It’s a histrionic distraction from the band doing their thing. Watch "Some Kind Of Monster" instead.

Sprinting to the edge of preposterousness and back, this deliriously entertaining day-glo noir of fried brains and blown fuses denotes a director at the top of his game.

Sure, the core tale of personal redemption is standard stuff but Zak Hilditch’s breathless, batshit-crazy thriller tears through orgies, mass suicides and murderous rampages to conclude on a scene as moving and terrifying as the climax of Melancholia. Hold on tight.

Taking Lorius’ own incredible expedition footage and giving it a whimsical bent and a voiceover, Jacquet shapes a powerful portrait of the world and its soothsayer.

Bigger, bloodier, blunter. Ghostface goes all-in for the kills in a brash but broad requel-sequel, sharpened by Barrera/Ortega’s ace pairing.

Assured if not inspired, Legacy keeps the Bourne engine ticking over without reaching top gear. The action's accomplished and Renner's fine. Without Matt Damon, however, it feels like a placeholder.

This perfectly alright actioner will entertain newcomers, while leaving Blomkamp fans in a holding pattern until his next project.

It’s a step up from the garbled silliness of Wolverine’s first solo outing. Unlike Origins, the storytelling is more sharply focused here, ignited by flashes of stylised superheroism.

A robust follow-up, which carries the same brooding atmosphere and tension of the original. The young cast additions are also excellent.

Taking aim at England’s ruthless ruling class rather than American misogyny, it’s a glossy, wildly over-the-top satire about a working-class student’s fatal attraction to an aristo family. Saltburn is a fiercely funny watch, albeit one that doesn’t deliver on its promise quite as well as Fennell’s debut.

Injecting fun and fairground thrills back into the spy movie, Kingsman is a blast. Firth is sensational, Jackson rules and newcomer Egerton surprises. Mission accomplished for Matthew Vaughn.

A bold, entertaining riot that captures the manic energy of its lead character and ushers in a gang you’ll want to join.

Star power swings to the rescue of a breezy romantic adventure that sticks to charted territory. Tatum fans will go weak at the Nees’ use of their hero.

Impressively acted by the unknown cast, and eerily shot in black and white, Nolan successfully creates his own distinctive cinematic world, leaving en route a trail of objects which may or may not have any meaning.

The resulting drama offers a great showcase for Dyrholm, whose slide towards instability is the film’s core.

Though not as dramatically rich or emotionally compelling as Skyfall, Spectre still ranks as a sleek, pulse-pounding if slightly overlong entertainment.

For all its warm-hearted fun, well-crafted thrills, careful nostalgia and girl-powered gadgetry, this fast-paced family film doesn’t always feel like a natural fit for Hollywood’s favourite genre-bender.

Despite a handful of high points and Raimi flourishes, Strange’s second solo film rarely feels like the best possible outcome of this confluence of director and character.

Beautiful and bold, rebellious and riotous, its sexual frankness puts E.L. James in the shade.

Cool cast, hip directors, but a movie that's less than the sum of both. Like its title character, Jeff is gentle, warm but a little forgettable.

For those looking for an easy-on-the-eye, brain-in-neutral-thriller, Wolfs still hits the spot.

Pleasingly silly sequel is a colourful, creative, deliciously daft animation.

Violent, gripping, darkly funny and deeply human… everything, in other words, you’d expect from a Sopranos story.

Ronan is the monarch of the lens in this feisty, feminist royal biopic, which favours queenly clashes over battlefield action.

Grungy, compact and delightfully violent, Dredd wants to hit you as hard as it can. The sequel may be the movie you really want, but for now, justice has been done.

The stalk ‘n’ slash sequences, though decent, can’t match Craven’s mastery of mood and mechanics, but the new guys understand that Scream movies are sick as well as slick.

Andy’s favourite sci-fi movie won’t be yours. But it’s a fun adventure with animation that sucks your eyeballs from their sockets.

Showing a keen, compassionate eye for human observation, Özge reveals how each of his character's lives is as gridlocked as the cars on the bridge.