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- Summary: The fourth full-length release from the Los Angeles rock trio HAIM was produced by Danielle Haim and Rostam Batmanglij.
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- Record Label: Columbia
- Genre(s): Pop/Rock
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Score distribution:
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Positive: 21 out of 24
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Mixed: 3 out of 24
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Negative: 0 out of 24
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Jun 20, 2025This is one of modern rock’s very best kept secrets at their peak, a band on the brink of sold-out stadiums.
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Jun 18, 2025The record is their longest to date, but rarely does it lag, holding a steady momentum across its 15 tracks with sneakily poignant lyrics and extremely catchy, hook-heavy instrumentation.
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Jun 18, 2025One could, incorrectly, mistake this for a Danielle Haim solo album: her lyrics pull no punches, and her voice is even more the band’s centre of gravity. But when Alana sings her first full lead vocal in the band’s discography, on the Arthur Russell-inspired disco cut ‘Spinning’, and Este takes the spotlight on the synth-country ballad ‘Cry’, they’re both revelations – vulnerable like they’ve never been before.
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Jun 27, 2025I Quit may not include a clear hit, like “The Wire” from Days Are Gone, but Haim remain perfectly in tune with their strongest assets.
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Jun 17, 2025I Quit may not be the band at their peak, but it’s a necessary step to close one chapter of their career and find their way to the next. It leaves listeners with the sense that HAIM is going to rise from the ashes of what didn’t serve them, onto bigger and better things.
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Jun 18, 2025If Women in Music Pt. III cracked the door open, I quit stands in the threshold, taking stock of what's worth carrying forward.
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Jun 12, 2025I Quit is sonically scattershot, but gratifyingly consistent in one regard. Over its considerable runtime, Haim rake repeatedly over the same heartbreak to construct a candid, complex portrait of a woman working hard to psychologically liberate herself from a relationship.