Uncut's Scores

  • Music
For 12,056 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
12056 music reviews
    • 80 Metascore
    • 80 Critic Score
    Here they have shuffled back a few years from the disco and jazz-funk infusions of 2021's Private Space to a more sun-dappled classic soul sound. It suits them perfectly too. [Aug 2025, p.32]
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    • 83 Metascore
    • 80 Critic Score
    In both rhythm and spirit, Yowzers is slippery and free. Yet where the record coalesces into songs, it tends to speak the raw, direct language of soul music and the blues. [Aug 2025, p.36]
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    • 87 Metascore
    • 90 Critic Score
    With echoes of Rickie Lee Jones and Gram Parsons at times, it all feels deceptively effortless. [Aug 2025, p.39]
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    • 78 Metascore
    • 70 Critic Score
    Thoughtful sixth album, which sees the songwriter wrestle with the growing challenges of life as she enters her early thirties. [Jul 2025, p,27]
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    • 78 Metascore
    • 70 Critic Score
    They lurch with satisfying abandon through funereal Slint-like post-rock to unashamedly slovenly pixies-ish riffs to splenetic blasts of screaming hardcore and staccato math-rock scrapes, as Zak Bowker intermittently makes his strangled screams heard above the maelstrom. [Jun 2025, p.41]
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    • 80 Metascore
    • 70 Critic Score
    The musicians' off-the-cuff interaction animates cartoonish songs like the boisterous "Burgundy Suit" and the woozy "Sharktooth", but Mccaughey's flights of fancy occasionally tumble into relatable coherence. [Jun 2025, p.35]
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    • 82 Metascore
    • 80 Critic Score
    Eight tracks range from menacing, acid rain drone to jagged rhythmic gut-punches. Here they summon the raw energy of The Young Gods in their prime, hobbling through grey ruined cities that have dominated our news-screens in recent times. [Jul 2025, p.33]
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    • 78 Metascore
    • 70 Critic Score
    Pramuk takes listeners on a rich inner-space odyssey. [Aug 2025, p.37]
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    • 82 Metascore
    • 70 Critic Score
    The result is a rich, expansive yet considered album of indie rock meets shoegaze. [Aug 2025, p.32]
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    • 79 Metascore
    • 70 Critic Score
    I Quit is at its best when the trio juice up old tactics with a jolt of the new. [Aug 2025, p.31]
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    • 95 Metascore
    • 90 Critic Score
    Revelatory. .... The set offers great insight into Springsteen's creative process. [Aug 2025, p.50]
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    • 79 Metascore
    • 70 Critic Score
    Field recordings, ASMR, personal effects and various metals combine to conjure some magical moments. [Jul 2025, p.31]
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    • 77 Metascore
    • 70 Critic Score
    A bumpy ride overall, but rewarding. [Jul 2025, p.37]
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    • 76 Metascore
    • 70 Critic Score
    American Romance is agreeably heart-on-sleeve. [Jul 2025, p.31]
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    • 82 Metascore
    • 80 Critic Score
    Classy debut. .... Leaves you in no doubt who carries a great deal of weight in Ride. [Jul 2025, p.33]
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    • 77 Metascore
    • 80 Critic Score
    Lucy Gooch's early life as a chorister feeds into Desert Window's beauteous soundscapes, looping her gentle soprano voice over gauzy layers of synths in a seamless shift of classical ambient, jazz and dream-folk textures. [Jul 2025, p.28]
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    • 88 Metascore
    • 90 Critic Score
    Every bit as special as promised. [Jul 2025, p.29]
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    • 76 Metascore
    • 70 Critic Score
    Their fourth album is authentic in the resistant lyrics of Yildirim originals. [May 2025, p.39]
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    • 77 Metascore
    • 80 Critic Score
    2t2
    An album that is as genuinely moving as it is pulsing and hypnotic. [Jul 2025, p.37]
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    • 75 Metascore
    • 80 Critic Score
    Wolfe's voice prominent on the shimmering "Hopelessly At Ease" and tremolo-bathed "Shhh", recalling Julee Cruise;s otherworldly work. .... Elsewhere, there's an edge. [Jul 2025, p.27]
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    • 84 Metascore
    • 80 Critic Score
    This LP is accordingly freeform and exultant. [Jul 2025, p.29]
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    • 90 Metascore
    • 80 Critic Score
    Take “Breakfast On The Train”, among the most involving songs this storied chronicler of the heart has ever penned. .... The other seven tracks on this self-contained album are no slouches either. [Jun 2025, p.32]
    • 75 Metascore
    • 70 Critic Score
    There are rum choices (Ex-Easter Island Head, Craven Faults), generic pumpers (Sally C, Shanti Celeste, Daybreakers) and moody mates (Mogwai, The Twilight Sad, Deftones' Chino Moreno), while surprising highlights include Daniel Avery's "Drone:Nodrone" widescreen prowler. [Jul 2025, p.26]
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    • 67 Metascore
    • 60 Critic Score
    An ambitious collaborative affair showcasing female and non-binary musicians. [Jun 2025, p.33]
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    • 71 Metascore
    • 80 Critic Score
    The covers from less celebrated acts support the premise most intriguingly. [Jul 2025, p.49]
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    • 82 Metascore
    • 80 Critic Score
    Its heady and timeless distillation of dub gospel, disco excursions, molten psych rock and soulful swagger sounds more like back to the future. [Jul 2025, p.37]
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    • 81 Metascore
    • 80 Critic Score
    Resulting in a most welcome return for this singular artist. [Jun 2025, p.42]
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    • 84 Metascore
    • 70 Critic Score
    Eight lively compositions that strike a sometimes uneasy balance between structural rigour and woolier, woozier inclinations. [Jul 2025, p.29]
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    • 71 Metascore
    • 70 Critic Score
    Talkin To The Trees finds Young largely preoccupied with matters closer to home. “Family Life” begins as an open-hearted acoustic address to his children – until a jarring reference to his grandchildren, “who I can’t see”. He follows this with “Dark Mirage”, a glowering ball of knotted noise. .... The mood shifts with “First Fire Of Winter”, a hymn to domestic happiness in Colorado with Daryl Hannah and the first of three gorgeous country tracks on the album. [Jul 2025, p.28]
    • 74 Metascore
    • 80 Critic Score
    The addition of Chad Kelly's orchestral arrangements to the band's initial recordings strikes decisive new ground. [Jul 2025, p.30]
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