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- Summary: The latest full-length release from Meg Remy's U.S. Girls was recorded live to tape over 10 days with Jack Lawrence, Dillon Watson, Domo Donoho, Tina Norwood, Jo Schornikow and Charlie McCoy.
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- Record Label: 4AD
- Genre(s): Pop/Rock, Alternative/Indie Rock
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Score distribution:
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Positive: 8 out of 8
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Mixed: 0 out of 8
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Negative: 0 out of 8
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UncutJun 25, 2025With echoes of Rickie Lee Jones and Gram Parsons at times, it all feels deceptively effortless. [Aug 2025, p.39]
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Jun 25, 2025Showcases an artist gleefully scaling dizzying, wondrous peaks, backed by flawless musicianship, detailed production and marvellous songs.
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Jul 7, 2025With Scratch It, it’s hard to image a finer U.S. Girls album.
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Jun 25, 2025Scratch It buzzes with a chattering methamphetamine sleaziness, as much Vegas as it is Nashville. The TNN studio lights that frame this record are so hot, they make the music sweat.
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MojoJun 25, 2025It sounds so authentically mid-to-late 1960s that Dear Patti - a song about missing an opportunity to play on the same festival bill as Smith - could almost be a lightly warped vinyl pressing from the era. [Aug 2025, p.76]
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Jul 14, 2025With diss track No Fruit as a droll closing note, the result is a seductively shape-shifting affair: sometimes affecting, sometimes witty, always captivating. [Aug 2025, p.105]
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Jul 2, 2025While Scratch It lives up to its aged influences, Remy gives these nine tracks an undeniable immediacy, both with her singing and lyricism—which are eerily left of field—along with her spot-on taste in backing musicians and homage-motifs. All that helps this new U.S. Girls album sound like it’s haunting the golden oldies that inspired your favorite contemporary artists.