Hitman’s fourth episode retains the foundations that have made IO’s assassination simulator an utter success, but it does come out the other side as the poorest offering so far.

PSVR is screaming out for another big-hitter to give early adopters something to dive into, but its short and uneventful campaign, weak design and dull visuals mean it won't live long in the memory. We can only hope that future VR shooters take full advantage of the excellent Aim Controller.

Get Even refuses to be pigeon-holed at any point, and though some people won't be able keep up with the madness, for those that can it's an entirely unique experience. Bandai Namco may just have the most interesting game of 2017 here, and a potential huge cult hit.

Batman’s third episode from season two does enough to keep the overall story ticking over, but a crowded narrative and confusing relationships mean this is the low point so far. Episode four will have to do much better.

Ultimately, Transference weaves an effective, but grim tale of one man’s descent into the madness and the horrific fate that he has sealed for his family. The puzzles aren’t particularly challenging, but their difficulty works well within the pacing of the story, engaging your brain enough without dragging the story to a halt.

The Painted World of Ariendel has a bleak beauty that’s begging to be explored, but it’s all over far too quickly.

Call of Duty: Modern Warfare 2 Remastered is a welcome return for what many consider to be the franchises' finest honest hour. It builds upon the bombastic campaign with luscious new graphics and a selection of small changes that help make it more appealing than ever.

An enjoyable, simple arcade-style space combat game that's equal parts a great tech demo for your expensive new toy, and one that gains genuine gameplay benefits from VR...Unfortunately, a lack of maps and modes means it's hard to wholeheartedly recommend at its high price. This, coupled with some fairly mercenary microtransactions, take the sheen off an otherwise excellent PSVR launch title.

The Medium is an enjoyable survival horror that's held back by a lacklustre narrative and a signature mechanic that never reaches its full potential…Even with Silent Hill composer Akira Yamaoka's score ringing across its twisted soviet world, Bloober Team's latest project pales in comparison to the legends that came before it.

Not Tonight proves that the Papers Please formula can work in a less soviet setting, but the experience is slightly diminished by the transplant. Yet it’s eccentricities remain endearing, with characters, landscapes and a haunting sound of muffled music that will be rambling around my skull for a little while yet.

While combat is improved over its predecessors it pales compared to rivals in the genre thanks to braindead AI. Facial animations are laughable at times and have a negative impact on the good voice acting. Bugs and performance issues only hamper this further. Andromeda is a good game and I’ve enjoyed my time with it. However, for those who’ve been waiting five years for another Mass Effect adventure, I don’t think it will be good enough.

The Sinking City is a near-miss, and a unique foray into surivival horror. It doesn’t coddle you, and it certainly doesn’t do any hand-holding, which makes it a unique detective outing let down in its execution by a number of tiny flaws. A sequel that focuses on making cases less humdrum, and cuts back on the combat, could be a hell of an offering for devout fans of the detective genre. The game isn’t bad, but it’s hard to care about what you’re doing when many cases in The Sinking City are so banal.

The fundamental gameplay isn’t deep or rewarding enough for me to stick around and explore many of the planets the game has to offer. With such basic combat and inventory management, it quickly wears thin and you’ll feel like you’re dragging yourself from system to system in search of Atlas.

Detective Pikachu ranks as one of the most interesting Pokémon spin-offs we’ve seen in years, and does an wonderful job of offering a fresh perspective on a world we’ve become almost uncomfortably familiar with in recent years. The lack of any real challenge is an issue – and one that seasoned gamers might find hard to stomach – but while it lasts, Detective Pikachu is quality entertainment that’s well written, brilliantly presented and sets the scene nicely for the upcoming Hollywood movie.

Layers of Fear 2 is an enjoyable horror adventure, but rarely does anything new with the genre. I’ve seen it all before, and given the excellence of Bloober Team’s last project, this feels like a step backward in terms of both ambition and quality.

With the advent of its final release, H1Z1 demonstrates a level of thoughtfulness in its design that reflects how closely its developers have listened to players. Whether it’s enough to draw those crowds back to Daybreak and the progenitor of battle royale games is a different story, but H1Z1 deserves a lot of credit for the strides it’s taken towards polishing an inherently rough and ready genre.

Although Resident Evil: Revelations remains a great game in its own right, it’s hard to recommend this HD (HD-er?) version to even staunch loyalists of Capcom’s fright fest, especially if they picked up the home console release in the last hardware generation. The exception would be those who really loved Raid, as the new Chaos mode might prove reason enough to revisit. Instead, this is probably best suited to those who’ve never played Revelations before, or who came to Resident Evil off the back of Resi 7 and are curious about the series’ history. Even if you fall into that camp, unless you’re a one format gamer, holding out for the Switch release seems wise.

A ruined, post-apocalyptic anime future could have made for a fantastic game, but it falters at every genre it attempts to ape. Code Vein is clearly attempting to spin a lot of plates. But unless you’re into playing a great character creator with a bad Dark Souls clone attached to it, we’d say steer clear.

Hitman: Episode 5 strips everything right back in order to focus on stealth, stealth and more stealth, but this shift is exactly what the series needed. Another triumph.

Fe definitely owes a conceptual debt to the likes of Ori and the Blind Forest, and in places feels as twee as earlier EA indie effort Unravel, but this is more than original enough to stand on its own merits. The mind-warping use of colour and its near-spectral environments sometimes work against Fe’s best interests, but persist and you’ll uncover a truly special world.

As a remastered collection, there isn’t really a lot to say about the older games. They’ve been visually improved a little bit to fall in line with what you’d expect from a PS4 or Xbox One offering, but overall there are still some performance issues and, to be fair, the gameplay hasn’t particularly aged well. When you get to the more recent games, this collection is a good excuse for fans that missed out on Ultimate Ninja 4 or Road to Boruto to get way more bang for their buck. If you’re new to Naruto, it’s also a fantastic way of exploring the series’ rich history because – like a lot of classic anime – by the time you get into it, there’s certainly a lot to catch up on.

Far Cry 3 still offers damn good time, and the Classic Edition is a great way to revisit Ubisoft’s influential classic or dive into it with fresh eyes. The tried-and-tested formula has advanced in recent years, leaving some aspects of Far Cry 3 to feel aged and inconsiderate, which could be too high a hurdle for newcomers to overcome.

Project Cars 3, at least on the base console versions, isn’t quite the polished sequel we were hoping for, but despite its foibles – and there are many – it’s entertaining. The racing can be fun, finding that niche of being accessible and competitive.

There were times during my playthrough of Mario Golf: Super Rush where I really got into the fun of golf, analysing the details of a course and fist-bumping the air when a shot went exactly like I planned it. But these moments were bogged down by a lack of content and a truly disappointing single-player campaign. Super Rush might appeal to some, but for the majority of Switch owners, I’d recommend skipping Mario’s latest trip to the links.

Vampyr might not be what many wanted after Life Is Strange, but it’s still an enjoyable – well, as enjoyable as its grim nature allows – game nonetheless.

It’s a painful reminder that we have it and had it so much better, even if the remaster seems to be far more prone to crashing than the original. Games like Horizon Zero Dawn, Mad Max, and even Bad Company 2 do almost everything better than Red Faction ever could.

Grow Up takes everything that made Grow Home so entertaining and adds to it accordingly, but the predictability of any sequel means it falls a little flatter than before.

Despite being rough around the edges, Blair Witch is a survival horror delight that will no doubt enrapture fans of the long-running franchise. It stays faithful to what makes the mythos so enticing while pushing it into some unpredictable new directions. Certain mechanics do feel clumsy and don't always hit the mark, with controls on console feeling rather unwieldy when combined with inconsistent performance. But with Bullet by my side, I wasn't alone in the Black Hills Forest, and it's a journey I'll happily take again.