The boundless inventiveness Nintendo is known for never quite bleeds through as you would expect, especially as an adaptation of one of Mario's most beloved 3D platformers. The Super Mario Galaxy Movie, then, shoots for the stars and ultimately comes up just short.

With stunning visuals, a beautifully emotional story, and a delightful central bond between Ryan Gosling's Grace and Rocky the alien, Project Hail Mary is large-scale sci-fi with tons of heart.

The seventh and supposedly final Scream is never as sharp or as smart as the series' best, but it still has a few neat tricks up its billowing sleeve. Enjoyably self-aware and satisfyingly bloody, this may be imitation Craven, but it proves Scream's slasher-whodunnit formula is still potent enough to thrill.

Loosely based on the 2001 game Silent Hill 2, Return to Silent Hill can be an atmospheric horror film with original creature designs worthy of Konami's legendary franchise. But a confusing plot, mediocre visual effects, and over-the-top acting might make director Christophe Gans' newest Silent Hill adaptation just as divisive as his first attempt 20 years ago.

Nia DaCosta turns things up to 11 with an energized take on the 28 Years Later world. Come for the gore but stay for the surprisingly frequent jokes and a pair of astonishing performances from Ralph Fiennes and Jack O'Connell, whose sadistic Jimmy Crystal is utterly hateful but always compelling.

The most action-packed Avatar yet still has the capacity to dazzle, with Oona Chaplin's Varang turning up the heat. Even if a frustrating lack of resolution and some repetitive storytelling choices make this feel more like The Way of Water part 2.

Despite Five Nights at Freddy's 2 slightly bettering its predecessor in terms of scares and impressive animatronics, the sequel fails to understand that less is more. By stuffing as many storylines and characters as possible into its relatively brief runtime, the sequel feels messy and inconclusive, leaving FNaF fans shortchanged.

By swapping gaudy satire for introspection (without losing any of the franchise's trademark flamboyance), Wake Up Dead Man brings Knives Out back to its roots and makes for a sequel that's almost on a par with the original.

A darker and sadder Part 2 brings the story of Oz's witches to a moving close and cements Jon M. Chu's adaptation of Wicked as an absolute triumph. But, For Good suffers slightly from thinner source material and weak new songs.

Some fun action and Glen Powell's star power aren't enough to energize a muddled, poorly paced ride with thinly drawn characters and an inconsistent world that wastes its abundant potential.

Predator: Badlands may irk traditionalists, but it's a big swing that just about works. The odd-couple dynamic between Elle Fanning's busted synth and the more human Yautja adds laughs to the usual lacerations for a fun, propulsive, off-world action-adventure.

With a surprisingly effective romance at its centre, and a dynamic ensemble of characters, Chainsaw Man – The Movie: Reze Arc offers more than just visually impressive blood-and-guts spectacle, even if it isn’t able to land every beat of its self-contained story, with the next arc beckoning somewhere on the horizon.

A serviceable blockbuster falls short of being truly fun by swapping the Grid for a real-world setting. Despite a good lead performance from Greta Lee and a great score, Ares lacks the charm and silliness of its Tron predecessors after one upgrade too many.

Paul Thomas Anderson's bravura comic satire is a serious film of the year contender, and one of the best studio movies in years. An instant classic.

Series veterans may rue the lack of certain supporting players (the hot-headed Inosuke is largely absent, while usual comic foil Zenitsu is all gritted teeth and gripped swords here) and the lack of levity may sting in a series renowned for its malleable tone and endless charm, but Infinity Castle achieves the impossible by roaring past Mugen Train as Demon Slayer's best adventure yet.

Not disastrous but disappointing all the same, The Conjuring: Late Rites commits the ultimate sin of not quite being bold or memorable enough for a final chapter.

The Long Walk is not for the faint of heart, but it is one of the best Stephen King adaptations ever made, and one of the best dystopian sci-fi movies to hit the big screen in a really long time.

Cleaving closely to the source material, del Toro wants to explore the trauma that makes us, mankind's capacity for cruelty, the death we bring on ourselves through war, and the catharsis of forgiveness – all notions that make Frankenstein relevant in current world politics and social media savagery.

Overall, Cregger’s twisted fairytale is not only the best horror movie to come out of an already impressive year for the genre, but Weapons is a positively terrifying, heartwrenching look at a struggling community.

Fantastic Four may not be the confident stride Marvel fans were hoping for but, at the very least, it's a solid first step.

It may not be a perfect movie, but in a word, it’s pretty super.

Despite too many two-dimensional characters, a bloated story, and forgettable mutant dinosaurs, Rebirth still manages to deliver some of the franchise’s best set-pieces. Jonathan Bailey and Scarlett Johansson stand out in this unscary sequel that needed a little more time in amber before being extracted.

A lot of campy, silly fun, just like its predecessor, with a few plucky upgrades – just don't go looking for an incisive commentary on AI.

Though stronger in its more straightforward first half than in its experimental and hallucinatory second, 28 Years… still provides enough terror, splatter and suspense to satisfy.

It's clear Wassung and Trachtenberg just get it. Somehow, they're able to push the sci-fi envelope and offer up fresh images and ideas the series has yet to see, while also appealing to diehard fans with Easter eggs.

It makes for a tonally consistent movie, though one that fails to deliver on a deeper emotional level – arguably the element that elevated the franchise above its many clones. It's a shame, because the action really is brilliant, even if the plot gives you a sense of déjà vu. Whoa.

Karate Kids: Legends is a classic story reimagined for the TikTok generation. Ben Wang is a fantastic lead, while Jackie Chan and Ralph Macchio have fantastic chemistry – if only they had more screentime. One of the better installments in this mixed franchise.

The Final Reckoning brings both the Dead Reckoning storyline and the franchise as a whole to a satisfying close. As ever, Cruise is in peak condition, front and centre amid some looney stuntwork. If only his antagonist Gabriel was a more worthy opponent.