But given the scope and abbreviated implementation of one of gaming’s most unique properties, LA Noire VR is an absolutely riveting adventure.

Panoptic definitely feels like an experimental game. Its design is kept simple and direct, but it’s polished and entertaining. Unless the developer releases additional maps in the future, it’s still sadly unlikely to hold most players’ attention for the long term. Still, Panoptic is exceptionally good at what it does. A challenging and fun game with a lovely minimalist design, its same-PC multiplayer functionality is perfect for being cooped up in the house with someone you love, yet still want to (virtually) snipe.

Vendetta Forever shows the benefits minimalist game design can offer, using only the bare essentials to deliver a satisfying action game. While you won't need ages to see everything and some levels can be frustrating, there's a clever puzzle game disguised as a shooter with great replayability. It's a strong debut from Meatspace Interactive that's worth exploring.

While it may be difficult to play for very long before your heart rate spikes, it delivers the most consistent and unnerving jumps of any VR horror game out there, held back only by its repetition and lack of variety — both of which are still worth overlooking.

With all the polish of the acclaimed sequel fused with the ample character of VR’s elder statesman of zombie shooters, it’s hard not to recommend grabbing Arizona Sunshine Remake. The limited campaign length, rehashed horde maps, and the lack of a few notable features (here buddy, here boy) mean that if you have only the time or patience for one jaunt through the undead-infested desert, the sequel remains the seminal Arizona Sunshine experience. Still, the excellent gunplay, polished presentation, and great sound design make Remake worth a look.

I sincerely hope that VertexBreakers takes the time to give V-Racer Hoverbike the Quest 3 overhaul it deserves. It's identical content-wise but you'll take a small hit with graphics fidelity or performance. If you have the ability and are ready to hit the track right now, the PC VR version delivers all the same great gameplay with more fidelity and fewer performance-killing potholes along the track. A PlayStation VR2 edition is also coming, so whichever way you decide to play, V-Racer Hoverbike provides a fun experience.

The House of Da Vinci VR is one of the best VR puzzle games I've ever played, delivering an experience that's been lovingly created with reverence to its historical inspiration. Boosted by impressive visuals on Steam, it's clear Blue Brain Games has a real talent for creating immersive environments and engaging experiences. If only the movement options could be expanded, then this game would be perfect. As it stands, The House of Da Vinci series has several sequels that haven't been converted to VR yet. If this game is any indication of the series' quality, I'd love to see the rest of them reach VR in the future.

While it won’t take too long with intuition to clear through the stages, the ability to improve your times and find new solutions encourages replayability in a way that makes this a great choice. Besiege VR is a worthy addition to any headset - it’s always worth the wait when the transition to the new medium is handled with such care as this.

Playing solo is a bit rough, so with a friend by your side Evasion not only becomes one of VR’s best shooters, but you’ll be hard-pressed to find any other VR game that’s as purely fun on a moment-to-moment basis.

Spaceteam VR is a proven formula on an unproven platform, which makes it a pretty fascinating experiment. Inevitably, some of the same-room companionship is lost in the transition from physical to virtual, but not nearly as much as you might think, and thoughtful additions made possible by headsets go a good way to making up for it. Spaceteam VR will break friendships, ruin your vocal cords and raise your blood pressure. That is to say, it’s quite a delight.

The full release of Bootstrap Island lives up to its early promise with a highly engaging, immersive, and at times disturbing adventure that stands as one of VR's best survival titles. Any issues I had will likely be ironed out with further patches, but this is already a great time in VR.

Angry Birds VR is a truly fantastic, intuitive VR title. For younger VR players or fans of the Angry Birds franchise, it’s an absolute perfect fit. The move to VR works seamlessly, retaining the gameplay from the original series while adding in some new VR twists that give it just enough of an edge to be different.

It’s a game that uses interactivity to capture the essence of the character in the same way that Insomniac and Rocksteady have done on flatscreen platforms with Spider-Man and Batman. The difference is that virtual reality allows Camouflaj to put the character directly into the hands of the player, creating an experience that is faithful to its origins but wholly more immersive.

Despite first releasing all the way back in July 2016, Raw Data stands above the many, many wave shooters that have succeeded it, with lavish production values, plentiful play options and the stylish blockbuster action that many of us envisioned when first putting on a VR headset. That said, the game never shatters the ominous glass ceiling of this restrictive genre; it’s an absolute masterclass in what makes wave-based combat tick, but just as much a case study for its limitations. Not quite the ultimate VR experience, then, but a pretty good starting point.

Sniper Elite has always been a bit of a b-movie treat by normal gaming standards and, while that’s still true of Sniper Elite VR, some of the series’ staple elements are really enhanced by the platform. Aiming down the scope, steadying your sights and pulling the trigger before readying the next round is a calculated and convincing process with perfectly streamlined authenticity. Throw in a variety of other objective types across a decent-length campaign, including comprehensive stealth segments and brilliantly rustic street shootouts and you’ve got a VR FPS that will tick a lot of boxes for a lot of headset owners. It’s not the platform’s most groundbreaking shooter, but Sniper Elite VR is proof you can teach an old dog new tricks, and that’s more than enough.

For all intents and purposes Budget Cuts 2: Mission Insolvency is a bigger and better version of its predecessor in virtually every way. The scope is larger, the bow and arrow adds significantly more depth and strategy to combat, levels are designed more thoughtfully, there are fewer bugs and AI issues, and it all around feels like a more complete game. Budget Cuts 2 feels like the game that the original Budget Cuts wanted to be, but never quite lived up to. It’s not without its bugs and minor gameplay annoyances, but what we’ve got here is a clear example that there’s life in this IP as a franchise and we hope to see Neat Corporation and Fast Travel Games work together again soon.

It’s still the case that some levels are a little harder to focus on in VR, but never to a point that should cause any concern. Tetris Effect in VR is a transcendent spectacle, a thriving biome that takes on a life of its own. Rarely has VR felt this organic. High praise for a fresh take on a gaming staple perhaps but play a level and I’d dare you to disagree with me.

Sublevel Zero Redux isn’t a shooter for everyone. It’s intense and demanding, and that simply isn’t something some people will want inside their VR headsets. For fans of Descent and the emergent rougelike genre, though, this is something of a treat. Polished, tight gameplay gives this unique brand of action an engaging edge. 6DOF is enjoying a small resurgence right now and, if that’s something that interests you and you’d love to try the genre in VR, Sublevel Zero Redux is your best bet.

Stifled is a one-of-a-kind horror game that’s unlike anything I’ve seen before. The use of sound to allow you to see the world around you but also alert your enemies creates a terrifying and suspensful dynamic that left me quivering in my shorts. The pacing isn’t perfect and some other pieces felt lacking, but the core premise of Stifled is so very strong it’s impossible not to recommend it. This game should be experienced by anyone that wants to see how VR as a medium can transform the way we interact with video games.

The Climb 2 is held back visually by its target platform, but it more than makes up for it with some thrilling climbs, incredible vistas, and excellent new game mechanics to really help keep you grounded. I don’t have a fear of heights or anything like that, but I absolutely did feel my stomach fall in fear when peeking out over the ledge a few times. It may not be as pretty as it could be with some poor texture quality here and there, but my arms are sore and I had a blast so it’s hard to say that affected my experience all that much overall.

Thrasher combines the exhilaration of chasing moving targets with a unique visual style and a superb soundtrack. Yet, unfortunately, its beaming esoteric personality is dulled by some technical hiccups that keep it from feeling like a total success. Regardless, Thrasher’s uncompromising vision and challenging but approachable gameplay are to be admired.

MADiSON VR brings the spine-tingling chills and palpitation-inducing dread that the 2022 horror game is known for. This is further complemented by full immersion in virtual reality, coupled with haptic feedback from your headset and controller. Obtuse and unclear puzzles that were present in the original, alongside poor contextual controls in the VR adaptation, mar what is otherwise a terrifyingly terrific outing from Bloodious Games.

Killing Floor: Incursion isn’t the best zombie game I’ve played in VR (that would still go to Arizona Sunshine) but it does a lot right. The unsettling atmosphere is pervasive through each level and the excellent gameplay mechanics between melee and gun combat feel visceral and satisfying. While it does clock in a bit shorter than I’d have liked with only four levels, they are each large and fun to explore.

With Paper Beast, Eric Chahi goes for a holy trinity of VR development. It is a game not content with just one miracle, be it the authentic, almost documentarian approach to a virtual ecosystem, nor the technical milestones such a feat requires. Even its set of puzzles somehow emerge as a remarkably natural extension of its core themes and systems, creating a cohesive and curiously precious VR game to be preserved and savoured. Though it usually comes with unintended pitfalls, Paper Beast proves playing god can be great from time to time.

Even when it turns up the tension as you sweat out your anxieties, Silent Slayer: Vault of the Vampire still makes you feel cool. Painstakingly prying nails, cautiously clipping chords, and building rocky runes feels satisfying and nervous at the same time, thanks to this game's clever approach to puzzle and sound design. Even though it has some rougher edges, they're part of what makes this delicate balance between tension, challenge, fun, and satisfaction work as well as it does. This tight testament to Schell's prowess in the VR space should not be overlooked.

The Midnight Walk offers a memorable adventure that's enchanting and bleak in equal measure, one that feels like wandering into a twisted fairytale. It's a gripping tale with beautifully crafted claymation visuals, held back only by some minor frustrations and not especially in-depth puzzles. MoonHood have delivered a great example of hybrid design between flatscreen games and VR, and it's a strong recommendation from me.

Creed: Rise to Glory is the best all-around boxing game VR has seen yet. While its serviceable campaign mode lacks the depth and variety that we’ve come to expect from Survios releases and some of the controls are a bit finicky, it more than makes up for it with a litany of training mini games and an addictive PvP mode. Trading blows, ducking shots, and scoring a powerful knockout against someone in immersive VR is about as close to an actual boxing match as you can find from the comfort of your own home.

Espire 1: VR Operative is unquestionably the best expression of the stealth action genre we’ve seen in VR yet. The small touches of polish go a long way towards selling the immersion and opening your mind to the creativity on display to complete missions and the inventive VR-focused mechanics make it a pleasure to play actively in a roomscale space. While a larger budget, more time, and overall more resources could have elevated Espire 1: VR Operative to the status of being a landmark VR game that pushes the boundaries and redefines the genre even further, it’s still extremely good and certainly worth playing.

Boneworks never sweeps you away on the same kind of rollercoaster ride its biggest influences charted, but you’d be hardpressed not to get carried away on its own journey; one of interactive wizardry, devilishly gratifying combat and stunning physical authenticity, even if that occasionally works against you. Ultimately it might not be the VR shooter to turn the heads of the masses, but if you want to see where that future lies, you can’t miss Boneworks.

It's been a long, long time since I've truly lost myself in a horror game like I did with By Grit Alone. It's not a journey for the faint of heart, but it's one I hope we'll get to see the conclusion of - whether via DLC or a sequel. As it stands on its own, though, it's an incredible trek through the jaws of madness worth taking.

A mostly welcome ending to a mostly excellent series, then. Vader Immortal’s ambition has occasionally outstretched its capabilities, and, even for a two-hour adventure, its pacing hasn’t always been on point. But Episode III offers the best of the series’ combat, some of its most memorable high points and a relieving lack of its lowest. As far as the concluding part of Star Wars trilogies go, that’s a very good spot to be in.